The plot of the book should be very familiar to other readers of the author's work. The protagonist is a young, short, and lean woman with an interest in (rolls dice) vintage clothing. She has to move away, at least for a while, from the big city due to (rolls dice) her former husband cheating on her, and decides to turn her interest into a business. While, or before, (flips coin) while she settles into her new home, she comes across a tall male love interest. She is, however, reluctant to pursue a relationship, especially once she finds out (rolls dice) he’s a workaholic with a crazy ex. Yeah, I’ve read enough of Holland’s books to come up with a mad lib for her plots. To be fair to this book, however, it does take some interesting turns towards the end, making it even a little bit more memorable than her previous fare. To be perfectly honest, though, I don’t read Liz’ books for the plot, I read them for her character work, worldbuilding, and prose. How does she fare in these fields?
For the most part, her character work is fine. The characters themselves are somewhat archetyped, they don’t really develop, or are explored, they mostly fill out the setting, serving as confidantes and friends to the protagonist, and as set pieces to push the plot forward to the author. Nevertheless, they are, overall, still quite clearly distinguishable from each other, even if only the main couple gets any kind of character development. One major disappointment I have concerning the main couple is how little description Matt, the love interest, gets. The narrative says he’s a workaholic, but I have no clue what his job is, or in what field. The book does mention he works at Canary Wharf, which is basically London’s Wall Street, but that could still mean absolutely anything. Does he work with a portfolio? Did he put it together himself? What’s in it? What draws him to that field, or those companies, or those stocks? With Rosie, there’s a big deal made concerning what drew her to open a vintage clothes shop, and how she thinks of and develops her products and offers, even if it doesn’t matter for the plot, yet Matt disappointingly receives none of that attention. His job is literally just a plot point to keep him away from the titular shop. He is the least developed love interest Liz ever wrote. And the worldbuilding, which at one point Liz was able to inspire me with, has taken a downturn in quality with this book. Nothing about the way the setting is presented is done so in an inviting or homely manner, every building and feature in it is simply presented in relation to the nearby hill and the sea, with nothing to entice the reader into the atmosphere, or actually build one in the first place.
That being said, what is it about this book that I find noteworthy? Various small things, to be honest, things most average readers perhaps won’t notice or think about. Rosie is the oldest protagonist Liz has written so far. She’s still using her writing to process her mental health struggles, and I think her work in that regard still merits attention, even if the way she wrote Mimi, Matt’s ex, is somewhat problematic. Also, this book represents another shift in the themes that her writing approaches; from starting anew, to rediscovering one’s passion, to reconciling one’s past. And I have to say, while Matt’s backstory was handled somewhat superficially, both main couple narratives do actually approach the topic in interesting ways.
Overall, while I am less than pleased with a few aspects of this book, its construction signals it as an interesting development in its author’s career.