Okay, first off, this is pretty much two books in one. The first one is about Ted Rockson (THE ULTIMATE AMERICAN) rescuing some prisoners from the KGB and the second one is about him attempting to contact an advanced civilization that has sprung up from the technicians in an old missile silo. And I think someone fiddled around with them--the author(s) occasionally cut away from Ted Rockson (THE ULTIMATE AMERICAN) to focus on either the villains or some minor character being subjected to a Soviet atrocity or fighting back against the Commie oppressors (often both). I know, like this is a Game of Thrones book and not a B-movie on book form.
But it's like, in shuffling around these two books' events to smoosh them together, they ended up front-loading the new book with all these episodic interludes and throwing the pacing all out of wack. It feels like it takes forever for Ted Rockson (THE ULTIMATE AMERICAN) to actually do anything, because for literally over a hundred pages we're just going random dude, bad guy, random dude, bad guy. It's almost every other chapter before the plot finally kicks in and Ted Rockson (THE ULTIMATE AMERICAN) actually has something he's trying to accomplish.
Add to that the writer(s) taking "show don't tell" to the extreme. Nothing that happens can just be relayed in short-hand so we can keep things moving. If someone was tortured, we have to either flashback to him being tortured or have it vividly described after the fact. If someone is captured, we have to flashback to how they were captured. This would be understandable if it were Ted Rockson (THE ULTIMATE AMERICAN) or his team, but it's just these minor side characters. And what's weird is that Ted's team (you know, Ted Rockson, THE ULTIMATE AMERICAN) are themselves barely developed. Suddenly he just has this whole posse who we've never met before and they're not characterized at all beyond a few sentences of introduction. As long as so much ink was being spilled, you'd think we could give these guys a bit of personality.
The second book, err, the second half of the novel starts all over with reintroducing all the characters and key plot points, so if you need to set the book down for a year or so and come back to it, try to do it on Page 183. There are less of the side character roulette subplots, though we still get a lot of prose on the various Soviet villains and their plotting against each other. It's more or less relevant to the plot, but still feels a bit like filler, since there's only so many ways you can say "these guys are so bad." Still, Doomsday Warrior 1 1/2 feels more propulsive than the meandering 1.0