Austin Duffy "grew up in Ireland, studied medicine at Trinity College Dublin and is a practising medical oncologist. He lives in Ireland with his wife and two children." Granta Magazine, which clearly states nothing can be used without permission, here's hoping my mere speck doesn't draw anyone's ire.
This is Duffy's fourth novel, an unlikely subject it would seem for an oncologist. But then one learns Duffy grew up near the border and the story becomes less unlikely. I will say I've had just about enough of the Troubles. It seems as if the publishers in Ireland are only accepting books about the Troubles and books that expose the fall of the Republican movement without any mention of the horrors perpetrated by the British and unionists. It's a bit tiring actually.
Having said that, this story is one of the best, if not the best I've read on the subject. Maybe being south of the border gives Duffy a broader perspective than the writers from Norther Ireland who mostly lived through the violence or have had to live with the aftermath of it.
The story is set in the fictional town of Cross, which is on the border, a hotbed of Republican ideology and is set in 1994, the ceasefire is called in the story. there are three main characters, to my way of thinking, Francie, a Marxist and Republican who sees the movement as a war against colonialism; Handy Byrne, who comes from an honored family of Republican fighters, but who is little more than a psychopath using the movement as cover for his sadistic violence; and then MOC, the politician who brings the ceasefire to Cross hoping to persuade the fighters to lay down their weapons. A secondary tier of characters includes the women -- Cathy Murphy and Mrs. Connelly -- the former a 14 year old daughter of a Protestant mother and father who was killed for being a tout, the latter the mother of a 17 year old boy also killed for being a tout.
There is graphic violence in the story, no horror left unexplored --except of course the British role in creating the civil rights movement that morphed into the Troubles in the first place (there is one scene of British brutality that is horrific) -- but the story is about a small Irish border town and the brutality of the Troubles as well as the betrayals that have hounded every Irish Revolutionary Movement throughout history. All the players (this would be an excellent play) are involved, there are no bystanders in the story, some voluntary participants, some involuntary. Read the book, it's excellent.
What I came away with is that Duffy has no respect for the politicians involved in the ceasefire and Good Friday Agreement; MOC is a shady character whose role in the crimes committed in the name of the cause is never quite clear or provable, but whose fingerprints are clearly everywhere there is violence. Francie represents the real Republicans who believe in the cause, are willing to fight a war that regrettably involves necessary violence. This is made evident repeatedly -- when he directs the murder of a police officer, he honors the man, thinks of is wife and surviving children, but asserts he was an enemy combatant and therefore it was a righteous albeit regrettable, kill; or when he works to weed out the psychopaths -- Handy is a cold blooded murderer, not an idealist, he revels in the violence and perpetrates violence at every opportunity, hiding behind his family's reputation as storied Republican fighters. He represents what the movement devolved into as the Provos split from the real IRA and escalated the violence, including the killing of their own, to the point of alienating the people they purported to free from British rule.
These characters are all incredibly believable, the town of Cross is alive in its people who meet in pubs and kitchens, its outlying fields and forests brought to life as the scenes of so much violence. There is tension throughout the book as Duffy keeps the reader guessing about who is the tout, who should be punished for what and how, and the ending does not disappoint.
I give this book 5 stars not because of its lyrical language, but because it is a masterpiece about a story that has been told 1,000 times. It makes the story and the people new, approachable, relatable, but is also brutally honest.