The Restaurant Of Lost Recipes is the second book in the Kamogawa Food Detectives series by Japanese dentist and author, Hisashi Kashiwai. It is translated from Japanese by award-winning translator, Jesse Kirkwood. The audio version is narrated by Hanako Footman. Six new clients visit Kyoto’s Kamogawa Diner to request the help of the food detectives.
The format of each story follows the same lines: from a one line ad in Gourmet Monthly (“Kamagawa Diner and Detective Agency: We Find Your Food”) the client searches out the diner, a little surprised at how unimpressive it looks; former police detective, Nagare Kamogawa suggests he serve them a meal while they’re there, something that’s always incredibly delicious; his daughter Koishi , who is in charge of the food detective agency, takes down the information about the recipe they are after, and the story behind it.
The client returns after two weeks to find that Nagare has got it exactly right, and he explains how he tracked it down; the client usually also learns something interesting, surprising and/or moving about the original cook and/or the intended recipient, and perhaps about themselves as well; the client is invited to pay into an account what they feel their service and meals deserve.
Olympic swimmer Kyosuko Kitano wants the Nori Ben his father used to make for him after his parents split up. His father’s gambling addiction broke up the family, and Kyosuko hasn’t seen him for five years. Koishi wonders if her father will be disappointed by such a simple request, but Nagare tells her “The simplest dishes are always the hardest to get right.” The result, and the story behind it, has Kyosuko revising his choice of stroke for his swim, and considering making contact with his father.
At almost forty, and recently widowed, food writer Kana Takeda has never been to Kyoto but wants to reproduce a dish for her six-year-old son, Yusuke, something he lovingly described in his nursery school album, but she has never made. She suspects it was made by his grandfather, but doesn’t see her parents, who operate the Takeda Diner in Hirosaki. All is information that helps Nagare hunt down the recipe and ingredients. Her purpose seems a little underhand, but she gets a surprise, and learns a lesson: “Kids are happy eating anything, as long as they can tell it was made with love.”
Grieving parents Yoshie and Masayuki Sakamoto have come from their traditional Fushimi confectionery shop, Kogando, to find a Christmas Cake that the old lady at Cent Nuits cake shop brought to their son, Kakeru’s wake. Will it bring them closure? Will it help them to decide to whom they will pass on the 128-year-old confectionery tradition? Nagare doesn’t have a lot to go on, but still succeeds, and brings back a wonderful surprise as well. His advice about succession is sage: “What counts is passing on your art, in its every detail, to whoever picks up the baton.”
Top model, Hatsuko Shirusaki knows Koishi from school, but now she’s made a special trip to the Kamogawa Diner: she wants to be able to cook the fried rice her mother used to make for her new fiancé, the best way for him to know the real Hatsuko and understand her humble beginnings. But her mum died when she was ten. Nagare tells her “The tricky ones are always the most rewarding.”
Now the MD of a printing company, Katsuji Onodera was once a student in Kyoto where he spent every afternoon rehearsing with his drama club under a bridge. He believes that if he could once again taste the ramen from the long-gone yatai food stall nearby, he could decide how he feels about his son following an acting career instead of joining his company. Nagare understands: “You appreciate things differently when you’re older, don’t you? Food is never just about flavour. It’s something we feel – and in different ways, depending on where we are in life.”
When her first song was a hit, Keiko Fujikama’s manager took her for a meal at Tenfusa in Asakusa, and the ten-don she ate will always be the taste of success, a success she never repeated. Thirty years on, she wants to taste it just once more before she goes home to her ageing parents in Ishinomaki. When Nagare serves her exactly what she remembers, then a slight variation, he tells her “Nostalgia’s all well and good, but we shouldn’t be afraid to try something new.”
In each story, Drowsy the cat also makes an appearance, and Nagare and Koishi pay respect to Kikuko, Nagare’s late wife. Usually mention is made of their one-line ad in Gourmet Monthly, and sometimes, of the magazine’s editor-in-chief, Akane Daidoji. And even if the reader hasn’t a clue what all the foods are, the gorgeous descriptions of each dish are truly mouth-watering. Moving and wise, this is feel-good fiction at its best.
This unbiased review is from an uncorrected proof copy provided by NetGalley and Macmillan UK Audio