I don't think I've ever enjoyed a story this much despite feeling kicked in the chest this hard.
I finished this book a while back, but a family tragedy made it too painful to dwell on the story elements as I would need to do for a thorough review.
That brings us to content warnings for child death and kidnapping, and for suicidal thoughts and behavior. Suicide was attempted in the past by multiple characters, and there's a nightmarish sequence that forces the main character Kelly to relive her darkest night of the soul. Proceed with caution but IMHO this trip is worth taking.
Okay, onward to the review:
The premise of The Half-Murders is freaky and compelling: one of the most deviously conceived haunted houses ever--a magician's Depression-era house with strange but consistent rules including how it can vanish and reappear--forces a cluster of suburban folks in Pennsylvania to confront their own doppelgangers and buried desires.
Their 'doubles' (and whoa, is it suspenseful trying to figure out who has a double and who doesn't!) tend to be more ruthless...except who's more ruthless gets debatable when it comes to the lone point of view character, suburban mom Kelly.
For context, Kelly's soccer champion dreams veered off course off course into teenage pregnancy with daughter Emma culminating in an amicable split where her ex kept custody. As the story opens Kelly has settled into marriage with a genial but repressed ex-soccer player and cute twin sons, and an aggravating customer service job. She tries to be a good wife and mother and not to flirt with the kids' charming soccer coach Lance, but he and her free-spirited (and wine spirited) friend Brittney from her college team days sometimes get her wistful about roads in life not taken.
I understand why other readers say they had a hard time warming up to Kelly, finding her manipulative and selfish as we get a front row seat to what she's thinking versus what she tells other people.
Yet the author brought me onto Team Kelly right away. It was his deftness in introducing the poison pen letters from her checkered past and her playful relationship with her husband despite their tendency to hide their scars--but most of all my empathy gushed for Kelly's yearning for more closeness with her estranged teenage daughter Emma and the lengths she was willing to go for her.
Emma and Kelly finding their way back to each other, letting the secrets and lies of omission between them fall away, are the beating heart of this story. No matter how weird and grotesque and zany the action gets. (The wildest part brings new meaning to the phrase "finger food" and I'll say no more about that.)
McNulty brings the horror vibe fiercely even if 'supernatural thriller' is probably the most apt categorizing. Not just by the eeriness, ratcheted suspense, occasional gore, and many sharp twists and turns wonderfully executed, but because right away Kelly sees her duplicate 'K2' as a threat and he makes her fears credible, really brings them home if you will. Her double could blow up her life with irresponsible antics, or worse replace her and deceive everyone she cares about especially her beloved young twins.
Kelly can hardly bear to let down her guard no matter how many times 'K2' insists she just wants to make the best of a weird situation where she has all the memories of a life she can't claim, and I found myself believing in K2's good intentions a lot more than her counterpart did.
Real talk though, Kelly's duplicate 'K2' was one of the most fun characters because she was so fantastic at calling out Kelly's BS and every thought and feeling she didn't want to admit, even if she was (IMHO) overly critical of DJ and too much of a party girl for comfort.
While I enjoyed the sinister mystery of the Half-Murders House and its secrets, and the unraveling of those poison pen letters plaguing Kelly all these years, it was pleasurable just getting to know other people in Kelly's life and how her relationships with them evolved to be more honest too. From her gruff and reliable ex-partner Rick the policeman to her goofy husband DJ to their lovable boys.
Teenage Emma was hardest for me to warm up to, secretive and selfish and impulsive. But I wouldn't say any of Emma's behavior was inappropriate (by that mean I mean unrealistic) for her age or came out of the blue given the emotional wringers she'd gone through.
Putting me through the emotional wringer is the only reason this gets 4 stars instead of 5. (My ratings reflect how much I felt enjoyment versus how much I felt troubled...everybody does their stars as they see fit and I'm not saying I don't want to feel troubled or challenged or uncomfortable or fearful when I read...because of course there's great value in all that as well as the uplifting takeaways.)
The ending confrontations were IMMENSELY SATISFYING to both the bright and dark chambers of my heart and I can't get into details without unacceptable spoilers (so I won't).
In closing, the macabre imagination, thrill ride, intense emotional journey, character relationships, fantastic dialogue, and growth moments (and the wryness and timing of the humor in McNulty's narration reminiscent of Stephen King) in The Half-Murders made any heartsickness on my part worth it.
These characters and their revelations will remain with me a long time, McNulty shows his knack for that yet again, and I can hardly wait to add his next book to my shelves.
WHEN A STORY SPLITS YOUR HEART, SPEAK UP--BOOST THE SIGNAL!