For starters, I have to give it to the author for the bravery of offering readers a fantasy novel that falls completely out of the box! This has undoubtedly been one of the most unique fantasy books I ever read. No quests with unwilling heroes who are ready to die for the sake of the world and change from idiots to enlightened gods by the end of the book, no adventurous tales of noblesse and fighting for the good, no battles, no sword fights, no gore, it was as unexpected as it was fresh, in theory. Because, imagine a fantasy version of a UN council meeting with all the scheming and plotting and exchanging of favours, all the backstabbing and the shady deals and the bullying that go on behind the curtains, all the intrigue and the conniving and the political manouvering of people as if pawns on a game board... and you have this novel.
Fresh and unique, in theory, but I had a bit of issue with the writing style, which was not quite my jam, as I found it far too expositional - there were moments when I felt like I was reading a report or a bullet point list in an outline for a novel. There was a lot of repetition and 'time wasted' with the same thing over and over, as well as with the introductions and the rehashing of the council's previous deliberations and discussions, while the end felt ultra-rushed. For me, the emotional investment was severely lacking due to the 'dryness' of the writing style and the one-dimensionality of most characters (Nauveena exempt, she was rather interesting, as well as Venefica, but the witch wasn't given enough depth in her character building, for me). The twists were foreseable and not quite unexpected, but I quite liked the manner in which a few apparently unimportant characters are disregarded by the protagonists because of their ingrained prejudice and this ends up spelling their downfall - I had quite the 'you deserved that' moment reading a certain part at the end, seeing that for me, it was so obvious what and who was going to ruin things for them.
Something else I had a lot of issue with - but this is a personal peeve of mine - was the world building where it comes to specific details, which to me make the difference between a good book and a great one. When I'm reading fantasy that is set in a world not our own I don't want to stumble upon a character eating a croissant, or gulping a milkshake or enjoying a bowl of ramen (of these, only the ramen happens in this book, when there is not one culture in it that to me speaks of Asian inspired worlds...). When such things take place in fantasy books, I am instantly thrown out of the book and the immersiveness of the world to obsess about why the author couldn't be bothered with creating different terms for certain things - especially when, in this novel, the author does go to the trouble of coining something they call 'smoke leaf' and which I presume is akin to tobacco... so why not the ramen, why not the coffee? I honestly had trouble with this, and kept returning to it in my head while reading.
I still stand by my first words, this is unique, unlike anything I ever read before, and I believe that it could have been a massive five star read for me if it wasn't so overwritten and there had been a bit more care with detail. As it is, it was still a pleasant surprise that made me think of fantasy in a new, different manner and wish for more books with this kind of premise.