Imprinted by Elizabeth Charles is a psychological thriller that refuses to let you read it at a safe distance. It gets under your skin, sometimes in ways you expect, sometimes in ways you don’t. For me, the surprise was deeply personal: the book’s portrayal of obsessive-compulsive disorder. I’ve been medically diagnosed with OCD, and while Tessa’s (our protagonist’s) compulsions are different than mine, the way Charles captured the intrusive thoughts, the looping mental patterns, and the profound effect it has on daily life was startlingly real. That kind of accuracy is rare in fiction, and it was unexpectedly validating to encounter it here. I suspect the author has real experience with OCD and trauma for how precisely this was portrayed.
This work is told through the eyes of three different women: grandmother Olivia, mother Sandy, and 18-year-old Tessa. Tessa’s journey is what we are following, with the help of letters and therapy assignments from the matriarchs. Tessa’s story is a constant push-and-pull between reality and perception. The story toys with you – maybe she’s imagining everything, maybe her mind is working against her.
One violent night changes everything. Tessa witnesses the death of her boyfriend, Chris, during a home invasion that seemed to be only for robbery. The trauma of that night follows her into every corner of her life, magnified when a trusted family friend, David, exploits her vulnerable emotional state. From there, Charles pulls you into a web of grief, confusion, and distrust – both toward the people around Tessa and her own mind. Her fear is palpable, her vulnerability raw, and yet, by the end, her resilience comes through with satisfying force. If she doesn’t always feel like an authentic teenager, it’s because her trauma has forced her into an adult’s headspace far too soon. Her toxic relationship with her mother only sharpens that edge.
The tone throughout is unnerving. Even in the still moments, there’s a nagging suspicion that you’re missing something, just as Tessa is. The multi-generational POVs amplify this, as each woman’s voice is distinct and layered with her own motives. It’s a clever structure that keeps you guessing without ever feeling gimmicky. If the opening chapter feels rushed, it’s in service of the story. You’re thrown into Tessa’s trauma the way she experienced it, confused, replaying events, searching for clarity. It’s disorienting, but intentionally so.
What stands out most here is the shockingly real portrayal of mental illness, paired with an unflinching look at how women (especially young women) are often dismissed in their fears and experiences, even by other women. This is a thriller that lingers because it feels so possible. For readers who love psychological thrillers and aren’t afraid of trigger warnings, Elizabeth Charles’ Imprinted will grip you from the first page.