The descriptive tagline on this book’s cover – “Countdown” – proclaims “She has five days to save the world.” This promo, along with James Patterson’s name is supposed to let you now that this thriller promises to grab your attention. Like last year’s “Blowback”, James and his writing partner for this one, Brendan DuBois, have attempted another summer potboiler that includes a mix of Tom Clancy espionage, the intensity of TV’s “24”, and the layered suspense of David Baldacci.
“Countdown” begins with CIA agent Amy Cornwell leading a field operation with her sniper team in the mountains of northeastern Lebanon. They are being supported by an English MI6 sniper team who is helping them take out targets from the Abu Sayyal terrorist group. Everything seems to go well at first, but then the MI6 team doesn’t make it to the extraction point and get themselves captured.
Amy gets her team out, but goes back to save the MI6 team, led by Jeremy Windsor. Unfortunately, things don’t exactly go well, and only Amy and Jeremy escape alive. That’s when things go from bad to worse. It seems that Jeremy’s team had a second secret mission that Amy was not aware of – to kill Rashad Hussain, a dangerous terrorist who stays in the shadows, but has a horrific act of destruction planned for May 29th in New York.
Jeremy’s MI6 leaders are stating quiet about Jeremy’s secret mission and refuse to respond back to Amy’s CIA leaders. Amy’s boss is absolutely irate to find that out that Amy’s disobeyed her orders, and when discovers that she is helping to hunt down Rashad Hussain, he’s even more angry because Hussain is one of their own informants. Because Amy doesn’t back down, she is removed from her job and completely erased from the Agency.
At the same time, Amy’s husband, Tom and their eleven-year-old daughter are currently living in New York city where Tom is an investigative reporter and taking care of things whenever Amy is off serving n her secret governmental international missions. Tom’s becoming concerned because he notices he’s being watched. It’s the same people, but wearing different outfits and company themed clothes. Then he stops hearing from Amy and when he tries to make contact with her agency, they no longer recognize her existence.
Amy is left to work with Jeremy and their informal resources to try and save her family and New York city with only five days before it’s supposed to happen. Amy finds herself racing from Lebanon to France to England to New York in a race to stop one of the most powerful and life-threatening terrorist plots ever conceived or hundreds of thousands of deaths will just be the beginning of a madman’s vision of the future.
In many ways, this is a typical Patterson/Dubois political thriller delivered with their usual formula plotlines. There’s a lot of dramatic twists, multiple interconnecting storylines, and a larger rather than smaller cast of characters presented in a strong Tom Clancy techno-style delivery. It also has the required level of action, violence, suspense, and mystery expected by us as Patterson readers.
Let’s be honest. Don’t expect it to be realistic. And yes, it’s over-the-top more than a few times. Some the characters are pretty one dimensional, including Amy’s boss, Jeremy’s boss, and even Amy at several points in the story. She is such a stubborn, refuse to obey orders or listen to anyone around her, that I found her more annoying than likeable more times than not. And to make it worse, every time Amy and Jeremy got themselves into serious and deadly situations, they always found (many times unbelievable) ways to get themselves out without having to sacrifice or suffer much physical damage for very long. I was almost starting to think of Amy and Jeremy as almost having super-hero powers. In addition, the bad guys were stereotypical cliched middle eastern jihad driven killers seeking destructive revenge against those who don’t believe in their ways and are willing to sacrifice their lives for it. Seriously?
It's just my personal opinion, but this one felt a bit over-done for my tastes. It followed the formula so much that it became predictable and I lost some of my empathy with the characters and their feeling real. At times, the storylines came across as more clinical than creating any emotional connection, as if the writers were trying to do too much rather than finding a good writing rhythm and creating three-dimensional characters that draw the reader in and feel part of the story.
Now, here’s where I have to be careful and not give away any spoilers, but the last fifteen pages were more than surprising and downright irritating in more ways than one. The authors tried to be John Le’Carre and they came across more like Scott Adams writing a Dilbert office scene. They way overthought themselves out of the game. They were totally unrealistic. And even left two of the biggest plotline climaxes to end off-stage, which was enough to make me scream out loud. In some ways we ended up back at the proverbial beginning, which left me wondering why I even read the dang book. Everything in the last fifteen pages was to set-up the next Amy Cornwell series book. Ugh! Another Ugh! Triple Ugh.
Overall, it comes down to this truth. We don’t read Patterson for realism. We read him for high level thrillers that help us escape our daily grind and enjoy an exciting thriller that makes us forget about all else. This one wasn’t his worst and it certainly wasn’t his best. Basically, it was somewhere in the middle for me, and that is way more generous than I should be. For me, this started off pretty well, then became more formulaic and superficial as it went along, and ended in a literary overblown stink bomb.
Hopefully, you will enjoy it more than I did. 2.5 out of 5 stars (yes Goodreads doesn't round to a half point) and consider it an early Christmas gift.