Bad and sort of spiritually disgusting. I really wanted to like this book. The idea of a doubtful history could've been a really powerful way of telling the story of how something like mental illness and an eating disorder distorts your worldview. I've got this mad thing where I really believe that the best book of English history is 1066 and all that, not on account of its accuracy but functioning as a primer to cultural subconscious, the substratum, not quite sure how to express this? Anyway an aesthetic study of this could've been really cool, with the narrative of how eating disorders are displayed in art, culture, literature over time and an aesthetic reaction to the narrative.
But this book is full of neuroses and self absorption in a way that isn't helpful. the author's discussion of her own experience, while emotionally real, is not told in a way that helps elucidate or communicate an eating disorder to an audience that is unfamiliar with the lived experience or feminist work on the subject. It feels like instead the author is using the eating disorder to talk about herself. And frankly, I don't care about her, which sounds harsh but i as the audience are here for her ideas and not her. A symptom of this is the like embarrasing amounts of first person pronouns everywhere - it's just I, me, my etc. as if we're not talking about this vast reaching, societal phenomenon. I am here for a history of appetite and desire and social commentary and feminist theory, I really do not care about the author!!
I (I know, but I don't hold myself to the same standard as published authors) think the author treats this topic as essentially a way to talk about herself, her experience with this random doctor, etc. and whenever we get to the meat of the cultural critique and narrative and the web being spun, it's back to highly emotional, deeply personal and powerful stuff about the author's daily life. powerful and emotional to the author, that is, but I don't know the author nor can i empathise with her rarified academic life, so can get stunningly little out of it. And the real problem is that by taking her message and using it to discuss her own life and relationship with food, she loses the importance. the conclusion i as a reader can draw is not anything about the broader culture, it's just that the author has got some kind of weird thing going on with an 18th century dietician.
conclusion: I basically feel missold. i wanted an aesthetic critique / art history / cultural studies, i got a slightly strung-out memoir. I would really like this author to rewrite this book because this feels like a first draft where the author has not realised what the message actually is, and instead is writing the chronological process of research / documenting her spiral. this book 5 drafts later with something interesting to say about eating disorders in art and culture, what that says about society, using her experience to help communicate it to the audience in a restrained manner, and bringing the emotion in when necessary, would be incredible and powerful. right now its basically toothless and boring and slightly uncomfortable - voyeuristic? - to read. plus self absorbption has lead to us being robbed of what this book should be
also consistently odd re men with eating disorders - as a man with experience in this area. I'm not being glib i understand, but especially in the modern day when its becoming a huge problem for men there's got to be something interesting there - how does it play with changing society? wish there was a book about that. it's sort of handwaved at the start and not touched after. especially as the key central figure this dr cheyne very clearly has something going on in that regard - seems to be propagating the basically archaic view of this is a women's problem?? I think that's basically yucky.