You know how they say “the journey is more important than the destination”? Well it seems like the writer took it quite seriously. Although the plot was pretty interesting, after a point, the story lost its momentum and became monotonous because it stuck to a flat plotline: the whole “journey to Shambhala” charade. With some fairly predictable twists, the book stays true to its genre. And like any other mystical adventure, the book has a hero who needs to save the world in his own way, a sidekick with the real skills, a man and a woman who initially hate each other but later end up falling in love, several masala action sequences, a few “not at all relevant to the plot” fights, some fairly irreparable damage to a rich side-character and deaths of some others.
The story is set in the year 1986. The protagonist, Henry Ashton, is a retired British Army officer who lives in Yorkshire Dales with Duggy, a retired Ghurkha Sergeant, receives a letter from a monk he had befriended while staying at a monastery in Laos, requesting him to retrieve “a treasure” that has been stolen from the monastery and has fallen into the wrong hands. Thus along with Duggy, he looks for people who can accompany him on this mission and comes across Susan, a mathematician from Oxford obsessed with Shambhala for some personal reasons of her own. They also hire Peter, a mercenary on the run from the US government and the best guide possible, who was aware as to how to tackle situations in warzones and other possible obstacles that they’d find. They travel from one warzone area to another, facing various hindrances, defeating the bad guys on their way in search for Shambhala based on clues that Susan helps to decipher.
Although the plot is interesting, the story seems a little stretched at various points. There was way too much back story for all the events that took place and the lack of a linear time line made the story look more than just a little abrupt. Random characters were given too much airtime.
Normally, meticulousness is a very good aspect in a book but you have to know when it gets more than required. At a lot of war sequences, the details about the weapons, the scenario, and the bad guys became unnecessary padding for the book.
Summing up, though the plot was engrossing, it wasn’t enough to keep the reader glued to the book.
Originally reviewed at Vaultofbooks.com, a close-knit community of fanatical readers. We are looking for perceptive readers who can write well, and we are eager to provide lots of free books in exchange for reviews. Shoot us a mail at contact@vaultofbooks.com