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1953: A version of Racine's Andromaque

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This book is Craig Raine's version of Racine's "Andromaque". The inverted commas around the title indicate that Raine's play is not set in an historical 1953, but in a parallel universe where history has been as radically re-written as Racine's text. The author's poetry books include "Rich".

Paperback

Published January 1, 1990

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About the author

Craig Raine

82 books46 followers
Poet and critic Craig Raine was born on 3 December 1944 in Bishop Auckland, England, and read English at Exeter College, Oxford.

He lectured at Exeter College (1971-2), Lincoln College, Oxford, (1974-5), and Christ Church, Oxford, (1976-9), and was books editor for New Review (1977-8), editor of Quarto (1979-80), and poetry editor at the New Statesman (1981). Reviews and articles from this period are collected in Haydn and the Valve Trumpet (1990). He became poetry editor at the London publishers Faber and Faber in 1981, and became a fellow of New College, Oxford, in 1991. He gained a Cholmondeley Award in 1983 and the Sunday Times Writer of the Year Award in 1998. He is founder and editor of the literary magazine Areté.

His poetry collections include the acclaimed The Onion, Memory (1978), A Martian Sends a Postcard Home (1979), A Free Translation (1981), Rich (1984) and History: The Home Movie (1994), an epic poem that celebrates the history of his own family and that of his wife. His libretto The Electrification of the Soviet Union (1986) is based on The Last Summer, a novella by Boris Pasternak. Collected Poems 1978-1999 was published in 1999. A new long poem A la recherche du temps perdu, an elegy to a former lover, and a collection of his reviews and essays, entitled In Defence of T. S. Eliot, were both published in 2000. Another collection of essays, More Dynamite, appeared in 2013.

Craig Raine lives in Oxford. His latest books are How Snow Falls (2010), a new poetry collection; and two novels, Heartbreak (2010), and The Divine Comedy (2012).

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Profile Image for Samir Rawas Sarayji.
459 reviews104 followers
November 27, 2017
What an unexpected awesome surprise! A tragedy set in an alternative 1953, in which the Axis won WWII. His short, high propulsive verbs, intertwined with longer, concise phrases, made this a powerful linguistic journey of dialogue, while maintaining all the nuances and subtext necessary in an excellent play. Loved it.
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