In 2010, Justin Cronin’s The Passage was a phenomenon. The unforgettable tale that critics and readers compared to the novels of Cormac McCarthy, Michael Crichton, Stephen King, and Margaret Atwood became a runaway bestseller and enchanted readers around the globe. It spent 3 months on The New York Times bestseller list. It was featured on more than a dozen “Best of the Year” lists, including Time’s “Top 10 Fiction of 2010,” NPR’s “Year’s Most Transporting Books,” and Esquire’s “Best & Brightest of 2010.” It was a #1 Indie Next Selection. It sold in over 40 countries and became a bestseller in many of them. Stephen King called The Passage “enthralling… read this book and the ordinary world disappears.” Now, PEN/Hemingway Award-winner Justin Cronin bring us the conclusion to his epic trilogy with The City of Mirrors. For the last time, Amy—the Girl from Nowhere, who lived a thousand years—will join her friends and face down the demons that threaten the last of humanity. Justin Cronin is also the author of Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest. Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writer’s Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts.
I stopped on page 223 and couldn't go on. I loved the first book in the series, but this one jumped back in time and although some characters and story lines were interesting, it wasn't what I expected it to be. I had to return the book to the library, so, I did it. I'll take some time for myself, reassess my expectations and then I will give this book another try.
See raamat jätab eelmise raamatu toimumise aja ja tegelased ning läheb tagasi minevikku. Uuesti räägitakse sellest, mis juhtus kohe nullsündmuse järel. Ent nüüd kirjeldatakse olusid läbi teiste tegelaste silmade, kes esimeses raamatus olid kõrvaltegelased. Kohati on isegi naljakas, et mingist esimeses raamatus läbi vilksanud tegelasest, kellest seal oli vaid info, et sellenimeline tegelane kuskil kaugel tegutseb, saab kolmandas raamatus mõneks ajaks loo peategelane. Ma mõtlen siin Denveri Viimast Kaitseliini. Loo käigus selguvad üllatavad niidid, mis ühendavad kolmanda raamatu tegelasi esimese ja teise esimese raamatu tegelastega. Saab tagantjärgi teada nende kujunemislugu. Tegelaste tausta lahtirääkimisest ei saa kunagi küllalt, sinna on võimalik lõputult detaile lisada, tundub. Viimistletuse poolest pole raamatule midagi ette heita. Aga sellist sisseelamist võimaldavat ja kujutlusvõimet elavdavat atmosfääri nagu kahes esimeses raamatus (eriti just esimeses) kolmandas raamatus ei ole.