Riley Chase, a young woman who lost her fiancé to brain cancer, is the kind of character that makes you wonder how anyone, especially Grant, could have loved her in the first place. After her loss, Riley made a series of terrible choices that led her to move into a new apartment, where she meets Jae. But grief doesn’t transform people; it only amplifies what’s already there, and for Riley, that means an unlikable, overly hostile, and hypocritical personality. Her grief doesn’t excuse her behavior; it simply sharpens her flaws, making it impossible to root for her as a leading character.
The group therapy sessions on grief in feel ham-fisted and out of place, adding little to the narrative except awkwardly shoehorned elements. Riley’s judgment of other participants, who have faced far worse hardships than her own, is particularly off-putting. Her dismissive attitude towards those who are struggling more deeply undermines the sincerity of these therapy scenes and adds to the already frustrating portrayal of her character.
Jae isn’t much better. He comes across as pushy, aggressive, and immature, like that kid on the playground who doesn’t really want a toy but doesn’t want anyone else to have it either. Instead of being upfront about his feelings, Jae resorts to juvenile antics, bullying Riley because he can’t admit that he actually likes her. His behavior doesn’t add depth to the story but instead drags it down, making their dynamic frustrating rather than compelling.
To make matters worse, the love story feels rushed at the end, with a lack of chemistry between Riley and Jae that leaves the conclusion far from fulfilling. It’s hard to believe these two could ever form a healthy relationship when they’re both toxic on their own and just as bad together. The ending doesn’t feel like a triumph of love but more like two dysfunctional people settling because they can’t do any better.
Adding to the frustration are the copious amounts of typos, lack of continuity, and glaring grammar and syntax errors that litter the book. These issues are so frequent that they pull you out of the story, making it hard to stay engaged. It’s clear that these errors should have been addressed long before the book reached readers, but instead, they distract from an already weak narrative.
Thanks to NetGalley for the ARC.