I listened to Somewhat of a Ruse by Jess Heileman with a goofy grin plastered across my face, punctuated by giggles, gasps, and twinkling eyes at all the right moments. This audiobook was an absolute delight, earning a glowing 4.5 stars (rounded up to 5!), though I’ll explain why it lost a half-star in the second half, with spoilers clearly marked below.
I stumbled upon this book by chance, scrolling through my TBR list with nothing quite clicking. I picked it randomly, figuring if I didn’t like it, no big deal. But when I caught on to the trope, my eyes lit up! Oliver, the hero, falls for Laura, our heroine, but mistakenly thinks he’s smitten with her cousin, Matilda. I’m not sure what to call this trope—mistaken identity romance, maybe?—but I love it. Ever since Julia Quinn’s On the Way to the Wedding, I’ve been hunting for something similar, and this hit the mark perfectly.
Told entirely from Laura’s point of view, the story feels focused and immersive. There’s no spice, which makes it a great pick for younger readers (I’d say 12+, though a brief moment in the epilogue might nudge it slightly higher—otherwise, it could’ve been 9+). It’s an ideal entry point for young girls who want to try the romance genre.
What really stood out was the rich cast of women in the story: Laura, Matilda, Matilda’s friend (whose name I can’t recall), Selene (another cousin), Mrs. Pembrooke (the snobbish antagonist), and Mrs. Hunginton. The opening scene with Laura, Matilda, and her friend sets a lively tone. Matilda’s friend knows more about her than Laura does and acts snobbish about Laura’s status as the “poor cousin” (her mother married a commoner). Yet, in a nuanced moment, she notices Laura’s ill-fitting, unflattering second-hand clothes and sends her better ones. I wish the author had dug deeper into this friend’s dynamic with both Laura and Matilda—it’s one reason the book lost a half-star.
Mrs. Pembrooke, the story’s “villain,” constantly belittles Laura, overworking her as a governess by day and a chaperone by night. Matilda’s arc, meanwhile, felt like it deserved more closure at the end. The book’s short length—under 6 hours, compared to the usual 8-10 hours for romance audiobooks—left some threads underexplored, another reason for the slight deduction.
The plot is a charming tangle of secrets and lies. Laura’s uncle promises her and her sisters a £1000 dowry (each) if she helps secure an engagement between Matilda and Oliver. Laura gets caught in a web: pushing Matilda toward Oliver, hiding that she was the one he met in the dark, concealing her role as a governess and her status as the family’s poor relation, and covering for Matilda’s secret meetings with another boy. It’s a whirlwind of endearing chaos, and the happy ending wraps it up beautifully.
That said, the story can feel a bit simplistic, especially in the second half, where a touch more angst could have added depth. The short runtime didn’t allow for fuller exploration of characters like Matilda’s friend or Matilda herself.
I'll put it here before the spoilers: I also want to leave a positive note about the narrator who did an amazing job!
Spoilers Ahead!
I’m keeping this vague to avoid ruining the story, but the second half ties up conflicts a bit too neatly, missing chances for more tension or complexity. Oliver gets over the web of lies too easily. He mentions he suspected the truth all along, so it’s not a huge blow, but a confrontation where he admits he hoped Laura thought more highly of him could’ve added depth.
As for Matilda, she’s not interested in Oliver at the beginning, but —big spoiler—at the play, she runs off feeling “betrayed” by Laura. There’s a hint, at that point in the story, that she had her sights on Oliver, but more insight into her feelings, especially given what we learn in the epilogue (and suspect earlier), would’ve helped. This could’ve been fixed with Laura overhearing a conversation that hints at Matilda’s secret without spelling it out, or by showing Matilda suddenly desperate to marry Oliver ASAP, only to be shocked by the revelation of Oliver's interest in Laura.
I also wanted more of Selene. Since this is a standalone, I’m sad we won’t get her story—or Matilda’s, or even her snobbish friend’s. A slightly longer book could’ve fleshed out these arcs and made this an even stronger read.