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First published July 9, 2024
1950, Washington D.C. Briar House is an all-female boarding-house run by the stingy Mrs. Nelson who wants the money but not the work. Her children, teen Pete and tween Lena, bear the brunt of her behaviour. The boarders also mostly stay to themselves. This changes when widowed Grace March moves into the attic room. With her friendliness and care, she draws all the neighbours into a tightly knit group, even though she herself stays an enigma.
The weekly dinner parties, conducted when Mrs. Nelson is out on her weekly bridge night, soon become a highlight for all the residents and the two Nelson children. But one day, a shocking incident occurs during the get-together, putting into jeopardy not just the friendship but also the people in the house.
The story comes to us in the third-person perspectives of various characters over a four-year period, with some interludes from the “contemporary” time of 1954 by the special character, Briar House itself.
"It's seen three wars, ten presidents, and countless tenants... but until tonight, never a murder. Now its walls smell of turkey, pumpkin pie, and blood, and the house is shocked down to its foundations."
★★★★★ (5 stars)
“In classic Quinn fashion, the identity of the victim remains hidden until the final chapter.”
The Briar Club by Kate Quinn was a recent book club pick, and it was a hit — every member thoroughly enjoyed it. Quinn consistently writes strong, resilient female characters who are forced to navigate the constraints of male-dominated societies, and she brings the same trademark strengths to this novel. Her commitment to research is well known, and her historical and author notes are always fascinating. She lays out the “bones” of her story — what comes directly from history — while transparently showing where she allows herself imaginative freedom.
This novel is set during the fevered McCarthy era, spanning the early to mid-1950s in Washington, D.C. — ground zero for the political paranoia of the time. The women at the heart of the story live in a women’s boarding house, a common and respectable option for single working women. At that time, an unmarried woman could not simply rent her own apartment; she either lived with her parents or found a room in a supervised house like Briarwood.
Quinn structures the novel as a character-driven story, giving each woman her own chapter told in a limited third-person point of view. With every shift in perspective, the reader gains insight into that character’s past, her secrets, and the desires she carries into her life at Briarwood.
Cleverly, the house itself becomes a character. The Briarwood house offers commentary in short interludes between chapters — and even opens the novel by announcing that there has been a murder on the top floor. Through the house’s perspective, the reader receives key details about the mystery woven through the story. True to Quinn’s style, the identity of the victim remains unknown until the final chapter.
One of the most charming elements of the book is Quinn’s use of recipes. Each woman contributes a recipe that reflects her history, personality, and emotional world. In her Historical Notes, Quinn explains that the book originated from her curiosity about whether she could write a novel structured around relevant recipes — a thought that began during COVID lockdown and evolved into this inventive structure. The weekly dinners shared by the boarders deepen their bonds, and the recipes become small windows into their inner lives.
Kate Quinn remains a reliably excellent historical fiction author. If she writes a novel, I will read it. Highly recommended.
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