To Hell with Poets

by Baqytgul Sarmekova, Mirgul Kali (translator)

Winner of an English PEN Translates Award

"Baqytgul Sarmekova offers wry, darkly humorous portraits of ordinary Kazakh people held in the snare of patriarchy, cultural tradition, and postsocialist upheaval… Mirgul Kali deftly recreates the atmosphere of these everyday tensions as they quietly seethe just below the surface." --PEN/Heim judges' citation

Vivid, hilarious and unsettling, the tragicomic characters of To Hell With Poets reflect the inner discord of the modern Kazakh. The stories move between the city and the aul, postsocialist and capitalist worlds, tradition and modernity. Incisive and unapologetic, Sarmekova refuses to hold back, offering a sharp and honest rendering of daily life in Kazakhstan.

Genres: Short Stories, Fiction, Kazakhstan, Asia, Poetry, Literary Fiction, Short Story Collection

112 pages, Paperback

Published March 28, 2024

Reviews

[Rachel Louise Atkin · Rating 2 out of 5]

This might be the only English PEN winner I just have not enjoyed. It is a very tiny short story collection focusing on Kazakhstan life and culture. The stories are all only about 5 pages long maximum and they are all about very mundane things so there’s not really anything to get stuck into in terms of content or length. There was one story which was slightly longer that I felt was written really well and left an impression on me but unfortunately I didn’t care about any of the stories as they just didn’t come alive at all. I definitely want to read another book translated from Kazakh to find one that I actually like as I’m sad to be disappointed in this one.

[Pedro · Rating 4 out of 5]

3,5 ⭐

Para comenzar, aclaremos que el libro no es de poesía como indican los tags de GR (¿Alguno habrá leído el libro o se habrán guiado por el título?).

El libro incluye veinte cuentos escritos entre 2015 y 2019. Son cuentos cortos, en los que lo central no es tanto la trama ni el final, sino los personajes que lo protagonizan, su psicología y su cultura; como si fuera una serie de retratos.

Están situados en diversos lugares propios del país: el hogar en la estepa, el pueblo, la gran ciudad (Astana, Atyrau, Almaty), e incluye una serie de términos propios de la cultura kazaja así como de otros países de la región.

Así, hay menciones del aul, como espacio vital que rodea al hogar, e incluye sus dependencias, posiblemente originado en el nomadismo (creo haber visto un concepto similar en Cielo azul, que acompaña a una familia de pastores transhumantes en Mongolia); al toi, una ceremonia festiva ritual donde se tira la casa por la ventana, para agasajar y también impresionar a los invitados; dombyra (o dombra), instrumento musical de dos cuerdas y la música que se ejecuta con ella; o ainalaayn, término afectuoso utilizado para dirigirse a niñas o mujeres jóvenes (en algún lugar vi que originalmente se utilizaba en forma más restrictiva). He incluido estas aclaraciones ya que son términos aparentemente intraducibles, y el libro no incluye un glosario.

https://youtu.be/CogzbX_AqU4
https://www.youtube.com/watch?v=azYCS...

Pero más allá de estos aspectos folklóricos o pintorescos, los cuentos son muy buenos, en general un poco melancólicos o tristes (bordeando, y evitando el sentimentalismo), y muy bien escritos; no debe haber sido sencillo para la traductora trasladar las sutilezas del lenguaje a otro idioma. Los varones, sobre todo los del ámbito urbano, no suelen quedar muy bien parados. Y en el fondo se percibe una cierta pátina de nostalgia frente a la urbanización.

Muy buenos cuentos, de un ámbito que me resultó muy lejano y original. Una escritora que vale la pena tener en cuenta.

Baqytgul Sarmekova nació en Kazajistán en 1989, donde vive actualmente. Kazajistán es un país de Asia Central con una tradición nómada, con influencias persas y turcas, en el que la modernización (urbanización, la educación, medicina) fue introducida antes su independencia (1991), mientras fue parte de la URSS. El ruso es la lengua primordial en los ámbitos urbanos, y el kazajo en las zonas rurales.

[giada · Rating 4 out of 5]

reading around the world one book at a time 2024: kazakhstan

This very short collection offers a compelling insight into the life of Kazakhstan, and it’s probably one of the collections I enjoyed the most this year. The stories are pretty short themselves, usually around five pages each, but Sarmekova is able to pack a punch in each of them — I enjoyed her wit and the way she managed the timing and weight of each element (I’m thinking especially of Dognity, but that is true of many of these stories). Some of the imagery is pretty recurrent, a way to show that all the people in the stories are pretty interchangeable and are represented more as a concept than as actual people. The most vivid image I have of the book is the figure of a wife wearing a white hijab blurring into the smoke of the cooking station: I’m sure it’s something that was described at least twice in the book, and I wouldn’t be surprised if I missed more times such a specific scene was mentioned.

I’d be interested in reading Sarmekova’s longform writing, even if just in the form of a novella, so that I can definitely say I like her writing, but if you pick up this book because you want a simple snapshot of rural Kazakh life I think you’ve struck gold.

[sarah]

Bleakly funny, enjoyed this much more than I expected.
faves: dognity and the night the rose wept (v ernaux-esque)

[Natalie]

Brief but often very unsettling short stories that have continued to linger with me days after reading them. My personal standouts: "The Brown House and the White Zhiguli," "Dognity," "To Hell with Poets," "Boarbai," "Ice Cream," and "One-Day Marriage."

This was second collection of short stories written by a woman from Kazakhstan, my first being Amanat: Women’s Writing from Kazakhstan. Despite this collection's smaller page count, I think the tensions of modern Kazakh life depicted here can be quite subtle due to the brevity of each story. If you're interested in reading more literature from Kazakhstan (and rightfully so!) I'd recommend reading Amanat: Women’s Writing from Kazakhstan first, at least for its foreword and its translators' note, both of which give some literary and historical context into Kazakhstan.

[Stacia]

Too much animal sadness for me.

[Max Dukhovny · Rating 3 out of 5]

Favorite stories from this collection: Dognity, Ice Cream, and The Cobbler

This translated edition could really benefit from some footnotes explaining certain nuances of the Kazakh culture.

[Jane · Rating 5 out of 5]

Ashamed I can’t read this in its original language but very exciting that this is one of the first Kazakh books published in English !! (Love you tilted axis press)
I’m not a big reader of short stories but I really enjoyed each one as they capture the different aspects of Kazakh society trapped in the contradictions between modernity and tradition. Some really great reflections on women’s rights in the country and the incessant sexist attitudes many women still endure today. My favourite stories were “Superstitions” and “The Warmth”.
The translation (done by a family friend!!) is excellent and manages to convey a lot of the cultural specifics without being too didactic.

[Isabel · Rating 2 out of 5]

I feel like the stories got better. A lot of interesting themes that reoccurred in the stories like cheating and nostalgia. My favourite one was about the grandmother and the fire. I liked the references to food and I looked some of them up and they loot tasty!

The most shocking story was the he one about Ala kachuu which after having read about bride kidnapping in Sovietistan I knew exactly was was going in this subtle yes distressing story.

[Biblibio · Rating 4 out of 5]

I think this collection might be somewhere in the 3.5 range, but I feel like its unique voice bumps it up a bit. I will note that this collection is a bit of a downer, with almost each story having a grain of hope at its center that quickly gets squashed in the face of a difficult reality. It makes for somewhat depressing reading, but it's also the type of book that really feels like a door into a world I otherwise wouldn't know much about. The bleakness doesn't feel intentionally cruel, thankfully, but it's still a fairly melancholic book. Either way, I'm glad to have read it.

[Jenia · Rating 2 out of 5]

Short stories illustrating daily life in Kazakhstan. Didn't get much out of it tbh. Everyone cheating each other and trying to get ahead - like other post-Soviet countries. But without the black humour that makes reading about the daily misery "enjoyable"

[Maria · Rating 4 out of 5]

Dognity had me crying real big tears on the subway

[Raegan Allen · Rating 5 out of 5]

Shoutout to Tilted Axis for publishing an English translation of some scrumptious contemporary Kazakh fiction !!!!! Yall are the real deal

[Emma · Rating 5 out of 5]

So interesting to read about the culture and lives of people, specifically the lives of women, in Kazakhstan!

[rye · Rating 3 out of 5]

to hell with poets and writers to hell with everything!!!

i love sarmekova’s writing. she works the bleakness (which is so mundane nobody outside the conditions explored in the stories could ever hope to understand) into the story so thoroughly that it feels meta-ironic. i would love to read more from her

on that note i do feel like there was a point where the stories started to feel repetitive, especially towards the end. they do not necessarily leave lasting impressions on you, i suppose that is the point, but you do recognize patterns: angsty contemplation over a difficult situation, shifts in ‘power’ whether between children and adults, the women and men, pets and owners; all to collapse into bathos as soon as the individual protagonist steps out of the picture. like zooming back out of a zoomed-in camera so instantly it baffles you to see how big the world is

tldr and then the world went on without stopping

[Álvaro Salandy · Rating 3 out of 5]

📚 Livro 59: To Hell with poets. Editora: Tidal Press UK
Autora: Baqytgul Sarmekova 🇰🇿 Kasakhstan

Uma coletânea de contos sobre a saudade de uma vida deixada para trás.

Seja no campo ou na cidade, não importa o que você deixe para trás — isso sempre vai doer. Os personagens aqui lamentam, em silêncio, uma vida que está fora de seu alcance.

Com histórias de uma página ou menos, o autor evoca sentimentos e revela uma dor que clama por resolução; alguns personagens permanecem imersos nela, enquanto outros conseguem se libertar. Estes estão entre os melhores contos breves que li em muito tempo. Cada um traz uma data como nota de rodapé — o que sugere que o autor teve a oportunidade (provavelmente em uma antologia ou periódico) de contar aquela história específica, despindo-a de qualquer elemento que não fosse essencial à narrativa pretendida.

Meu primeiro contato com a literatura do Cazaquistão.

#readingaroundtheworld #read #literature #translation #booklover

[Layla I. · Rating 5 out of 5]

A series of short stories about the reality, often twisted and depressing, of life for Kazakh people in the city and countryside. Many of the stories hit similar beats all while exposing different corruptions of Kazakh society, showing the flaws of common men or women that they may refuse to see. A few have almost-happy/bittersweet endings, shining dim light in the humorous darkness of the world shaped by Sarmekova and Kali. Doesn't exactly leave you hopeful after reading, but shows glimpses of a universal humanity, laughing at itself.

[Mirjana (Mirjana_bere) · Rating 4 out of 5]

Zbirka kratkih zgodb, v bistvu bolj vinjet, iz Kazahstana. Dobimo vpogled v življenje, odraščanje, staranje, razlike med podeželjem in mestom, odnose med moškimi in ženskami, še vedno preveliko patriarhata in misoginije.

Pisateljica pokaže tudi veliko dobrega v ljudeh, je pa v vsaki zgodbi tudi nekaj žalostnega - dogodek ali spoznanje.

Meni je bila zanimiva tudi izbira jezika, saj je kar nekaj besed ostalo v kazahščini - brez razlage v knjigi, a so se hitro našle na spletu, kjer so slike pogosto povedale še več in tako dodale branju.

[Tully Moran · Rating 5 out of 5]

per the back cover “Vivid, hilarious, and unsettling, the tragicomic characters… reflect the inner discord of modern Kazakh.” Truly engaging and enriching, also painful in human awkwardness and deceit. An excellent curation of short stories building on each other from pastoral to urban, grimy to almost earnest. Ending in a final masterpiece “in search of a character”.
-
I look forward to reading more from Tilted Axis Press, a publishing house founded in 2015 focused on translating what they find to be “personally compelling” Asian and African written work.

[Vedika · Rating 3 out of 5]

3.5 STARS
a quick snapshot into different aspects and perspectives of kazakh life. i'm glad that i read it in kazakhstan as it helped feeling more immersive, especially considering the length of most of the stories.
sarmekova has a very clear narrative voice and a cynical humour that shines through but the prose was otherwise pretty sparse and i felt unable to really connect or sink my teeth into most of the stories (except the first-person narratives which i kinda connected in my head). i'm generally not a short story person but it was an interetsing translated perspective for my vacation and i would look forward to a longer piece of fiction from the author.

[Shalini · Rating 5 out of 5]

Sometimes, the way we discover a book is just as intriguing as the book itself. I stumbled upon this little gem at the Lighthouse Bookshop in Edinburgh, which sparked a great conversation with the bookseller about its publisher, Tilted Axis. This collection of short stories offers a woman’s perspective on life in a deeply patriarchal society. It also marks my first encounter with literature from Kazakhstan—and it’s certainly piqued my curiosity to learn more about the country and its culture.

[Maddie · Rating 4 out of 5]

I really liked these “micro” short stories (longest one is only 8 pages, and some as short as 2) from a female Kazakh author that concisely but compellingly shows the day to day of living in Kazakhstan. A mix of rural life in an aul and city life, haves and have nots, young and old, most of the stories were very solid. I especially liked The Warmth, Dognity, Monica, Moldir, and The One-Day Wedding.

[Yevheniia S. · Rating 3 out of 5]

I picked up this book absolutely randomly. I haven't known anything about the author but I assumed if she is a winner of PEN award it should be good but it was okay and sometimes bad. It's more like descriptions of some stories than stories themselves and even with my little knowledge of Kazakhstan it didn't give me much new information or context I expected it would provide.

[Reisse Myy · Rating 2 out of 5]

This was working double overtime to be something far more piercing than it actually was. I was both bored and frustrated by how profoundly lifeless it all felt: interconnected stories with too many names, too little plot, uncomfortable ableist implications, and an underlying mean-spiritedness. A disappointing miss, one surely not on the shoulders of the translator.

[Jeanine ♡ · Rating 2 out of 5]

2.5/5

Kazakhstan is the first book in my journey to read around the world. I enjoyed that this book was full of short stories, but I think some things may have made more of an impact before being translated.

[Marina Sofia · Rating 3 out of 5]

It was such an interesting way to explore a culture that is entirely unfamiliar to me.

[Plainqoma · Rating 4 out of 5]

unsettling, just my kind of book. best giler! really enjoyed reading this book.

[MoonLit Tomes · Rating 3 out of 5]

This was deeply immersive and I loved the writing style. It is no secret that I love short stories so yeah.I would reccomend

[Patricia · Rating 4 out of 5]

These short stories were so cleverly written and I loved how they managed to convey post soviet life in Kazakhstan

[Helena · Rating 2 out of 5]

The girls that get it, get it. Unfortunately I didnt get it