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果しなき流れの果に
巨大な剣竜や爬虫類がいた六千万年も前の中生代の岩層から、奇妙な砂時計が発見された。その砂は、いくら落ちても減らず、上から下へ間断なく砂がこぼれおちて、四次元の不思議な世界を作り出していた。常識では考えられない超科学的現象……！ さらに不可解な事件が起きた。この出土品の発見場所の古墳へ出向いていた関係者が、次々と行方不明となり、変死を遂げてしまったのだ――。強大な内なる闇に対抗するための、遥かな時間と空間を超えた壮大な戦いを、迫力に満ちたイマジネーションで描く日本を代表するＳＦ長編作。偶然発見された、貴重な創作メモを収録。作家の思考の流れを詳細に辿り、創作の原点を明らかにするエキサイティングな特典解説つき！
437 pages, Paperback Bunko
About the author
Sakyo Komatsu
57 books37 followersBorn Minoru "Sakyo" Komatsu in Osaka, he was a graduate of Kyoto University where he studied Italian literature. After graduating, he worked at various jobs, including as a magazine reporter and a writer for stand-up comedy acts.
Komatsu's writing career began in the 1960s. Reading Kōbō Abe and Italian classics made Komatsu feel modern literature and science fiction are the same.
In 1961, he entered a science-fiction writing competition: "Peace on Earth" was a story in which World War II does not end in 1945 and a young man prepares to defend Japan against the Allied invasion. Komatsu received an honourable mention and 5000 yen.
He won the same competition the following year with the story, "Memoirs of an Eccentric Time Traveller". His first novel, The Japanese Apache, was published two years later and sold 50,000 copies.
In the West he is best known for the novels Japan Sinks (1973) and Sayonara Jupiter (1982). Both were adapted to film, Tidal Wave (1973) and Bye Bye Jupiter (1984). The story "The Savage Mouth" was translated by Judith Merril and has been anthologized.
At the time of publication, his apocalyptic vision of a sunk Japan wiped out by shifts incurred through geographic stress worried a Japan still haunted by the atomic devastation of Hiroshima and Nagasaki. He was inspired to write it thinking of what would happen if the nationalistic Japanese lost their land, and ironically prefigured the 2011 Tōhoku earthquake and tsunami that triggered a nuclear plant disaster decades later on March 11, 2011 - the result of which he was interested in "to see how Japan would evolve" after the catastrophe.
Komatsu was involved in organizing the Japan World Exposition in Osaka Prefecture in 1970. In 1984, Komatsu served as a technical consultant for a live concert in Linz, Austria by Japanese electronic composer Isao Tomita. He won the 1985 Nihon SF Taisho Award. Komatsu was one of two Author Guests of Honor at Nippon 2007, the 65th World Science Fiction Convention in 2007 in Yokohama, Japan. This was the first Worldcon to be held in Asia.
With Shin'ichi Hoshi and Yasutaka Tsutsui, Komatsu was considered one of the masters of Japanese science fiction.
Komatsu died shortly after the destruction that followed the themes of his first and hugely successful novel. In the issue of his quarterly magazine published on July 21, Komatsu said he hoped to see how his country would evolve after the catastrophe. "I had thought I wouldn't mind dying any day," he wrote. "But now I'm feeling like living a little bit longer and seeing how Japan will go on hereafter." He died five days after publication, aged 80.
Komatsu's writing career began in the 1960s. Reading Kōbō Abe and Italian classics made Komatsu feel modern literature and science fiction are the same.
In 1961, he entered a science-fiction writing competition: "Peace on Earth" was a story in which World War II does not end in 1945 and a young man prepares to defend Japan against the Allied invasion. Komatsu received an honourable mention and 5000 yen.
He won the same competition the following year with the story, "Memoirs of an Eccentric Time Traveller". His first novel, The Japanese Apache, was published two years later and sold 50,000 copies.
In the West he is best known for the novels Japan Sinks (1973) and Sayonara Jupiter (1982). Both were adapted to film, Tidal Wave (1973) and Bye Bye Jupiter (1984). The story "The Savage Mouth" was translated by Judith Merril and has been anthologized.
At the time of publication, his apocalyptic vision of a sunk Japan wiped out by shifts incurred through geographic stress worried a Japan still haunted by the atomic devastation of Hiroshima and Nagasaki. He was inspired to write it thinking of what would happen if the nationalistic Japanese lost their land, and ironically prefigured the 2011 Tōhoku earthquake and tsunami that triggered a nuclear plant disaster decades later on March 11, 2011 - the result of which he was interested in "to see how Japan would evolve" after the catastrophe.
Komatsu was involved in organizing the Japan World Exposition in Osaka Prefecture in 1970. In 1984, Komatsu served as a technical consultant for a live concert in Linz, Austria by Japanese electronic composer Isao Tomita. He won the 1985 Nihon SF Taisho Award. Komatsu was one of two Author Guests of Honor at Nippon 2007, the 65th World Science Fiction Convention in 2007 in Yokohama, Japan. This was the first Worldcon to be held in Asia.
With Shin'ichi Hoshi and Yasutaka Tsutsui, Komatsu was considered one of the masters of Japanese science fiction.
Komatsu died shortly after the destruction that followed the themes of his first and hugely successful novel. In the issue of his quarterly magazine published on July 21, Komatsu said he hoped to see how his country would evolve after the catastrophe. "I had thought I wouldn't mind dying any day," he wrote. "But now I'm feeling like living a little bit longer and seeing how Japan will go on hereafter." He died five days after publication, aged 80.
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