Fun book! At its best when it traces the ways that food have shaped human behavior and society and vice versa. Sometimes a little sparse on details; I would have liked at least a sprinkling of deep dives into the origins of certain key foods or cooking styles, as opposed to just dropping them into the narrative fully formed. (There are a few exceptions to this, but not a ton.) The way the narrative touches on societies from all around the world is cool, though some (notably sub-Saharan African cultures) get shorter shrift than others. In addition, while the art is charming and clear, I would have loved a little more care and detail put into the depictions of food itself; most of the food on the page are suggestions of the real-world items using vague shapes and color. It's interesting, because the artist puts a great deal of care into depictions of architecture and scenery, so I know he probably could have done more. But, of course, the focus isn't really on the food here, it's on the people and the worlds they lived in. Each chapter does end with a sort of "summation page" featuring a single painterly image, and these are all pretty unreservedly gorgeous and evocative!
Maybe not surprisingly, the book was at its most interesting in the earlier chapters, depicting the history of food the furthest removed from what we're familiar with today. The discoveries and developments that made the foods of ancient Mesopotamia, Egypt and Greece what they were unfold in a most thrilling tapestry. And even further back, the exploration of the ways cooking developed in pre-historic settings was very neat! Even so, aspects of more recent eras, like the development of restaurant culture, the emergence of gastronomy as a pursuit of haute style, and the rise of "light eating" trends and their relationship to snacking, were worth the read.
I knew that I'd enjoy this author's vibe on the second page of text, when he had a caveman say, "Ice Age freaking picturesque, but we almost extinct." Indeed, caveman, indeed.