Pauline Elizabeth Hopkins (1859-1930) was a prominent African-American writer and journalist at the turn of the 20th century. Her short story 'Talma Gordon,' published in 1900, is often cited as the first African-American mystery story.
Pauline Elizabeth Hopkins (1859 – August 13, 1930) was a prominent African-American novelist, journalist, playwright, historian, and editor. She is considered a pioneer in her use of the romantic novel to explore social and racial themes. Her work reflects the influence of W. E. B. Du Bois.
She also wrote under the pseudonym Sarah A. Allen.
BOOK 28: Mid-20th Century American Crime Readathon What a find! Pauline Hopkins is heavily influenced by the "locked-room mystery genre" which is one of my favorite subgenres: an impossible crime is committed. The brains of the reader, the author, and the perpetrator of the crime combine here in "Talma Gordon" for a winning combination. And, Hopkins is one of the first black female crime writers in America! This is a must for inclusion in my readathon. Hook=3 stars: A Doctor at "The Canterbury Club of Boston" relates the truth to a baffling case. Pace=4 stars: An odd discussion of the merits of children of mixed marriages is an early detour to the case itself, but once that kicks into gear, the pages fly. Plot=4: This is a good locked-room/impossible crime, but not a great one: the impossible is clearly possible in a number of ways. Still, it's very dark and disturbing: the qualities we often look for in crime fiction. People=4: Talma Gordon has a trick or two up her sleeve, and she delivers a final, last, great twist. Place=3: A men's club and a large house serve as settings that could be anywhere. Summary: Overall, my rating is 3.6. It's a very satisfying read.
For it to be the first African-American mystery published by a Black woman in the 1900s, it’s aged well. I found the text to be readable and engrossing. My main gripe (which given the time it was published makes sense) is that this short story was good, but it felt a little too “clue murder mystery-ish” for me.
I still recommend this for readers who enjoy mysteries.
✳︎𓆓𓇻 alors déjà, l’édition est délicieuse c’est d'ailleurs la raison pour laquelle j’ai lu cette nouvelle le format vertical, le papier, les lettres en impression argentée, les typos……..bref le livre m’a clairement draguée depuis les étagères de la librairie à coté de mon travail, la veille du départ en vacances (alors qu'étant bel et bien le produit de ma génération, pour sûr que j'emporte toujours des livres pour ne jamais les lire)
l’histoire m’a happée alors que je n’y attendais pas, je l’ai lue d’une traite (alors que c’est rare !!) 𓆙 le travail de contextualisation en postface m’a appris des trucs sans pour autant m’assommer bref, merci, bravo
++ rarement vu des choix typographiques aussi ancrés politiquement, chapô ++ je viens de repérer un autre livre de la même collection qui me fait envie !!
Terceiro conto do Clube da Caixa Preta. Tive problemas inicialmente pra conseguir acompanhar a história, mas aí parei e recomecei e deu pra entender melhorzinho. Não é ruim, mas também não é particularmente bom: fica um pouco confuso porque é um tanto apressado nas reviravoltas. Não sei se a autora enveredou pela trilha dos mistérios posteriormente na carreira, mas se foi o primeiro do gênero que ela escreveu dá pra entender como ela ainda tava experimentando com muitas coisas num conto curto. Gostei mais dos textos de apoio sobre colorismo que vieram na caixa.
Read this in advance of adding it to my syllabus for the first time this semester. Suspenseful and surprising! I'm looking forward to pairing it with Melville's "Benito Cereno" and seeing what my students think of it.