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Madrid: Historia de una ciudad de éxito (NO FICCIÓN)
«Hemos pasado del estereotipo de Madrid como ciudad sin gracia, de generales reaccionarios y funcionarios pasivos, a una ciudad espléndida, pujante y cosmopolita, cuyos cimientos están formados por siglos de patrimonio cultural y destacados logros artísticos. El Madrid del siglo XXI se ha despojado de su ropaje aparentemente aburrido para convertirse en un lugar de belleza».
Ciudad amada y denostada a partes iguales, Madrid ha influido en el transcurso de la historia durante siglos y hoy es la ciudad más importante, cosmopolita y dinámica del sur de Europa, así como un puente vital entre este continente y América.
Madrid es la única capital europea de fundación islámica, con un destacado papel en el medievo y sede de un imperio global hasta el siglo XIX. Centro de la enorme ebullición cultural de los años veinte y treinta del XX, fue uno de los protagonistas principales de la Guerra Civil española y también de las protestas antisistema de los primeros años del siglo XXI.
Luke Stegemann es un enamorado de Madrid desde que llegó a la ciudad procedente de Australia a finales de los años ochenta. Ha vivido en ella, la conoce y la quiere. Este brillante ensayo es su tributo personal para ayudarnos a entenderla mejor.
Ciudad amada y denostada a partes iguales, Madrid ha influido en el transcurso de la historia durante siglos y hoy es la ciudad más importante, cosmopolita y dinámica del sur de Europa, así como un puente vital entre este continente y América.
Madrid es la única capital europea de fundación islámica, con un destacado papel en el medievo y sede de un imperio global hasta el siglo XIX. Centro de la enorme ebullición cultural de los años veinte y treinta del XX, fue uno de los protagonistas principales de la Guerra Civil española y también de las protestas antisistema de los primeros años del siglo XXI.
Luke Stegemann es un enamorado de Madrid desde que llegó a la ciudad procedente de Australia a finales de los años ochenta. Ha vivido en ella, la conoce y la quiere. Este brillante ensayo es su tributo personal para ayudarnos a entenderla mejor.
1164 pages, Kindle Edition
First published May 29, 2024
50 people are currently reading
388 people want to read
About the author
Luke Stegemann
4 books11 followersLuke Stegemann is a writer, editor, translator and former media business manager. He has spent nearly three decades living between Europe and Australia. He is most recently the author of The Beautiful Obscure: Australian Pathways through the Cultural History of Spain. He currently lives in rural Queensland where he teaches media, film and television.
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Displaying 1 - 10 of 10 reviews
November 22, 2024
This excellent book is a labour of love, a personal tribute to a city.
"... for every seemingly anonymous apartment is someone's intimate landscape..." It is described with great feeling and understanding, the attempt to represent all sides and understand everyone is outstanding. This is a chatty social and cultural history of Madrid, from the earliest times, the Roman period, through the Visigothic kings, Muslim period and so forth. This history of this specific city divorced from the general history of Spain as a framework assumes that the reader would already be familiar with Spanish history. Without a history of Spain serving as a framework, the narrative suffers and is unfocused and often jumping all over the place. It assumes an intimacy with the physical landscape of Madrid as well. The depiction is generally rather fair-minded without commiting to either side for instance presenting the Republicans and Nationalists with all their nuances and also atrocities in the Spanish Civil War fairly. There is also an preoccupation with the "unfair" depiction of Madrid and Spain in general by the Northern European nations. This is been iterated time and again in this account of Madrid, ad nauseum. Artists, writers and others are also mentioned and listed including forgotten and less celebrated ones. The writer is familiar with Spanish writers and their works. The writer also interjects a personal aspect a total of four times in the book which was rather odd.
In general, this is a worthwhile read. It presents a city that is less celebrated in the English language than others.
"... for every seemingly anonymous apartment is someone's intimate landscape..." It is described with great feeling and understanding, the attempt to represent all sides and understand everyone is outstanding. This is a chatty social and cultural history of Madrid, from the earliest times, the Roman period, through the Visigothic kings, Muslim period and so forth. This history of this specific city divorced from the general history of Spain as a framework assumes that the reader would already be familiar with Spanish history. Without a history of Spain serving as a framework, the narrative suffers and is unfocused and often jumping all over the place. It assumes an intimacy with the physical landscape of Madrid as well. The depiction is generally rather fair-minded without commiting to either side for instance presenting the Republicans and Nationalists with all their nuances and also atrocities in the Spanish Civil War fairly. There is also an preoccupation with the "unfair" depiction of Madrid and Spain in general by the Northern European nations. This is been iterated time and again in this account of Madrid, ad nauseum. Artists, writers and others are also mentioned and listed including forgotten and less celebrated ones. The writer is familiar with Spanish writers and their works. The writer also interjects a personal aspect a total of four times in the book which was rather odd.
In general, this is a worthwhile read. It presents a city that is less celebrated in the English language than others.
January 1, 2025
Un texto ameno don de el autor da muestra de su aprecio por la ciudad (aunque en ocasiones incide demasiado en lo anecdótico) Un buen recorrido por los personajes que marcaron la historia de Madrid y los artistas que fueron parte de ella.
August 19, 2025
After visiting Madrid, and falling in love with the city, I was very excited to read this book. Unfortunately, early on in my reading I started considering dropping it. What kept me going was unfounded optimism that it might get better, interest in the topic, and after 200 pages, spite.
I'm not sure who this book was intended for. It's not a fact packed dry history book and it's not based in pop history story telling either for a more leisurely read. It uses Spanish names very freely, which is understandable, but often with no explanation on what that thing or person or place or concept actually is, leaving me guessing from context and googling (which I gave up on because it was too frequent). This would indicate some level of knowledge about Spain and Madrid's history is needed I guess. At the same time, the historical facts for the most part are kept at such a high level, that except for maybe a few facts, anyone who knows what an *insert Spanish word for a very specific strata of medieval Spanish people* is, would also already know it. Even concepts or events that were written in a couple of pages or paragraphs left me with questions, since they were poorly explained with key information missing or poorly integrated within the text.
The story telling and flow of the text is not good, at times randomly jumping back and forth between decades and centuries, sometimes to make a clumsy connection, and sometimes as just straight up clumsy writing.
The favorite literary device of the author is listing things, to the point it became comical. They also love the word 'albeit' more than anyone should.
The language and imaging gets rather poetic at times, by the end I was wondering if the author would be more comfortable writing a book of pure fiction or poetry about Madrid.
I'm not sorry I read the book, but I will not be recommending it further. In fact, if you're reading this, and know a well written book about Madrid, let me know.
I'm not sure who this book was intended for. It's not a fact packed dry history book and it's not based in pop history story telling either for a more leisurely read. It uses Spanish names very freely, which is understandable, but often with no explanation on what that thing or person or place or concept actually is, leaving me guessing from context and googling (which I gave up on because it was too frequent). This would indicate some level of knowledge about Spain and Madrid's history is needed I guess. At the same time, the historical facts for the most part are kept at such a high level, that except for maybe a few facts, anyone who knows what an *insert Spanish word for a very specific strata of medieval Spanish people* is, would also already know it. Even concepts or events that were written in a couple of pages or paragraphs left me with questions, since they were poorly explained with key information missing or poorly integrated within the text.
The story telling and flow of the text is not good, at times randomly jumping back and forth between decades and centuries, sometimes to make a clumsy connection, and sometimes as just straight up clumsy writing.
The favorite literary device of the author is listing things, to the point it became comical. They also love the word 'albeit' more than anyone should.
The language and imaging gets rather poetic at times, by the end I was wondering if the author would be more comfortable writing a book of pure fiction or poetry about Madrid.
I'm not sorry I read the book, but I will not be recommending it further. In fact, if you're reading this, and know a well written book about Madrid, let me know.
September 23, 2024
Preciosa descripción de la ciudad de Madrid de una manera objetiva perfectamente documentada. Narra toda la historia a través de personajes históricos, citas y detalles que solo los que conozcan Madrid reconocerán sacándoles una sonrisa al reconocer cada uno de ellos. Un verdadero disfrute.
December 19, 2025
Madrid: A New Biography, del historiador australiano Luke Stegemann, es una obra de ambición poco frecuente. Es titánica en su alcance y, sin embargo, sorprendentemente manejable y accesible. El libro recorre la historia de Madrid desde su origen islámico como Mayrit, pasando por hitos fundacionales como el traslado de la corte por Felipe II en 1561, hasta episodios recientes como el movimiento del 15-M, sin caer en la tentación de convertir la ciudad en un simple decorado histórico. Stegemann entiende Madrid como un organismo vivo, en permanente mutación, y logra ofrecer una narración continua y legible de una ciudad que, por definición, se resiste a ser abarcada.
Uno de los grandes aciertos del libro reside en su sofisticado nivel de análisis, que no se limita a la sucesión de acontecimientos políticos, sino que traza un diálogo fecundo entre figuras literarias, artísticas y culturales de distintos siglos. A través de estas constelaciones —escritores, pensadores, arquitectos, cronistas— Stegemann va tejiendo un hilo común que permite comprender cómo se ha ido configurando eso que, con todas sus fracturas y tensiones, ha terminado llamándose España. Madrid aparece así no solo como capital administrativa, sino como espacio simbólico, laboratorio cultural y escenario de disputas ideológicas de largo recorrido.
Quizá la mayor conquista intelectual del libro sea su defensa del matiz. Stegemann rehúye el maniqueísmo y evita caer en los lugares comunes de ciertas relecturas revisionistas contemporáneas que, en nombre de una supuesta lucidez crítica, empobrecen el análisis histórico. Sin ser complaciente ni desatender cuestiones incómodas, el autor no adopta una credulidad automática frente a relatos heredados —como la llamada “leyenda negra”— ni frente a algunos discursos políticos actuales, incluidos aquellos que han tendido a blanquear, desde posiciones supuestamente progresistas, la pobreza moral de determinados nacionalismos periféricos o del terrorismo de ETA. El resultado es una mirada crítica, pero no dogmática. E informada pero no moralizante.
Todo ello está narrado con una pasión palpable por la ciudad, una implicación afectiva que no compromete en ningún momento el rigor historiográfico. Paradójicamente —o quizá no tanto— este historiador australiano demuestra una sensibilidad, un respeto y un amor por Madrid que muchos “escritores” locales recientes parecen haber perdido, entregados a una escritura descuidada (y, en algunos casos, patética), panfletaria y simplificadora que hace un flaco favor a la complejidad de la ciudad que dicen retratar. Frente a esa tendencia, Madrid: A New Biography se erige como una obra seria, estimulante y necesaria.
En suma, el libro de Luke Stegemann es una recomendación inequívoca para cualquiera que desee un acercamiento decente, informado y honesto al entendimiento de una ciudad inabarcable por la riqueza y vitalidad de su historia. No ofrece relatos cómodos, pero sí algo mucho más valioso, una invitación a pensar Madrid con inteligencia, matiz y respeto.
Uno de los grandes aciertos del libro reside en su sofisticado nivel de análisis, que no se limita a la sucesión de acontecimientos políticos, sino que traza un diálogo fecundo entre figuras literarias, artísticas y culturales de distintos siglos. A través de estas constelaciones —escritores, pensadores, arquitectos, cronistas— Stegemann va tejiendo un hilo común que permite comprender cómo se ha ido configurando eso que, con todas sus fracturas y tensiones, ha terminado llamándose España. Madrid aparece así no solo como capital administrativa, sino como espacio simbólico, laboratorio cultural y escenario de disputas ideológicas de largo recorrido.
Quizá la mayor conquista intelectual del libro sea su defensa del matiz. Stegemann rehúye el maniqueísmo y evita caer en los lugares comunes de ciertas relecturas revisionistas contemporáneas que, en nombre de una supuesta lucidez crítica, empobrecen el análisis histórico. Sin ser complaciente ni desatender cuestiones incómodas, el autor no adopta una credulidad automática frente a relatos heredados —como la llamada “leyenda negra”— ni frente a algunos discursos políticos actuales, incluidos aquellos que han tendido a blanquear, desde posiciones supuestamente progresistas, la pobreza moral de determinados nacionalismos periféricos o del terrorismo de ETA. El resultado es una mirada crítica, pero no dogmática. E informada pero no moralizante.
Todo ello está narrado con una pasión palpable por la ciudad, una implicación afectiva que no compromete en ningún momento el rigor historiográfico. Paradójicamente —o quizá no tanto— este historiador australiano demuestra una sensibilidad, un respeto y un amor por Madrid que muchos “escritores” locales recientes parecen haber perdido, entregados a una escritura descuidada (y, en algunos casos, patética), panfletaria y simplificadora que hace un flaco favor a la complejidad de la ciudad que dicen retratar. Frente a esa tendencia, Madrid: A New Biography se erige como una obra seria, estimulante y necesaria.
En suma, el libro de Luke Stegemann es una recomendación inequívoca para cualquiera que desee un acercamiento decente, informado y honesto al entendimiento de una ciudad inabarcable por la riqueza y vitalidad de su historia. No ofrece relatos cómodos, pero sí algo mucho más valioso, una invitación a pensar Madrid con inteligencia, matiz y respeto.
March 22, 2025
I love reading books about places I’m traveling through. This is the first “biography” of a place and I read it during our one-week spring break vacation in Madrid. I read about Velasquez and then we saw his beloved paintings in the Prado. We visited El Mercado San Miguel and two days later I learned the nuanced story of the demolished church on which it sits, Velasquez’s remains likely churned up during the church’s destruction, and the gentrification of the neighborhood. There are so many unique layers to the city — the only European capital with an Islamic foundation, the first “properly global power,” and locations know more by nearby cafés than street names. Despite seemingly perpetual political turnover, “The city and its art, however, abide. The charter of its people abides.”
The author concludes by writing, “Change has been a constant for over a thousand years and every generation lives their own version of the city, observes a steady morphing while clinging to elements that constitute solid ground. The institutions stand, weighty in their architecture and civilian authority; the streets have their faces scrubbed; the heritage that remains is carefully guarded and repurposed.”
The author concludes by writing, “Change has been a constant for over a thousand years and every generation lives their own version of the city, observes a steady morphing while clinging to elements that constitute solid ground. The institutions stand, weighty in their architecture and civilian authority; the streets have their faces scrubbed; the heritage that remains is carefully guarded and repurposed.”
October 2, 2025
I am only an occasional non-fiction reader so am proud of having finished this rather scholarly tome on the city of Madrid. The author writes well but gets a bit polemical in defense of his beloved Madrid which he feels has been maligned by just about everyone. I really enjoyed having read the book when we spent five nights in the city just last month. Madrid has a rich history from the Romans to the Moors to the bloody horrors of the Spanish Civil War, and Stegemann does a masterful job of making it all come alive.
November 18, 2025
This is an incredible work of scholarship and beautifully written too. Stegemann dives deep into the history of Madrid, untangles fact from fiction and explains how the 'Black Legend' has coloured so much of the rest of the world's view of Spain. It will be in my top recommended 'further reading' list in the book I am currently working on for the Black Inc Shortest History of... series, The Shortest History of Madrid.
June 10, 2025
In general, I am not the biggest fan of travel writers, but to spend hundreds of pages talking about Madrid without once mentioning the colonialism and genocide that funded the city (except to defend it) is excruciating
November 30, 2024
A deeply researched and well told biography of a city that for too long has been considered second tier to other global cities. This book makes a clear case for why it belongs in the first tier.
Displaying 1 - 10 of 10 reviews