The opening story, “The Edge of Where My Light Is Cast,” by Sky McKinnon, is a touching tale about an AI cat and her journey to find her missing owner. It’s full of brisk imagery, sharp sensory details, and compelling settings.
“Son, Spirit, Snake” by Jack Nash started a bit slow for my tastes, but as the world came into view, I fell more and more deeply into the story. Set in a world in which spirits walk freely, it follows a young boy after the death of his brother. It’s a story of grief and life after death, but it’s also a story of the struggle to live. With mild themes of anti-capitalism and workers’ rights rounding out the emotional trajectory, the story feels both classic and modern, with contemporary depths at its core. Highly enjoyable and well worth the time it takes to read.
Next was Tom Vandermolen’s story “Nonzero.” This short but provocative story explores what would happen to a person lost in space. It’s engaging, poignant, and left me wanting more.
These first three stories are followed by an article, “On Writing and Science Fiction,” and a short story, “The Last Drop,” by L. Ron Hubbard, the latter also co-authored by L. Sprague de Camp. The article is excerpted from an interview and provides insight into Hubbard’s thoughts on the genre and his writing habits. The story is a fun and comedic romp, and I enjoyed reading it.
“The Imagalisk” by Galen Westlake centers on a cast of older characters in an assisted-living facility. The writing flows smoothly and held my attention the entire time. I can’t go into the plot much without spoiling it, but this was another touching story, facing themes such as aging, family relationships, and staying young at heart.
Next was “Life and Death and Love in the Bayou” by Stephanie Tallent. Character-driven and rich with sensory detail, this story immediately transported me to the bayou, and I could see and smell the setting with excruciating detail.
Lance Robinson’s “Five Days Until Sunset” followed, a story as much about an idea as about the characters that bring it to life. While at times the writing veers into the expository, it’s an enjoyable read and the characters bring the explorations to life in a way that reminds me of the greats of classic science fiction.
After a couple essays reflecting on the contest’s 40 years, there’s a story by S.M. Stirling called “Shaman Dreams,” inspired by Dan Dos Santos’s amazing cover art, “Starcatcher.” The story, for me, pales in comparison to the artwork; it feels more like an overly-detailed slice of life vignette than a story, light on character and lighter on plot. The descriptions are vivid and the setting comes to life, but the story itself felt lacking to me, not to my usual tastes.
“The Wall Isn’t a Circle” by Rosalyn Robilliard is one of the longest stories in the anthology; over ten percent of the entire book, it’s nothing short of a novelette. And yet, it’s obvious why this story was a winner: it’s captivating and easy to get lost in, in more ways than one. It’s a cyberpunk romp through multiple layers of consciousness and computers; it’s a modern “Neuromancer” rife with the contemporary implications of social media, cyber exploitation, and corporate greed, all smoothed over with questions around personal identity and sisterly love. It’s an exceptional story and I loved every moment reading it.
“Da-ko-ta” by Amir Agoora is a historical fantasy that explores a diverse range of issues. The story is imaginative and well-written, and I liked how Agoora slowly built tension throughout the story. While not my personal favorite so far, there’s no arguing it’s a good story.
The next story, “Squiddy,” was written by John Eric Schleicher. In a word, this story is gritty. It’s as engaging as can be and hooked me from the start, rich with character, voice, and dark realism. While the story leaves a lot of unanswered questions, it feels complete and ends on a hopeful note. This is definitely one of my favorites in the anthology.
After a delightful essay about the artist contest by Bob Eggleton, readers are presented with “Halo” by Nancy Kress. This story, which can’t be better described ad anything but an epidemiological procedural, is engaging and thought-provoking. The writing flows smoothly and could just as easily be a novel than a short story. I could easily say this is one of the best stories in the anthology, but given the contest-winning stories are by authors just at the start of their careers makes this feel like an unfair assessment.
The next contest-winning story is “Ashes to Ashes, Blood to Carbonfiber” by James Davies, which has got to have one of the best titles in the entire collection. The story considers what would happen if transmutation were possible—and the fuel source was living matter. It explores ideas of capitalism gone wrong, death and rebirth, and how small acts can have big consequences. While at times the story seemed to progress slowly, the world building was exceptional and the pacing steady enough that I couldn’t put the story down.
The penultimate story was “Summer of Thirty Years” by Lisa Silverthorne. This heartfelt story about death and dying and grief is as intimate as they come, full of rich sensory details celebrating the richness of life. If you’re prone to tears, best to bring tissues when you read this one.
Finally was Kal M’s story “Butter Side Down,” the other of the two longest stories in the anthology. An exploration of human nature, friendship, and the purpose of humanity, this epistolary tale has a more humorous bent than others in the anthology. It wasn’t my particular brand of humor, but I enjoyed the storytelling very much and liked how it slowly built from one scene to the next. There were a few parts that were hard to read given the nature of the epistolary format, but these instances aside, it was a great story.
Overall, this anthology was an adventure, full of amazing stories from writers who no doubt will become household names in the future. If you’re a fan of science fiction and fantasy, this book is a must-read.