Thank GOD I am finally done with this book. It was a slog to get through, not only with pacing slower than a snail but also with so much repetition between chapters.
I got this book from the library because the initial premise was intriguing and seemed relavent in today’s climate. Except, it felt so far-fetched in the ways the characters all behaved. The author admits in their note that they used AI to help research this book, and I don’t want to accuse Béchard of using it for more than that, but dear lord the characters all read like people written by AI. They were humans that acted how a robot would think humans act. I think this flaw comes from the book’s psychic distance.
We are so detached from the characters. Their emotions are described through very lyrical prose, but I don’t feel anything for or with them. It makes this book feel so matter-of-fact, but that coupled with its vague discussions of philosophy makes it just hollow. The book is just a collection of philosophical ramblings about it means to suffer and be human, but since the characters hardly feel like people the thematic content of the book falls completely flat. We’re detached from the characters and the ideas they present.
The book switches POV between six characters, two of which we only get a little bit from in the end sections. Not a single character has a different voice from another, and when they’re going through each other’s memories there’s repeats of the same lackluster conversation Lux had with Micheal, and the memory Micheal has of it is indiscernable from Jonah’s watching of it play out. How did Micheal feel in those moments? Where does he feel it in his body? How does the conversation make Jonah feel? What are his thoughts on it? We aren’t given anything new with the new perspective, just a rehashing of an already convoluted conversation.
So much of this book is convoluted. I like lyrical writing, and I don’t mind when a book decides to slow its pacing down and get introspective. But this book tries to do that, but is so clearly lacking in substance that it says a whole lot of nothing. Béchard mentions in the note at the end that this idea was initially intended to be a collection of short stories or a novella, and I believe this could have been such a good novella. The machine and the people’s pasts are over-explained. The presented ideas on humanity are half-baked and repeated. The characters are boring and underdeveloped. If all the fluff was cut out of this book, we could have toyed with the relationship of two characters (and no one else) and the machine. While POVs could have been cut (Ava, Lux, and Jonah come to mind) or combined. Jae and Simon could have been told through one of their perspectives, and Ava and Micheal could also have been told one-sided. They are just repeats of each other (Ava discovers something about Micheal, then next in his chapter we get that thing happening and how worried he is at how Ava will react to it) (Simon thinks about Jae, Jae thinks about Jonah - though Simon and Jae actually have the more interesting backstories since their chapters are actually filled with events).
I guess that’s the last point I have to make - nothing actually happens on page. Eons are described to us in a sentence, and people’s feelings are described rather than felt. We are given no reason to feel sad or mad or forlorn or desperate, we’re just told that for X amount of time so-and-so was desperate, but now they’re sad. The thoughts of the past are distant now - like good for them why do I need to read SIX different POV’s of that exact sentence. The only times we see things happen is with Simon and Jae in the Confederacy. They’re the only active characters for that short time. Once in the machine none of the characters are truly active and they all reminisce about being trapped for like 150 pages. Just trap them and end the book, the contemplation offers no substance to the story without action.
The idea was there, but totally missed the mark on execution. Could have been saved with some heavy revising and cutting or deeper character work on a smaller cast of characters.