5 stars for the narration, 3.5 stars for the story
The multi-author
Subparheroes
series puts an interesting spin on the superhero genre, featuring characters whose superpowers are, well, less than ‘super’. In this story, Peregrine (Perry) Crawford has the ability to change colours – not himself (he’s not some kind of Chameleon Man), but of objects, whether it’s turning the puke-green curtains of his childhood bedroom curtains a much more pleasant and cheery yellow or his school-bully’s sweatshirt pink – or being able to see through the top layer of something to what’s underneath, because transparent IS a colour. Right?
Perry is actually descended from a line of superheroes – his grandfather could fly and his father could levitate (his superhero name was The Elevator); his mother even named him Peregrine in hopes that he, too, would develop the power of flight and would be known as The Falcon. But things didn’t pan out that way, much to his mother’s perpetual disappointment – and Perry is just an ordinary guy trying to live an ordinary life in Nova City. With his mother down on him all the time, Perry made the sensible choice to mostly cut her out of his life, but with no other family (his father is dead) he’s lonely, and while not shy, isn’t particularly self-confident, either. No-one apart from his mother knows about his superpower, and intends to keep it that way – but his life is turned upside down when, one morning in the mail room of the high-rise where he works, he turns a little bit of a random cardboard box transparent – and sees that it contains a bomb.
Sergeant Deckard of the bomb squad – accompanied by his trusty sniffer dog, Nix – soon arrives in response to the call about a suspicious package, and when Nix does her thing and confirms the box does indeed contain explosives, the building is evacuated while the device is neutralised. As Deckard is heading back to his cruiser, he sees the the cute, nerdy guy who raised the alarm peering into the back window – but before he can do much more than call out for him to step back, he sees a silver car pulling away, its driver wearing a rubber fox mask and pointing a gun out the window directly at Perry. Instinctively, Deckard takes Perry to the ground as something hits the side of the car just above their heads – and as the silver car roars away, jumps up and into the driver’s seat ready to give chase, just as Perry scrambles in the other side. With no time to insist on him getting out, Deckard tells him to buckle up and screeches off in pursuit, but a malfunctioning traffic signal (it seems) brings the short chase to an end as the silver car peels through a junction and Deckard is brought to an abrupt stop by a collision. Despite the evidence of his eyes, however, Deckard feels that something is off – he just can’t put his finger on what it is. Or why his passenger is suddenly looking so guilty.
Transparent is a Color is an entertaining, if not especially deep, story featuring a slow(ish)-burn romance between two likeable leads, and a straightfoward plotline in which our heroes are pitted against whoever is planting explosives across Nova City. Kaje Harper strikes a good balance between funny and serious, and although the mystery element is maybe a bit underdone - we don’t get to do any investigating alongside the characters and we’re not given any clues to go on - I don’t think the mystery is meant to be the focus of the story. Far more interesting is the mystery surrounding the cryptic letters Perry keeps receiving from something called SPAM (yes, there are plenty of sandwich jokes!) and the focus on Perry’s character growth as he learns to accept that maybe his superpower isn’t as useless as his mother always told him it was. I really liked that he gets to use it to save the day, and to see his confidence growing as he realises that others don’t think of his power as something to be dismissed or made fun of at all.
The romance between Perry and Deckard is cute, warm and funny and there’s plenty of chemistry zinging between them. Deckard clocks Perry immediately as totally his type – slight, nerdy, twinkish and bespectacled – but squashes thoughts of attraction because he’s a cop and Perry is a witness, even when it becomes clear that the attraction is mutual. On the one hand I appreciated that – so many of these types of stories have the leads hooking up when doing so is not only unethical but could damage an investigation – on the other, it means that the sex scenes feel a bit as though they’ve been tacked on at the end. I didn’t mind it too much though – these guys waited long enough for their fun, after all ;)
The secondary cast isn’t huge, but the standout is Nix; the closeness of the relationship and the trust between Deckard and his dog is really well-written, and I liked the way Perry so easily slots into that. And the way Perry deals with the army recruiter towards the end is an absolute hoot.
J.F Harding is one of my favourite narrators, so I was delighted when I learned he would be narrating this one. His performance is well-paced, expressive, expertly characterised and clearly differentiated, and his portrayal of Perry captures every facet of his character - his nerdiness, his insecurity, his sharp mind and sense of humour and his innate kindness. Perry’s light tone is nicely contrasted with the deeper, slightly growly note in Deckard’s voice, and the humour in the bantering exchanges between them comes through strongly and is perfectly timed. It’s an excellent performance all round and definitely added to my enjoyment of the story.
Transparent is a Color is charming, adorable and a lot of fun, and is an audiobook I’d certainly recommend if you’re in the mood for something light-hearted but which has something serious at stake. It’s true that not all heroes wear capes – sometimes the nerdy guy in the glasses doesn’t need one ;)