I was given an advance copy of this book and am leaving an honest review. I really enjoyed this book and would recommend it to any skating fan who wants to learn more about this era of skating, or who experienced it and wants to go down memory lane. I went into it only knowing about a few skaters and the 1988 Olympics, and it was interesting to go through it and see many names I recognized appearing, the technical development in this decade, and the (often still very relatable) dramas the sports was going through.
Each year is organized into different sections, starting with general updates on various skaters, then going through different topics like skating-related media and toys, before coming onto what happened at major competitions, with photos sprinkled here and there. While the focus is on the US and Canada, there are also sections on skating around the world, like what was happening in South Africa when they were generally banned from competing due to Apartheid, or discussion of the horrific doping and spying done on East German skaters. The competition reviews discuss the results in a way that is entertaining and including a lot of little stories of competition happenings (including the ever-popular debates on the quality of the judging) along with descriptions of how the skaters performed.
I liked this format because it reminded me of watching a season go by in real time. It's not just the competition results, but also seeing news that so-and-so got married, that a new skating movie is in development, that such-and-such showed up on some reality show I don't watch. I also enjoyed the notes on the developments of precision (synchro) skating and the now mostly lost fours skating.
One thing I thought was interesting was the description of the figures results at many of the competitions, as well as the reactions to them. I happened to recently see someone claim that the judging of figures had been objective, but it's pretty clear just from the quotes in the book that judges, coaches, and skaters who actually competed them didn't feel that way. The figures results are also something that you don't usually get much sense of by watching video of an older competition, so it helped make more sense of the event results.
I also thought the notes on the low number of pairs at some competitions was interesting, considering that (as of the time I write this) there has been some hand-wringing over the potential death of the pairs discipline in the past few years. The book also follows the debates around things like the role of figures and compulsory dances, the attempt at tamping down on glitzy costumes, and the use of lyrics in music. It's a good reminder that the definition of what 'figure skating' is has always been debated and changing.
There was one thing that hampered the reading experience - an occasional paragraph was too long, making it difficult to read, and the competition reviews were presented without any paragraph breaks at all, even when the text covered an entire page. I hope this is just a formatting issue that will be ironed out in the final copies. A couple of phrases ('who's who', 'making history') also started jumping out a lot because they were used so often.
I think the thing that I appreciated the most about the book was how it directly takes on the rise of the AIDS epidemic and how public expressions of homophobia affected skating. In my experience, this is a topic that has been ignored or elided far too often in skating histories, with certain skaters quietly dying of nothing in particular, or else only really focused on one famous person. I don't think I've seen the level of detail that Stevens gets at here presented anywhere else, reminding us that the AIDS crisis affected many people who were part of the skating community at different levels and in different ways, and how while that was happening, the president of US figure skating had the gall to whine about how flowers were too gay and the ISU was worrying about whether men were wearing too many sparkles. Stevens directly points out that there was not, in fact, an absence of men at competitions - there was just homophobia.
Finishing the book made me wish there was another volume covering a different decade. But this one well-researched volume certainly gives you a lot to chew on - and a lot of great performances to look up.