My experience with most Alice's Adventures in Wonderland retellings and reimaginings has been a bit lackluster. Most fail to capture the essence of Carroll's world or else try to inject too much modernity into it. So when this attempt to retell Alice appeared on my reading radar, I was hesitant to try it. But the gorgeous artwork and promise of a unique take on a classic story intrigued me, so I gave it a go. But is it a worthwhile venture into a new version of Wonderland, or is it a directionless descent down the rabbit hole?
Afia in the Land of Wonders by Mia Araujo, is a standalone YA fantasy retelling of Alice's Adventures in Wonderland with a West African twist. Here, readers are introduced to Afia, who lives with her family in the village of Dafra. While her parents assume she will one day take her place among them as a crystal merchant, alongside her twin sister Aya, Afia has other dreams. One day, during a visit to the market, she meets a merchant who regales her with tales of a magical realm called Ijabu. Following her desire to blaze her own trail, Afia takes him up on his offer to show her the world and ventures to a realm of wonders where she becomes a guest in a queen's palace. But it doesn't take Afia long to realize Ijabu is a world of both wonder and illusion. When she discovers secrets behind the palace's walls, Afia falls headlong into danger. Will her brave heart be enough to see her safely home?
I paid a hefty price tag for this book considering its size. But that's because it's a fully illustrated work of art - and in color, too. So it's worth every penny on that front. Araujo designed the illustrations herself, and it's always a plus when an author not only devotes the time to pen a book but also brings it to life through visual images. You really do need to see this book to appreciate the level of care that went into it and the labor of love it obviously was.
But a book's cover and visuals are just the icing, and sometimes under it is just dry cake. So what kind of cake resides beneath this book's layers of colorful frosting? In continuing with the baked goods theme, I'd compare it to a standard sheet cake: a delicious treat but nothing mind-blowing.
Alice's Adventures in Wonderland has been adapted a plethora of times, from modern versions to imaginative outings. This novel is one of the latter, which I liked. It's creative, it certainly feels different, and it avoids becoming a color-by-numbers retelling of the original portal fantasy. Two attributes contributing to this sense of originality are the story's West African backdrop and the loose connections to Alice. While I have a few complaints about the former's inclusion, it at least provides a different perspective.
I would call this novel a loose retelling: the entire Alice narrative framework doesn't get a remodel here, but there are some creative variations on recognizable elements, such as a gazelle in place of a white rabbit, a boy donning a cat mask in place of the Cheshire Cat, a tea party conducted by a sorcerer in place of a Mad Hatter, and an even more brutal Queen. There are plenty of good, small twists on these elements and more that add dimension to either certain side characters or the realm of Ijabu itself. Fans of all things Alice will catch these Easter eggs, but they're cleverly reworked in a way that feels fresh and fitting for the story at hand.
Afia is a good heroine who is a little more decisive than the original Alice. She's brave but not foolhardy and knows when it's time to stop adventuring and lean into her survival skills and start being more pragmatic. Along with seeing the journey through Ijabu as a lightly veiled metaphor for growing up, we also witness Afia seek to define herself as a solitary person. Because she's one-half of a set of twins, she's used to being compared to her sister. While I wanted to see more of the sisterly dynamic here, as what we're treated to early on tugs the heart, it's by no means squandered and feels warm and genuine.
In terms of the book's appearance (i. e. heavily illustrated with large print and thick pages), I was expecting this to be a middle grade read. However, I sense this is more appropriate for the younger side of the YA spectrum (ages 13 to 15) given the underlying dark tone the novel assumes at times and some of its more introspective themes about finding one's self apart from familial identity. Those musings feel more at home among teen readers, though, given the book's aesthetics, that audience would probably be younger teens.
Granted, there were a few things I took slight umbrage with that prevented me from rating this book higher. As hinted earlier, I don't think the novel's West African inspirations were leaned into as heavily as they could have been. I enjoy perusing fantasy based on or borrowing from non-Western myths, so I was expecting this to rely upon West African folklore while using Alice's Adventures in Wonderland as the narrative's backbone. However, much to my disappointment, the West African adornments feel like window dressings, as, were it not for the illustrations, the story and characters could have inhabited any invented world that just happened to sound "ethnic." Even the author's note indicates nothing here borrows directly from West African myth or lore, which is a bit of a letdown. By way of comparison, this book's West African allusions are akin to the Russian vibes permeating Leigh Bardugo's Grisha trilogy: the story is inspired by West African culture and myth rather than West African culture and myth influencing the story.
Furthermore, while this book is a standalone, it ends abruptly and leaves dangling loose ends in the wake of its rushed pacing. When it comes to one-and-done novels like this, I expect almost all the story's threads will be wrapped up. However, in this book, there were still characters whose fates were never expanded upon or else were never given much time to justify their presence. In the end, Afia gets the ending she deserves, but it raises questions such as how her family will treat her now that she's dared to venture into forbidden lands after essentially running off and abandoning them. There is some sort of closure, but a more solidified ending would have been welcomed.
Lastly, the story harbors some potentially problematic messages. The most predominant is the classic but cliched "follow your heart" mantra only with an underlying implication that one should do so even if it leads to risky territory. Afia, who is normally a smart character, commits this offense by chasing a total stranger's promise to show her the world. This is unlike Alice's Adventures in Wonderland where the title character benignly pursues the White Rabbit on a whim of sheer curiosity, not because the rabbit promised to show Alice wonders untold if she stole away with him into the night, leaving her family and friends behind. Likewise, when allowed to be carried further, the whole "follow your heart" thread in this novel implies it's better to seek your own desires than think of the good of others. Afia's frustration at being confined to operating her family's crystal business is understandable and leads to a classic "I want" moment. Yet she knows following her desires will break her sister's heart (and her family's by proxy). Yet she does it anyway. Thus, by following her heart, Afria appears selfish though, to be fair, she realizes this mistake in the end and attempts to rectify it.
Another problematic message here is about disregarding rules and doing whatever one wishes. This theme is expounded upon by a boy who insists to Afia that one doesn't have to follow rules, especially if they're ridiculous. Unfortunately, neither Afia nor anyone else contradicts him, leaving readers with the open-ended idea of it's okay to disobey if you don't like the "rules" someone has placed upon you, regardless whether those "rules" are morally sound or not. In Afia's case, her family's "rule" is their children will carry on their crystal trade. Afia doesn't desire this, so it's okay for her to go her own way because her family's demands are "ridiculous." This raises a question of objective versus subjective truth that I'm sure the author didn't intend. Regardless, these sloppy and sloppily-executed morals place a stain on an otherwise passable tale of fancy.
Overall, Afia in the Land of Wonders attempts to breathe new life into a classic story that's been retold and reimagined many times over the years and, to be fair, it generally succeeds. Given its brevity, rapid-fire delivery, and reliance upon illustrations, it feels tailor-made for young YA readers though fans of all things Alice might wish to give it a go if for nothing more than to experience a unique twist on a classic. Furthermore, readers who appreciate visually appealing books might enjoy this for its collectable factor. In the end, while this novel wasn't quite as wonder-filled as I had hoped, it just might be wonderful enough for the right (younger) reader.
Content:
Language - None.
Violence - During a ceremony, some people are forced to drink a potion that turns them into shape-shifters. One character dons a gown with skulls adorning the hem. Afia witnesses the aftermath of a beheading, watching as the headless body is carried away and later buried (minus any graphic details). Later, she encounters a being who was once beheaded but dons a mask in place of a head. Numerous scenes of peril occur when Afia is in danger but escapes unscathed. There are murmurs in the village of people venturing into the neighboring forest and either never returning or else witness unknown horrors. Lastly, some characters lie and betray each other.
Sexual Content - None. Afia catches some courtiers "entwined" beneath some pillows but no further details are given. Some female characters are depicted wearing cultural garb that exposes shoulders or midriffs, but they're essentially covered up. Lastly, a boy is depicted in a few illustrations as apparently not wearing clothes, but nothing sensitive is shown as such renderings are either heavy shaded or in shadow.