Out of Paradise -- this story, about a sordid affair far early in the history of Bunny and Raffles, is a lurid articulation of love and society. Raffles is at his worst in this story, deliberately lying to Bunny about the robbery they are to undertake. There's a bit of humanization--we see that he may not have known the lady, Bunny's fiancée, was at the house--but that is all there is; his power is in boldness and bohemianism.
I really liked the characterization in this story. The love that Bunny has for his fiancée is one which we can see as numinous--she, to him, is never to be named, precisely because she is so loved; in her turn, despite the horror of their final circumstance, still feels enough affection for him not to give him in, to end things cordially. She is an all-forgiving person. She is Christ-like. This is contrasted heavily with the "love" (and this is the term used) that Bunny has for Raffles. To him, Raffles is audacious and full of humor; he is characterized by his gayety, cleverness, and courage. These things, more than their life of crime, is what attracts Bunny, and these things are what ultimately allow him to choose Raffles.
Raffles, on his side, acts pretty much how Bunny describes him. He is audacious, thinking on the spot about what he is to do, tricking Bunny on a moment without (if we believe him) finding full comfort in a full knowledge of the situation at the target home. He is confident and joking, their talk is banter--if serious banter. Raffles, further, is a gentleman; his hair is black and well-groomed, he acts with courtesy. He doesn't come around to see Bunny again after the incident, in part out of shame, but mostly because he thinks that Bunny may still be "in Paradise"--he may still have a chance with the girl, such that he cannot invite him fully into his life of crime. Read in this way, his plan is that of a coquette and his various reticent attitudes those of a tsundere. He wants what he claims to despise--he wants Bunny to be his partner, but he cautions Bunny all the way against it--and he wins Bunny through these boldly subtle behaviors, through the very ambivalent feelings he has over his Bunny.
This story is also plain fun. Hornung didn't trick me--but he did write Bunny's foolishness out very nicely, and the whole story--filled with insane melodrama--is absolutely fantastic.
"The Chest of Silver" --
This story was fun. Raffles' home is going to be looked over by the police, he must hide his valuables, and so he orchestrates a plot (via tricking Bunny, of course) to rob himself (more-or-less) to avoid suspicion. It is a little strange. The major plot beat--and I mean heart beat, I suppose--is the mutual attraction between Raffles and Bunny. In this case, Bunny is totally done in by Raffles' guiles, trusting completely in his curt attitude. Raffles, despite is apparently winsome trickery, himself still trusts Bunny--in this case, Bunny's subjective responses to the whole affair as he presents it--and to Bunny's moral compass (such that it is) to make things work out. The plot of this story is either ripped wholly from other crime fiction--such as Sherlock Holmes--or is part of a trope.
The Rest Cure --
Raffles and Bunny take up residence in a house illegally. They stay there--Bunny desiring more attention from Raffles, them both keeping quiet--until the Colonel--the owner of the house--appears unexpectedly. Bunny has dressed all in woman's clothing in a feat to trick Raffles, who he wants to revenge himself for his neglect, and a comedic scene ensues. Finally, a brawl breaks loose, and Raffles saves Bunny; they tye of the Colonel tighter than any other binding Bunny has seen, leaving him perhaps to die. But Raffles sends a note to the police to save them, with Bunny simply believing that Raffles--this worst part of Raffles, his vengeance and anger; his criminality--would supersede his humanity; ultimately, this was not the case.