Interfacing with the Internet in Popular Cinema

by Aaron Tucker

The Internet is the most terrifying and most beautifully innovative invention of the twentieth century. Using film theory and close textual analysis, Tucker offers an explanation of the Internet and a brief history of its portrayal on film in order examine how it has shaped contemporary versions of self-identity, memory, and the human body.

265 pages, Hardcover

First published January 1, 2014

About the author

Aaron Tucker is the author of the forthcoming novel Soldiers, Hunters, Not Cowboys with Coach House Books on June 6th, 2023. His essay “A Cowboy’s Work” was longlisted for the 2022 CBC Non-Fiction Prize and is part of a work-in-progress collection of essays.

Tucker’s latest poetry collection is Catalogue d’oiseaux (Book*hug Press, Spring 2021). His novel Y: Oppenheimer, Horseman of Los Alamos (Coach House Books) was translated by Rachel Martinez into French as Oppenheimer (La Peuplade) in the summer of 2020. In addition, he is the author of two books of poetry, Irresponsible Mediums: The Chess Games of Marcel Duchamp (Bookthug Press) and punchlines (Mansfield Press), and two scholarly cinema studies monographs, Virtual Weaponry: The Militarized Internet in Hollywood War Films and Interfacing with the Internet in Popular Cinema (both published by Palgrave Macmillan).

He is currently a PhD candidate in the Cinema and Media Studies Department at York University where he is an Elia Scholar, a VISTA doctoral Scholar and a 2020 Joseph-Armand Bombardier doctoral fellow. He is currently studying the cinema of facial recognition software and its impacts on citizenship, mobility and crisis.

He was born in Vernon B.C. and grew up in Lavington B.C., on the lands of the Syilx Okanagan Nation. Currently, he is a guest on the Dish with One Spoon Territory.

Reviews

[Julia · Rating 5 out of 5]

Excellent book - careful, thoughtful, well-researched analysis and compelling arguments.