What do you think?
Rate this book
Bertie Carroll Mysteries #2
Murder at the Matinee
Renowned murder mystery playwright Bertie Carroll returns, this time in London's West End, to solve the mystery of an impossible murder and the newspaper advert that preceded it.
“A book cosy crime fans and theatre buffs will enjoy from Act One all the way through to the final curtain!” – Fiona Leitch
"A stylish, charming murder mystery” – Kitty Murphy
Following on from the success of Death on the Pier, gay playwright detective Bertie Carroll returns for the second book in this golden-age-style whodunnit series, set in the exciting world of theatreland in 1930s London.
An unexpected phone call from a rival playwright puts Bertie centre stage in another mystery. Can he help unravel the motive behind a mysterious newspaper advert that boldly declares a murder will take place during a show’s third act? There’s only one problem, there is no murder in the third act of the play!
When a victim is discovered and the police are brought in, Bertie and Inspector Hugh Chapman get thrown awkwardly back together as they both work to find the killer.
The spotlight falls on each suspect in turn and, this time, even Bertie is not above suspicion. But can rivalries and differences be put aside to solve this devious murder?
“A book cosy crime fans and theatre buffs will enjoy from Act One all the way through to the final curtain!” – Fiona Leitch
"A stylish, charming murder mystery” – Kitty Murphy
Following on from the success of Death on the Pier, gay playwright detective Bertie Carroll returns for the second book in this golden-age-style whodunnit series, set in the exciting world of theatreland in 1930s London.
An unexpected phone call from a rival playwright puts Bertie centre stage in another mystery. Can he help unravel the motive behind a mysterious newspaper advert that boldly declares a murder will take place during a show’s third act? There’s only one problem, there is no murder in the third act of the play!
When a victim is discovered and the police are brought in, Bertie and Inspector Hugh Chapman get thrown awkwardly back together as they both work to find the killer.
The spotlight falls on each suspect in turn and, this time, even Bertie is not above suspicion. But can rivalries and differences be put aside to solve this devious murder?
ebook
First published September 5, 2024
14 people are currently reading
123 people want to read
About the author
Jamie West
2 books20 followersOver the last 15 years, I have worked backstage on countless shows in London’s West End.
The history of the buildings I’ve worked in, my love for a good murder mystery and a fascination with “lost” theatres is what has inspired my writing.
I took the first steps into the world of storytelling during my time at Braintree College, in Essex, where I would write short plays and eventually a full-scale musical for the other students on my performing arts course.
I originally went to The Guildhall School of Music and Drama with ambitions to become a lighting designer. On graduating, I found that I stumbled into the world of automation — the department that’s responsible for operating and maintaining the equipment controlling the motorised scenery you see moving around during a production.
This is where I stayed ever since! During that time I’ve been able to work on a huge variety of productions and able to open some incredible ones like The Book of Mormon, Miss Saigon, Kinky Books, Priscilla Queen of the Desert, Dear Evan Hansen, and my current job: Hamilton. I also helped start an automation rental company, which now supplies a growing number of shows in the West End.
Now, I split my time between working on shows and my writing.
The history of the buildings I’ve worked in, my love for a good murder mystery and a fascination with “lost” theatres is what has inspired my writing.
I took the first steps into the world of storytelling during my time at Braintree College, in Essex, where I would write short plays and eventually a full-scale musical for the other students on my performing arts course.
I originally went to The Guildhall School of Music and Drama with ambitions to become a lighting designer. On graduating, I found that I stumbled into the world of automation — the department that’s responsible for operating and maintaining the equipment controlling the motorised scenery you see moving around during a production.
This is where I stayed ever since! During that time I’ve been able to work on a huge variety of productions and able to open some incredible ones like The Book of Mormon, Miss Saigon, Kinky Books, Priscilla Queen of the Desert, Dear Evan Hansen, and my current job: Hamilton. I also helped start an automation rental company, which now supplies a growing number of shows in the West End.
Now, I split my time between working on shows and my writing.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 65 reviews
April 27, 2024
Murder at the Matinee by Jamie West
Synopsis /
Following on from the success of Death on the Pier, gay playwright detective Bertie Carroll returns for the second book in this golden-age-style whodunnit series, set in the exciting world of theatreland in 1930s London.
An unexpected phone call from a rival playwright puts Bertie centre stage in another mystery. Can he help unravel the motive behind a mysterious newspaper advert that boldly declares a murder will take place during a show’s third act? There’s only one problem, there is no murder in the third act of the play!
When a victim is discovered and the police are brought in, Bertie and Inspector Hugh Chapman get thrown awkwardly back together as they both work to find the killer.
The spotlight falls on each suspect in turn and, this time, even Bertie is not above suspicion. But can rivalries and differences be put aside to solve this devious murder?
My Thoughts /
First and foremost, a huge THANK YOU to NetGalley, Brabinger Publishing, and author Jamie West, for providing me with a copy of this publication, which allows me to provide you with an unbiased review. Publication date is currently set for September 5, 2024.
Murder at the Matinee is book #2 in the Bertie Carroll Mystery series written by author, Jamie West. West is familiar with the theatrical form, having previously worked backstage on countless shows in London's West End, so knows firsthand the history and fascination for theatres and the shows performed in them. His first book, Death on the Pier was published in October 2022.
In Murder at the Matinee, West takes us back in time to 1934, to the Gaiety Theatre, located in London's West End. Steeped in history, the theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime, and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
The story opens with playwright (and amateur sleuth), Bertie Carroll, on his way to the theatre to meet his friend Alice Crawford. Crawford, who was also a playwright, had telephoned Bertie with some distressing news. After a very successful run, the play was finally coming to a close. While reading articles about the play in the newspaper, Alice had come across something that caught her eye. There was an advertisement in the back of a newspaper which read: "Beware patrons of the matinee performance of Alice Crawford's latest thrilling play: Time to Kill. A terrifying and very real murder will be committed in the third act." Seeing this ad brought Alice to a state of high alert. Not knowing what to think - whether the add was a stunt, some sort of prank, or, heaven forbid, real, she phoned Bertie for help.
With a full house for this matinee performance, the play started, and. that was exactly what happened, there was indeed a murder at the matinee.
Working the case alongside an old school friend, Chief Detective Inspector Hugh Chapman, Bertie investigates the mystery and breaks down the list of possible suspects and their motives.
All possibilities, however unlikely, remain possible until they can be disproven.
The cast of characters is moderately high - basically the entire cast and crew of the production together with the theatre employees.
This was a quick and easy read. I enjoyed the theatrical setting and the author's prior knowledge of the industry certainly helped recreate a more realistic atmosphere.
For this reader though, I thought the characters were a little underdeveloped and I would have liked a little more depth to Bertie especially. This book has been shelved as LGBTQIAP+, with the mc described as a gay playwright detective, but this element in the story is so subtle that it's almost entirely non-existent. I would have liked to have seen that element explored a little more. Maybe that's something that's coming in future books?
The mystery had perfect pacing, but the ending was a little contrived and my belief in the ending was hanging by a thread. I found myself wanting to enjoy this more than I did. Unfortunately, I found myself not really caring for the main characters. Bertie especially, was just too subtle for me.
I finished this one a couple of days ago and have been wavering on my rating. A solid 3.5, but whether to round up or down. I chose down. Would I continue with the series? Yes, I'd very much like to see the author explore the main character - I think Bertie Carroll has a lot to offer.
With thanks to NetGalley and especially to Brabinger Publishing for the much appreciated arc in return for an honest review.
Synopsis /
Following on from the success of Death on the Pier, gay playwright detective Bertie Carroll returns for the second book in this golden-age-style whodunnit series, set in the exciting world of theatreland in 1930s London.
An unexpected phone call from a rival playwright puts Bertie centre stage in another mystery. Can he help unravel the motive behind a mysterious newspaper advert that boldly declares a murder will take place during a show’s third act? There’s only one problem, there is no murder in the third act of the play!
When a victim is discovered and the police are brought in, Bertie and Inspector Hugh Chapman get thrown awkwardly back together as they both work to find the killer.
The spotlight falls on each suspect in turn and, this time, even Bertie is not above suspicion. But can rivalries and differences be put aside to solve this devious murder?
My Thoughts /
First and foremost, a huge THANK YOU to NetGalley, Brabinger Publishing, and author Jamie West, for providing me with a copy of this publication, which allows me to provide you with an unbiased review. Publication date is currently set for September 5, 2024.
Murder at the Matinee is book #2 in the Bertie Carroll Mystery series written by author, Jamie West. West is familiar with the theatrical form, having previously worked backstage on countless shows in London's West End, so knows firsthand the history and fascination for theatres and the shows performed in them. His first book, Death on the Pier was published in October 2022.
In Murder at the Matinee, West takes us back in time to 1934, to the Gaiety Theatre, located in London's West End. Steeped in history, the theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime, and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
The story opens with playwright (and amateur sleuth), Bertie Carroll, on his way to the theatre to meet his friend Alice Crawford. Crawford, who was also a playwright, had telephoned Bertie with some distressing news. After a very successful run, the play was finally coming to a close. While reading articles about the play in the newspaper, Alice had come across something that caught her eye. There was an advertisement in the back of a newspaper which read: "Beware patrons of the matinee performance of Alice Crawford's latest thrilling play: Time to Kill. A terrifying and very real murder will be committed in the third act." Seeing this ad brought Alice to a state of high alert. Not knowing what to think - whether the add was a stunt, some sort of prank, or, heaven forbid, real, she phoned Bertie for help.
With a full house for this matinee performance, the play started, and. that was exactly what happened, there was indeed a murder at the matinee.
Working the case alongside an old school friend, Chief Detective Inspector Hugh Chapman, Bertie investigates the mystery and breaks down the list of possible suspects and their motives.
All possibilities, however unlikely, remain possible until they can be disproven.
The cast of characters is moderately high - basically the entire cast and crew of the production together with the theatre employees.
This was a quick and easy read. I enjoyed the theatrical setting and the author's prior knowledge of the industry certainly helped recreate a more realistic atmosphere.
For this reader though, I thought the characters were a little underdeveloped and I would have liked a little more depth to Bertie especially. This book has been shelved as LGBTQIAP+, with the mc described as a gay playwright detective, but this element in the story is so subtle that it's almost entirely non-existent. I would have liked to have seen that element explored a little more. Maybe that's something that's coming in future books?
The mystery had perfect pacing, but the ending was a little contrived and my belief in the ending was hanging by a thread. I found myself wanting to enjoy this more than I did. Unfortunately, I found myself not really caring for the main characters. Bertie especially, was just too subtle for me.
I finished this one a couple of days ago and have been wavering on my rating. A solid 3.5, but whether to round up or down. I chose down. Would I continue with the series? Yes, I'd very much like to see the author explore the main character - I think Bertie Carroll has a lot to offer.
With thanks to NetGalley and especially to Brabinger Publishing for the much appreciated arc in return for an honest review.
September 25, 2024
This was fun!
An Agatha Christie-esque, cozy mystery with a compelling lead and a hint of a slow-burn romance? That's usually my jam. Unfortunately, I don't think my mind was totally in it, or maybe I just wasn't in the mood for mysteries when I read this, so yeah... I admit, I ended skimming a lot of the lengthier descriptions too.
Apart from that, all in all, I did like this.
I really like Bertie as a protagonist: I like his dry humour, how laid-back he is; and I really like the chemistry between him and Hugh. The mystery was well-built, although I preferred the one in book one, but the cast of side characters (and suspects!) was pretty compelling. I'm looking forward to see what will happen next! Hopefully we'll finally get the much-awaited blossoming of romance between the two leads.
Thanks to Netgalley for the arc. This is my honest review.
An Agatha Christie-esque, cozy mystery with a compelling lead and a hint of a slow-burn romance? That's usually my jam. Unfortunately, I don't think my mind was totally in it, or maybe I just wasn't in the mood for mysteries when I read this, so yeah... I admit, I ended skimming a lot of the lengthier descriptions too.
Apart from that, all in all, I did like this.
I really like Bertie as a protagonist: I like his dry humour, how laid-back he is; and I really like the chemistry between him and Hugh. The mystery was well-built, although I preferred the one in book one, but the cast of side characters (and suspects!) was pretty compelling. I'm looking forward to see what will happen next! Hopefully we'll finally get the much-awaited blossoming of romance between the two leads.
Thanks to Netgalley for the arc. This is my honest review.
September 18, 2024
3.5 stars
Nice sequel for Death on the Pier - Bertie is a likeable character for me. While he involves in investigation, Bertie is not pushy, and he still respects his friend, Inspector Hugh Chapman, to also do his side of police work. Bertie doesn't really break rules or put himself in very dangerous situation (although he is involved in one scene here that almost killed him, but it's the murderer's intent rather than Bertie being TSTL).
The investigation is nicely going - I like the ins and outs of the theater world.
Bertie and Hugh seem to have a bit fall out since the last book though - probably Hugh is dealing with complicated feelings for Bertie? Which YES complicated, due to the era. This is NOT a romantic mystery though - so if there's romance sometime in the future, I don't think it will be very heavy on pages.
Nice sequel for Death on the Pier - Bertie is a likeable character for me. While he involves in investigation, Bertie is not pushy, and he still respects his friend, Inspector Hugh Chapman, to also do his side of police work. Bertie doesn't really break rules or put himself in very dangerous situation (although he is involved in one scene here that almost killed him, but it's the murderer's intent rather than Bertie being TSTL).
The investigation is nicely going - I like the ins and outs of the theater world.
Bertie and Hugh seem to have a bit fall out since the last book though - probably Hugh is dealing with complicated feelings for Bertie? Which YES complicated, due to the era. This is NOT a romantic mystery though - so if there's romance sometime in the future, I don't think it will be very heavy on pages.
September 15, 2024
I enjoyed the first Bertie Carroll mystery, but it was also quite obviously a first book. I had hoped, that things would improve, but they didn't. There's still so much infodumping (at one point, Bertie gets a call from a fellow playwright who worries about her upcoming show. The narration then informs us, that all playwrights are nervous before the premiere. And so are the actors. The only people not nervous are the stagehands, they also have the best overview, know everything and are generally great. Then the book informs us, that Bertie's pal isn't nervous about the premiere, but about a matinée, late in the run of her play, and so it must be serious. I wish I was making that up). The killer is still fairly easy to guess. And the characters are still likeable, but aren't really developed any further. The relationship actually feels like it's regressing. I know, this is a cozy. It's going to take time. I can wait (really. I'm a Carola Dunn fan), but Bertie and Hugh barely interacted in this book. And when they met, Hugh kept pointing out, how Bertie was technically a suspect (while also letting him tag along for his investigation. Darling. The 'You're a suspect' ship has sailed, hit an iceberg, sank, and the U-boat, going after it, exploded). Bertie had more chemistry with Alice, his writing-pal/arch nemesis, than with the dude he's supposed to be pining after.
July 4, 2024
First of all I want to thank the author for sending me an Arc in exchange for an honest review.
There's a lot to like here - the setting is fun, the puzzle has a distinct Agatha Christie flair and the relationship between Bertie and Hugh is compelling if not rather too subtle (though I imagine this will be explored in more depth as the series continues).
Unfortunately, I solved this case rather early on which did detract from my enjoyment (I really love to not be able to solve mysteries). I also think that I would've enjoyed this more of I'd read the first book in the series beforehand (which I want to do now!)
Really well written and a puzzle that will delight many people, I'll look forward to the next in the series.
There's a lot to like here - the setting is fun, the puzzle has a distinct Agatha Christie flair and the relationship between Bertie and Hugh is compelling if not rather too subtle (though I imagine this will be explored in more depth as the series continues).
Unfortunately, I solved this case rather early on which did detract from my enjoyment (I really love to not be able to solve mysteries). I also think that I would've enjoyed this more of I'd read the first book in the series beforehand (which I want to do now!)
Really well written and a puzzle that will delight many people, I'll look forward to the next in the series.
September 4, 2024
4⭐️
AD-PR PRODUCT ~ Book Tour
A cleverly weaved murder mystery perfect for a cosy evening! 😍
Bertie and Hugh are in London’s West End for this highly anticipated sequel that was so easy to demolish in a few sittings. This book had a great leading duo, plenty of suspects, multiple redherrings and a few twists that made a really enjoyable theatrical murder mystery.
In 1934, Bertie gets a call from a rival playwright at The Gaiety Theatre throwing him into another mystery. Can he unravel a newspaper advert that declares a murder will take place during the matinee’s third act? There’s only one problem, there is no murder in the third act. When a victim is discovered and the police arrive, Bertie and Inspector Hugh Chapman are thrown back together to find the killer.
I really enjoyed this whodunnit as it felt very real and West makes it so easy to visualise 1930s London. I loved the historical aspects to this mystery too, learning more about the city, its past and present theatres, and the London Undergound. One thing I loved from the first book is how much West’s own theatre career shines bright on the pages and once again, this expertise is integrated throughout the read.
I loved the touch upon Bertie’s sexuality, which wasn’t a huge motivating factor in this book, but was an important representation of life in 1930s London at the time. Bertie was brilliant and I really loved his character. He wasn’t afraid to get stuck in straight away and I loved how he bounced off ideas with Hugh. It was so good to see them back together again.
With a mixture of likeable (shoutout to Gertie) and unlikeable characters, West really keeps you on tenterhooks and I had no idea who was responsible. I loved the grand reveal at the end as Bertie and Hugh took centre stage to expose all in true Agatha Christie style. I never guessed the culprit.
A huge thank you to @instabooktours, @brabingerbooks and @jamiewestauthor for having me on this book tour and for the signed copy and gifts. Also, thank you Jamie for including me in the acknowledgments! 🥹
I cannot wait to see what book three has in store for Bertie and Hugh and I recommend you check out this book which can also be read as a standalone. Murder at the Matinee is published tomorrow. 💚
💬: ‘always make sure you're making decisions based on what's really in front of you, not your idea of what you want to be in front of you?'
⚠️ Please check out the trigger warnings! ⚠️
AD-PR PRODUCT ~ Book Tour
A cleverly weaved murder mystery perfect for a cosy evening! 😍
Bertie and Hugh are in London’s West End for this highly anticipated sequel that was so easy to demolish in a few sittings. This book had a great leading duo, plenty of suspects, multiple redherrings and a few twists that made a really enjoyable theatrical murder mystery.
In 1934, Bertie gets a call from a rival playwright at The Gaiety Theatre throwing him into another mystery. Can he unravel a newspaper advert that declares a murder will take place during the matinee’s third act? There’s only one problem, there is no murder in the third act. When a victim is discovered and the police arrive, Bertie and Inspector Hugh Chapman are thrown back together to find the killer.
I really enjoyed this whodunnit as it felt very real and West makes it so easy to visualise 1930s London. I loved the historical aspects to this mystery too, learning more about the city, its past and present theatres, and the London Undergound. One thing I loved from the first book is how much West’s own theatre career shines bright on the pages and once again, this expertise is integrated throughout the read.
I loved the touch upon Bertie’s sexuality, which wasn’t a huge motivating factor in this book, but was an important representation of life in 1930s London at the time. Bertie was brilliant and I really loved his character. He wasn’t afraid to get stuck in straight away and I loved how he bounced off ideas with Hugh. It was so good to see them back together again.
With a mixture of likeable (shoutout to Gertie) and unlikeable characters, West really keeps you on tenterhooks and I had no idea who was responsible. I loved the grand reveal at the end as Bertie and Hugh took centre stage to expose all in true Agatha Christie style. I never guessed the culprit.
A huge thank you to @instabooktours, @brabingerbooks and @jamiewestauthor for having me on this book tour and for the signed copy and gifts. Also, thank you Jamie for including me in the acknowledgments! 🥹
I cannot wait to see what book three has in store for Bertie and Hugh and I recommend you check out this book which can also be read as a standalone. Murder at the Matinee is published tomorrow. 💚
💬: ‘always make sure you're making decisions based on what's really in front of you, not your idea of what you want to be in front of you?'
⚠️ Please check out the trigger warnings! ⚠️
April 21, 2024
Nice and cozy murder mystery that, although easily forgettable, provided a good few hours of entertainment for me.
If you´re a fan of Agatha Christie, you´ll probably enjoy this, because it has a similar plot structure (and quite a few references to that author herself), with an amateur sleuth gathering evidence and an ending with all the suspects gathered in one place for the great reveal.
As I said, the old formule always works well. And, since the murder is committed in a theater, I guess that also adds a bit of a show to it (in more than one sense).
I liked the book (it´s the second of a series, but I haven´t read the first one yet), but it´s not that impressive: I guessed who the murderer was and why they did it pretty quickly. The characters (particularly the main ones) were nicely done but I still felt there was something missing... This book was categorized as LGBTQ+ and, althouth Bertie (the protagonist) is queer in a very subtle and almost let´s-not-talk-about-this-in-public way, I didn´t really see anything particylarly queer in this book: If you remove the LGBTQ+ tag of it, I could have perfectly seen Hugh and Bertie´s relationship as some sort of strangled friendship. Maybe, if you pushed it a bit, I could see it as a friendship wanting to be something more (particularly on Bertie´s side, because Hugh is very closeted)... But then I could trick myself into thinking I was imagining things because, you see, there is nothing romantic about this book and what Bertie and Hugh have in the end is just friendship (that has potential to be something more in the following books, I suppose).
Will I keep reading more of this series? That´s the real question.
I´d say, probably. It was cozy and it´s a fast reading so, why not?
If you´re a fan of Agatha Christie, you´ll probably enjoy this, because it has a similar plot structure (and quite a few references to that author herself), with an amateur sleuth gathering evidence and an ending with all the suspects gathered in one place for the great reveal.
As I said, the old formule always works well. And, since the murder is committed in a theater, I guess that also adds a bit of a show to it (in more than one sense).
I liked the book (it´s the second of a series, but I haven´t read the first one yet), but it´s not that impressive: I guessed who the murderer was and why they did it pretty quickly. The characters (particularly the main ones) were nicely done but I still felt there was something missing... This book was categorized as LGBTQ+ and, althouth Bertie (the protagonist) is queer in a very subtle and almost let´s-not-talk-about-this-in-public way, I didn´t really see anything particylarly queer in this book: If you remove the LGBTQ+ tag of it, I could have perfectly seen Hugh and Bertie´s relationship as some sort of strangled friendship. Maybe, if you pushed it a bit, I could see it as a friendship wanting to be something more (particularly on Bertie´s side, because Hugh is very closeted)... But then I could trick myself into thinking I was imagining things because, you see, there is nothing romantic about this book and what Bertie and Hugh have in the end is just friendship (that has potential to be something more in the following books, I suppose).
Will I keep reading more of this series? That´s the real question.
I´d say, probably. It was cozy and it´s a fast reading so, why not?
Read
January 14, 2025An easy and entertaining read. Plus I always love the historical elements in this series!
May 27, 2024
Not for me I am afraid. The writing style is simplistic with very little character building of note. A cosy crime that I guessed very quickly. So I skipped to the last chapters to see if I was right, and I was.
I liked the setting. A good cast of characters. The lead amateur detective, Bertie, shows promise as a character alongside the actual detective, Hugh.
I do think this book will be popular, despite the drawbacks for me.
I read a copy provided by NetGalley and the publishers.
I liked the setting. A good cast of characters. The lead amateur detective, Bertie, shows promise as a character alongside the actual detective, Hugh.
I do think this book will be popular, despite the drawbacks for me.
I read a copy provided by NetGalley and the publishers.
June 7, 2024
This is a great old time murder mystery. Like a great game of Clue almost. You will fall in love with the characters and wont be able to put this down. Love it!!! So much fun!!!
June 9, 2024
"...you're the one who's done this before. How do we go about solving a murder?"
I do love a whodunnit.
The second installment in the Bertie Carroll Mysteries series sees Bertie Carroll back in the middle of a golden-age-style whodunnit, set against the backdrop of the Gaiety Theatre in London. When Bertie recieves a call from fellow playright/rival Alice Crawford, he doesnt expect to be in the middle of another murder mystery. After all, the threatening note stating that there will be a very real murder in the third act of the play on closing night can't be anything more than a hoax right? The cast of the play seem to think so, until the body of the male lead, Anthony Debenham, is found hours after the matinee performance. Bertie must once again team up with his old school friend Hugh Chapman to find the killer, but no one is above suspicion. Can they work together to unravel the mystery of this seemingly inprobable murder?
I really love a classic whodunnit. I grew up watching Midsomer Murders with my dad, always being excited when he'd guess the killer within the first half hour, meanwhile all my guesses ended up being the next victim. This book really felt like a love letter to the golden age of whodunnit murder mysterious, as well as the old fashioned theatreland of the London West End. I loved the discovery of the murder, the way there was no solid explination for the killer getting in and out undetected. I also really loved the subversion of it focusing a lot on Bertie's investigation rather than Hughs as it really felt like something I could follow along with.
The cast of this book are really really interesting. Although its a relativley small cast of chracters, they all add soemthing to the story. Alice was really interesting. Once we got past the 'they're still so in love, I oculd never be like that it would tire me' i found her a bit more interesting. I could never figure out if she had something to do with the note, maybe to drive up sales for her play. It made for a really interesting read trying to figure out her motives. My mind almost immediatley drifted to thinking it's always the wife, but that was more because I always said that watching Midsomer. But I think Katherine may have been my favourite character. she really embodied the glitz, glamour and dramatics from 1930s theatreland. I kept flitting between her and Alice as to who I thought did it, sometimes thinking maybe it was Margo, but each character was crafted so carefully, that I thought they all could have plausibly done it, but also thinking that I didn't want any of them to be the killer.
As it is the second book in the series, I didn't think I was able to connect with Bertie and Hugh as much as I wanted to. Whilst this book can be read as a standalone, there is just enough intrigue into Bertie and HUgh's past, and enough mention of what happened in Brighton for me to not fully understand their dynamic, but that's mostly on me for not reading the first book before delving into this one.
It was a shorter read than I was expecting, but it really worked well. It meant there were never any filler scenes. The pacing of the book really worked well , from the beginning, to the murder, to the investigation, to the reveal. My favourite part of the book was the reveal. Having evryone in one room while they talked it out is my favourite way of finding out who the killer is. It had me on the edge of my seat the whole time, and I thought it was so well done. I liked that it never felt out of left field, the whole explanation felt like it made sense.
All in all this was really enjoyable, and I was happy to see at the end that Bertie and Hugh will return. This was a 4 star read for me
ARC provided by Brabinger through NetGalley, thank you for the opportunity to read this early copy, all thoughts are my own.
I do love a whodunnit.
The second installment in the Bertie Carroll Mysteries series sees Bertie Carroll back in the middle of a golden-age-style whodunnit, set against the backdrop of the Gaiety Theatre in London. When Bertie recieves a call from fellow playright/rival Alice Crawford, he doesnt expect to be in the middle of another murder mystery. After all, the threatening note stating that there will be a very real murder in the third act of the play on closing night can't be anything more than a hoax right? The cast of the play seem to think so, until the body of the male lead, Anthony Debenham, is found hours after the matinee performance. Bertie must once again team up with his old school friend Hugh Chapman to find the killer, but no one is above suspicion. Can they work together to unravel the mystery of this seemingly inprobable murder?
I really love a classic whodunnit. I grew up watching Midsomer Murders with my dad, always being excited when he'd guess the killer within the first half hour, meanwhile all my guesses ended up being the next victim. This book really felt like a love letter to the golden age of whodunnit murder mysterious, as well as the old fashioned theatreland of the London West End. I loved the discovery of the murder, the way there was no solid explination for the killer getting in and out undetected. I also really loved the subversion of it focusing a lot on Bertie's investigation rather than Hughs as it really felt like something I could follow along with.
The cast of this book are really really interesting. Although its a relativley small cast of chracters, they all add soemthing to the story. Alice was really interesting. Once we got past the 'they're still so in love, I oculd never be like that it would tire me' i found her a bit more interesting. I could never figure out if she had something to do with the note, maybe to drive up sales for her play. It made for a really interesting read trying to figure out her motives. My mind almost immediatley drifted to thinking it's always the wife, but that was more because I always said that watching Midsomer. But I think Katherine may have been my favourite character. she really embodied the glitz, glamour and dramatics from 1930s theatreland. I kept flitting between her and Alice as to who I thought did it, sometimes thinking maybe it was Margo, but each character was crafted so carefully, that I thought they all could have plausibly done it, but also thinking that I didn't want any of them to be the killer.
As it is the second book in the series, I didn't think I was able to connect with Bertie and Hugh as much as I wanted to. Whilst this book can be read as a standalone, there is just enough intrigue into Bertie and HUgh's past, and enough mention of what happened in Brighton for me to not fully understand their dynamic, but that's mostly on me for not reading the first book before delving into this one.
It was a shorter read than I was expecting, but it really worked well. It meant there were never any filler scenes. The pacing of the book really worked well , from the beginning, to the murder, to the investigation, to the reveal. My favourite part of the book was the reveal. Having evryone in one room while they talked it out is my favourite way of finding out who the killer is. It had me on the edge of my seat the whole time, and I thought it was so well done. I liked that it never felt out of left field, the whole explanation felt like it made sense.
All in all this was really enjoyable, and I was happy to see at the end that Bertie and Hugh will return. This was a 4 star read for me
ARC provided by Brabinger through NetGalley, thank you for the opportunity to read this early copy, all thoughts are my own.
September 9, 2024
3.7 Stars
One Liner: Cozy indeed! Read it if you like theaters
1934, London West End
Bertie Carroll has no choice but to go when his friendly rival and playwright, Alice, gives him a frantic call. Someone had placed an advert that a murder would take place in the third act of her play. Though Bertie has no idea how or what he should do, he goes to offer moral support to Alice.
However, a murder indeed occurs, and Alice is determined Bertie should solve it (with her help, of course)! With Inspector Hugh Chapman assigned to the case, Bertie has to navigate the clues as well as his feelings for his friend.
The story comes in the third-person POV of Bertie (mostly), Hugh, and Alice.
My Thoughts:
As someone who quite enjoyed the first book, I was excited to read this one. The author’s experience with theater shines even in this book. The detailing of the Gaiety theatre- the seats, the backend, etc., is so good! Also, don’t miss the author’s note at the end.
While this works as a standalone, reading the first book will be better. That’s because unlike other LGBT+ works, this one is subtle and hush-hush (better than book one, though). It was the same in book one. Though the friction between the lead characters is a bit more apparent, it doesn’t openly highlight anything.
Bertie is easy to like, which makes this an easy and entertaining read. Alice is a force to reckon with (for the MC and readers, lol). She does bring a lot of lighthearted moments and chuckles, though. Her characterization is steady, and I would be delighted to meet her again in future books.
Once again, the theater industry, actors, and relevant issues are the primary focus. The 1930s setting adds a lovely charm as well as provides details about how the backgrounds (for plays) were made, the local living conditions (based on income), transportation, etc. Quite a lot of history is packed into it without distracting from the plot.
The mystery as such is easy to guess. While it should have been a whodunit, it is more of a howdunit and whydunit for me since I guessed the killer early. The repetition of certain details made it even more obvious (toning it down a little should help the plot).
Bertie’s secretary, the efficient Miss. Gertie (Gertrude) Williams, has a small role in the last quarter. It’s fun meeting her again. Always give me characters that thrive on order and color-coded lists.
The reveal is not a monologue but comes from more than one character and involves others asking questions and such. This works well as it keeps the reader more invested in the proceedings.
To summarize, Murder at the Matinee is a light and cozy read set in the world of theater from the 1930s. It reads a lot like a classic mystery with the visible influence of Christie’s works.
We are told there will be more books in the series, so I’m hoping the next one will not be a long wait.
Thank you, NetGalley and Brabinger Publishing, for eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #MurderattheMatinee
One Liner: Cozy indeed! Read it if you like theaters
1934, London West End
Bertie Carroll has no choice but to go when his friendly rival and playwright, Alice, gives him a frantic call. Someone had placed an advert that a murder would take place in the third act of her play. Though Bertie has no idea how or what he should do, he goes to offer moral support to Alice.
However, a murder indeed occurs, and Alice is determined Bertie should solve it (with her help, of course)! With Inspector Hugh Chapman assigned to the case, Bertie has to navigate the clues as well as his feelings for his friend.
The story comes in the third-person POV of Bertie (mostly), Hugh, and Alice.
My Thoughts:
As someone who quite enjoyed the first book, I was excited to read this one. The author’s experience with theater shines even in this book. The detailing of the Gaiety theatre- the seats, the backend, etc., is so good! Also, don’t miss the author’s note at the end.
While this works as a standalone, reading the first book will be better. That’s because unlike other LGBT+ works, this one is subtle and hush-hush (better than book one, though). It was the same in book one. Though the friction between the lead characters is a bit more apparent, it doesn’t openly highlight anything.
Bertie is easy to like, which makes this an easy and entertaining read. Alice is a force to reckon with (for the MC and readers, lol). She does bring a lot of lighthearted moments and chuckles, though. Her characterization is steady, and I would be delighted to meet her again in future books.
Once again, the theater industry, actors, and relevant issues are the primary focus. The 1930s setting adds a lovely charm as well as provides details about how the backgrounds (for plays) were made, the local living conditions (based on income), transportation, etc. Quite a lot of history is packed into it without distracting from the plot.
The mystery as such is easy to guess. While it should have been a whodunit, it is more of a howdunit and whydunit for me since I guessed the killer early. The repetition of certain details made it even more obvious (toning it down a little should help the plot).
Bertie’s secretary, the efficient Miss. Gertie (Gertrude) Williams, has a small role in the last quarter. It’s fun meeting her again. Always give me characters that thrive on order and color-coded lists.
The reveal is not a monologue but comes from more than one character and involves others asking questions and such. This works well as it keeps the reader more invested in the proceedings.
To summarize, Murder at the Matinee is a light and cozy read set in the world of theater from the 1930s. It reads a lot like a classic mystery with the visible influence of Christie’s works.
We are told there will be more books in the series, so I’m hoping the next one will not be a long wait.
Thank you, NetGalley and Brabinger Publishing, for eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #MurderattheMatinee
September 14, 2024
Rating: 4* of five
The Publisher Says: Following on from the success of Death on the Pier, gay playwright detective Bertie Carroll returns for the second book in this golden-age-style whodunnit series, set in the exciting world of theatreland in 1930s London.
An unexpected phone call from a rival playwright puts Bertie centre stage in another mystery. Can he help unravel the motive behind a mysterious newspaper advert that boldly declares a murder will take place during a show’s third act? There’s only one problem, there is no murder in the third act of the play!
When a victim is discovered and the police are brought in, Bertie and Inspector Hugh Chapman get thrown awkwardly back together as they both work to find the killer.
The spotlight falls on each suspect in turn and, this time, even Bertie is not above suspicion. But can rivalries and differences be put aside to solve this devious murder?
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: A riff on Dame Agatha's A Murder is Announced, this quozy story of Bertie Carroll coming to the aid of frenemy Alice, with his...well, his policeman Hugh there to do...rather less than in the first book; and then narrowly miss out on taking a starring role in the murder as a suspect so that comes out okay.
The reason that sounds incoherent is that I felt more at sea this time than last. How is it Hugh, clearly being set up as Bertie's Gentleman Caller, recedes more into the background? I wasn't expecting grand passion, it may be set in the theatre world but it's 1930s London so discretion was all. However Hugh and Bertie weren't as bantering-mates-with-subtext this time. That was disappointing. I suspect we'll get more of the bantering, and maybe even that mooted swim from the first book, in the next one.
I was pretty clear on who killed Alice but really didn't know why until the polyphonic ending unfolded. This was more than enough to satisfy my series-mytery reader brain. The first book's adeptness at scene-setting that transported me, this time, to 1930s London (instead of the first book's Brighton) is very much in evidence again. The author is a theatre professional. It's clear he's also willing to do careful research into the past. It is always a pleasure to read the words of someone who presents the world being evoked with such panache and confidence.
Aside from missing more Hugh-time for Bertie and me, I felt the mystery was satisfying my series-story craving enough to get a solid four stars. I probably wouldn't have been as generous if I'd read this book first, so read Death on the Pier (my review linked above) before this. But don't miss out. Bertie and Hugh will wile away a few hours while you're focused on the made-up problems of fictional people.
The Publisher Says: Following on from the success of Death on the Pier, gay playwright detective Bertie Carroll returns for the second book in this golden-age-style whodunnit series, set in the exciting world of theatreland in 1930s London.
An unexpected phone call from a rival playwright puts Bertie centre stage in another mystery. Can he help unravel the motive behind a mysterious newspaper advert that boldly declares a murder will take place during a show’s third act? There’s only one problem, there is no murder in the third act of the play!
When a victim is discovered and the police are brought in, Bertie and Inspector Hugh Chapman get thrown awkwardly back together as they both work to find the killer.
The spotlight falls on each suspect in turn and, this time, even Bertie is not above suspicion. But can rivalries and differences be put aside to solve this devious murder?
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: A riff on Dame Agatha's A Murder is Announced, this quozy story of Bertie Carroll coming to the aid of frenemy Alice, with his...well, his policeman Hugh there to do...rather less than in the first book; and then narrowly miss out on taking a starring role in the murder as a suspect so that comes out okay.
The reason that sounds incoherent is that I felt more at sea this time than last. How is it Hugh, clearly being set up as Bertie's Gentleman Caller, recedes more into the background? I wasn't expecting grand passion, it may be set in the theatre world but it's 1930s London so discretion was all. However Hugh and Bertie weren't as bantering-mates-with-subtext this time. That was disappointing. I suspect we'll get more of the bantering, and maybe even that mooted swim from the first book, in the next one.
I was pretty clear on who killed Alice but really didn't know why until the polyphonic ending unfolded. This was more than enough to satisfy my series-mytery reader brain. The first book's adeptness at scene-setting that transported me, this time, to 1930s London (instead of the first book's Brighton) is very much in evidence again. The author is a theatre professional. It's clear he's also willing to do careful research into the past. It is always a pleasure to read the words of someone who presents the world being evoked with such panache and confidence.
Aside from missing more Hugh-time for Bertie and me, I felt the mystery was satisfying my series-story craving enough to get a solid four stars. I probably wouldn't have been as generous if I'd read this book first, so read Death on the Pier (my review linked above) before this. But don't miss out. Bertie and Hugh will wile away a few hours while you're focused on the made-up problems of fictional people.
September 1, 2024
The Theatrical world, at least in Fiction, is populated by people who are theatrical, i.e. prone to be dramatic, or at least exaggerated in their normal life. When a small ad in a trade paper states that someone will really be murdered during an upcoming matinee performance of a murder-mystery at The Gaiety theatre, many people assume it is just a publicity stunt designed to boost sales. The playwright, Alice Crawford, and the theatre management know that this is not the case and reassure the cast that there will be no risk. However, Alice is concerned that it is not just a practical joke, and calls in Bertie Caroll, a rival writer but one who has a reputation as a sleuth having solved a murder a few months earlier. Bertie acknowledges that it is odd, but doesn’t seem particularly worried, and this view appears to be vindicated when the matinee ends without problems.
Alice, Bertie, and most of the cast repair to Romano’s Restaurant for a meal before the evening performance, only to be interrupted by Detective Inspector Hugh Chapman who arrives to inform them that the leading man, Anthony Debenham, has been murdered. His wife, Katherine, was leading lady in the show but any suspicions the police might have of her are swiftly assuaged because she is here in Romano’s in the company of reporter Margo Murray, having met at the theatre. So they alibi each other, as do Bertie and Alice, and in fact the rest of the cast and assorted theatre workers seem to cross alibi each other. Hugh, an old friend of Bertie’s with whom he had solved the previous murder, thus has a lot of potential suspects none of whom were in the theatre at the crucial time. The pair team up once more and start to unravel the puzzle.
This is the second book featuring Bertie and Hugh, but it works as a standalone because there is no real carry over except for the nature of their friendship, which is ambiguous. The story is set in 1934, at which time homosexuality was illegal (Male only, Female homosexuality was never a crime). The tentative bromance of the previous book is more obviously something else here, but while Bertie can at least go to ‘bohemian’ clubs Hugh cannot display any overt signs since it is actually his job to arrest people for ‘gross indecency’. The style of the book is reminiscent of golden age detective stories and clearly falls into the Cosy Crime category. I spotted the solution very early on, so I didn’t get very involved in the story. Readers who like to work out the ending of such books will find it underwhelming, but it will be a nice light read for many others.
I would like to thank NetGalley, the publishers and the author for providing me with a draft proof copy for the purpose of this review.
Alice, Bertie, and most of the cast repair to Romano’s Restaurant for a meal before the evening performance, only to be interrupted by Detective Inspector Hugh Chapman who arrives to inform them that the leading man, Anthony Debenham, has been murdered. His wife, Katherine, was leading lady in the show but any suspicions the police might have of her are swiftly assuaged because she is here in Romano’s in the company of reporter Margo Murray, having met at the theatre. So they alibi each other, as do Bertie and Alice, and in fact the rest of the cast and assorted theatre workers seem to cross alibi each other. Hugh, an old friend of Bertie’s with whom he had solved the previous murder, thus has a lot of potential suspects none of whom were in the theatre at the crucial time. The pair team up once more and start to unravel the puzzle.
This is the second book featuring Bertie and Hugh, but it works as a standalone because there is no real carry over except for the nature of their friendship, which is ambiguous. The story is set in 1934, at which time homosexuality was illegal (Male only, Female homosexuality was never a crime). The tentative bromance of the previous book is more obviously something else here, but while Bertie can at least go to ‘bohemian’ clubs Hugh cannot display any overt signs since it is actually his job to arrest people for ‘gross indecency’. The style of the book is reminiscent of golden age detective stories and clearly falls into the Cosy Crime category. I spotted the solution very early on, so I didn’t get very involved in the story. Readers who like to work out the ending of such books will find it underwhelming, but it will be a nice light read for many others.
I would like to thank NetGalley, the publishers and the author for providing me with a draft proof copy for the purpose of this review.
September 1, 2024
The story:
When Bertie Carroll receives a panicked phone call from a fellow playwright, he at first puts it down to nerves over an upcoming performance. But with a mysterious announcement appearing in a theatrical newspaper claiming a real murder will occur in the third act, Bertie is concerned enough to attend the show and offer his support.
When the play seems to go off without a hitch, the company breathe a collective sigh of relief. But when old friend DCI Hugh Chapman arrives with terrible news, Bertie once again becomes swept up in a murder investigation. With only a tiny window of opportunity, how was the crime committed? And more importantly, by who?
My thoughts:
I was very excited to be part of the blog tour for author Jamie West’s latest book in his theatrically themed murder mystery series, following his debut novel “Death on the Pier”.
Set in the 1930s, this series is the epitome of ‘my sort of thing’! A long-time Agatha Christie fan, and golden-age detective fiction in general, these books both evoke that era of writing and feel new and fun to read.
Knowing the author’s ’day job’ in the theatre, I smiled to see his mention of the calm of the theatre stage crew; and the author’s knowledge of, and love for, the theatre shines throughout the story and gives a level of detail that really brings the setting of the, now sadly vanished, Gaiety Theatre in London’s west end to life.
Funnily enough, I have been reading Agatha Christie’s “A Murder is Announced” this month, and that is exactly the predicament Bertie finds himself in at the start of the story, with a mysterious advert appearing in The Era newspaper announcing a murder at fellow playwright Alice Crawford’s latest play. When a murder does occur, Bertie’s old friend Hugh is soon on the scene to investigate, and the partnership established between them in the last investigation is soon reignited.
Alice Crawford was a great addition to the story, and reminded me a little of a favourite Christie character, Ariadne Oliver (who, in turn, was a fictional version of Christie herself), with her messy desk and enthusiastic desire to solve the crime.
The mystery itself is a puzzling one, with several potential suspects in the frame, all of whom are gathered together at the end in time-honoured tradition for the big reveal.
I thoroughly enjoyed reading this book, and was delighted to see the words “Bertie and Hugh will return…” at the end of my copy! I hope we don’t have to wait too long to see them again!
When Bertie Carroll receives a panicked phone call from a fellow playwright, he at first puts it down to nerves over an upcoming performance. But with a mysterious announcement appearing in a theatrical newspaper claiming a real murder will occur in the third act, Bertie is concerned enough to attend the show and offer his support.
When the play seems to go off without a hitch, the company breathe a collective sigh of relief. But when old friend DCI Hugh Chapman arrives with terrible news, Bertie once again becomes swept up in a murder investigation. With only a tiny window of opportunity, how was the crime committed? And more importantly, by who?
My thoughts:
I was very excited to be part of the blog tour for author Jamie West’s latest book in his theatrically themed murder mystery series, following his debut novel “Death on the Pier”.
Set in the 1930s, this series is the epitome of ‘my sort of thing’! A long-time Agatha Christie fan, and golden-age detective fiction in general, these books both evoke that era of writing and feel new and fun to read.
Knowing the author’s ’day job’ in the theatre, I smiled to see his mention of the calm of the theatre stage crew; and the author’s knowledge of, and love for, the theatre shines throughout the story and gives a level of detail that really brings the setting of the, now sadly vanished, Gaiety Theatre in London’s west end to life.
Funnily enough, I have been reading Agatha Christie’s “A Murder is Announced” this month, and that is exactly the predicament Bertie finds himself in at the start of the story, with a mysterious advert appearing in The Era newspaper announcing a murder at fellow playwright Alice Crawford’s latest play. When a murder does occur, Bertie’s old friend Hugh is soon on the scene to investigate, and the partnership established between them in the last investigation is soon reignited.
Alice Crawford was a great addition to the story, and reminded me a little of a favourite Christie character, Ariadne Oliver (who, in turn, was a fictional version of Christie herself), with her messy desk and enthusiastic desire to solve the crime.
The mystery itself is a puzzling one, with several potential suspects in the frame, all of whom are gathered together at the end in time-honoured tradition for the big reveal.
I thoroughly enjoyed reading this book, and was delighted to see the words “Bertie and Hugh will return…” at the end of my copy! I hope we don’t have to wait too long to see them again!
October 2, 2025
In Murder at the Matinee, the follow-up to Death on the Pier, Jamie West masterfully weaves a captivating whodunnit that transports readers back to the vibrant theatre scene of 1930s London. The protagonist, Bertie Carroll, a once-renowned playwright turned amateur sleuth, finds himself embroiled in yet another intriguing mystery. This time, a rival playwright’s ominous phone call sets the stage for a perplexing enigma—a newspaper ad that chillingly proclaims a murder will occur during the third act of a play that, suspiciously, has no such murder written in its script.
West’s depiction of the theatrical world is both enchanting and immersive, painting a vivid picture of the glamorous yet cutthroat environment in which Bertie navigates. The tension escalates when a body is discovered, prompting a combative yet collaborative relationship between Bertie and Inspector Hugh Chapman, as they try to untangle the web of motives among the colorful cast of suspects. Each character is deftly crafted, adding layers of complexity and intrigue, ensuring that even the seemingly innocuous could be harboring dark secrets.
One of the highlights of the novel is its clever plotting; West plays with the conventions of the genre, keeping readers guessing right up until the final reveal. The pacing is expertly managed, allowing for both thrilling twists and moments of introspection as Bertie grapples with his own shortcomings and the suspicions cast upon him. This added depth to his character makes the resolution all the more satisfying.
Furthermore, Murder at the Matinee brilliantly balances humor with suspense, capturing the essence of classic detective fiction while infusing it with a fresh perspective. The dialogue sparkles with wit, and the behind-the-scenes anecdotes of theatre life deepen the reader’s connection to the story.
Overall, Jamie West’s Murder at the Matinee is a delightful continuation of Bertie Carroll's adventures, blending mystery, drama, and a touch of nostalgia for the golden age of theatre. Fans of cosy mysteries and classic whodunnits will find themselves thoroughly entertained, eagerly turning the pages to uncover the truth hidden within the glitz and glamour of London’s stage. Highly recommended for those who enjoy a well-crafted mystery with richly drawn characters and a playful nod to the theatrical world.
West’s depiction of the theatrical world is both enchanting and immersive, painting a vivid picture of the glamorous yet cutthroat environment in which Bertie navigates. The tension escalates when a body is discovered, prompting a combative yet collaborative relationship between Bertie and Inspector Hugh Chapman, as they try to untangle the web of motives among the colorful cast of suspects. Each character is deftly crafted, adding layers of complexity and intrigue, ensuring that even the seemingly innocuous could be harboring dark secrets.
One of the highlights of the novel is its clever plotting; West plays with the conventions of the genre, keeping readers guessing right up until the final reveal. The pacing is expertly managed, allowing for both thrilling twists and moments of introspection as Bertie grapples with his own shortcomings and the suspicions cast upon him. This added depth to his character makes the resolution all the more satisfying.
Furthermore, Murder at the Matinee brilliantly balances humor with suspense, capturing the essence of classic detective fiction while infusing it with a fresh perspective. The dialogue sparkles with wit, and the behind-the-scenes anecdotes of theatre life deepen the reader’s connection to the story.
Overall, Jamie West’s Murder at the Matinee is a delightful continuation of Bertie Carroll's adventures, blending mystery, drama, and a touch of nostalgia for the golden age of theatre. Fans of cosy mysteries and classic whodunnits will find themselves thoroughly entertained, eagerly turning the pages to uncover the truth hidden within the glitz and glamour of London’s stage. Highly recommended for those who enjoy a well-crafted mystery with richly drawn characters and a playful nod to the theatrical world.
June 25, 2024
I read this book courtesy of Net Galley and I really enjoyed this.
It starts when playwright Bertie Carroll is called by his friend and rival playwright Alice Crawford, worried about an advert for her current play in The Era telling people to watch that day's matinee as there will be a murder in act three of her play. Except that's not part of the script. What ensues is a whodunit with many suspects, from cast members, those behind the scenes, journalists, and others in the profession, including Bertie himself. All have alibis, only some have a motive. Bertie is also reunited with his old school friend Inspector Hugh Chapman for only the second time since they left school (yes, the first time also involved a murder).
This is the second in a series, I haven't read the first, but it could absolutely be read as a standalone. What I particularly enjoyed about this book, as well as the mystery, was the setting of 1930s West End London, when 'the talkies' were in their infancy, and the theatre, and theatre actors, were massive. I also liked the little details, the things you don't even think about when you watch a play. I could tell just how much the theatre means to the author (he has had a long career workingin London's West End).
Another important aspect is this was a time when homosexuality was still illegal and punishable by imprisonment in the UK. There's clearly chemistry between Bertie and Hugh, but they can't act on it, especially given that Hugh is a police officer. But it's handled with complete discretion, it's hinted at massively but never mentioned explicitly, which really evokes the era and secrecy around sexuality then.
I really like Jamie West's writing, and there are some brilliant lines. My favourite quote was about one of the suspects: "She was determined to answer on her own two feet." To take a well-known expression and turn it into something new, I thought it was brilliant. I recommend reading this upon publication in September, and I intend on getting my hands on the first book and giving it a go.
It starts when playwright Bertie Carroll is called by his friend and rival playwright Alice Crawford, worried about an advert for her current play in The Era telling people to watch that day's matinee as there will be a murder in act three of her play. Except that's not part of the script. What ensues is a whodunit with many suspects, from cast members, those behind the scenes, journalists, and others in the profession, including Bertie himself. All have alibis, only some have a motive. Bertie is also reunited with his old school friend Inspector Hugh Chapman for only the second time since they left school (yes, the first time also involved a murder).
This is the second in a series, I haven't read the first, but it could absolutely be read as a standalone. What I particularly enjoyed about this book, as well as the mystery, was the setting of 1930s West End London, when 'the talkies' were in their infancy, and the theatre, and theatre actors, were massive. I also liked the little details, the things you don't even think about when you watch a play. I could tell just how much the theatre means to the author (he has had a long career workingin London's West End).
Another important aspect is this was a time when homosexuality was still illegal and punishable by imprisonment in the UK. There's clearly chemistry between Bertie and Hugh, but they can't act on it, especially given that Hugh is a police officer. But it's handled with complete discretion, it's hinted at massively but never mentioned explicitly, which really evokes the era and secrecy around sexuality then.
I really like Jamie West's writing, and there are some brilliant lines. My favourite quote was about one of the suspects: "She was determined to answer on her own two feet." To take a well-known expression and turn it into something new, I thought it was brilliant. I recommend reading this upon publication in September, and I intend on getting my hands on the first book and giving it a go.
August 14, 2024
What a jolly good Golden Age whodunnit! I thoroughly enjoyed reading it.
I haven't read the first volume, but I'm looking forward to the sequels. I'm glad Bertie & Hugh are coming back for a third volume. This atmospheric and delightful Golden Age whodunnit is set in the pre-war London theatre scene.
I don't go to the theatre myself as often as I'd like, but I can enjoy Shakespeare plays performed in the open air - and of course I went to see the Mousetrap in London -
The (historical) setting of this book is linked to the Queen of Crime in a number of ways. For fans of her work, there is some additional information at the back of the book.
Alice Crawford enlists the help of her friend and colleague Bertie Caroll when an advertisement appears in the 'Era' saying that someone is going to die in the third act of her play. Since there is no murder in the third act of the play, Alice suspects that someone is trying to put the play in a bad light, and she has already alerted the police, but they do not take the whole incident very seriously. I love that 'A Murder is Announced' is more or less alluded to here. It is not long before the advertisement turns out to be true, and someone is found dead in the theatre. As Bertie tries to get to the bottom of the case, an old acquaintance of his turns up: police detective Hugh.
I found it to be an atmospheric mystery that was fun to read. I liked the suggestion that Bertie and Hugh are more than just old friends and I hope that this is fully explored in the next volume.
As in any Agatha Christie's setting, everyone is cordially invited to attend the final act to hear what Bertie and Hugh have discovered and unmask the murderer.
I simply love these Golden Age mysteries and look forward to the sequel!
Thank you Netgalley for this read. Highly enjoyable and recommended.
5 stars.
September 8, 2024
I received this book from Netgalley in exchange for an honest, independent review.
In Murder at the Matinee, the second instalment of the Bertie Carroll Mysteries series, we once again find ourselves immersed in the vibrant and intriguing world of 1930s London theatreland. Gay playwright Bertie Carroll is thrust into the centre of a murder investigation when a mysterious newspaper advertisement ominously announces that a murder will occur during a show’s third act.
Rival playwright Alice reaches out to Bertie for his amateur detective skills. Together with Inspector Hugh Chapman, who returns from Death on the Pier, they combine Bertie’s intimate knowledge of the theatre with Chapman’s investigative expertise to unravel the mystery.
Jamie West masterfully crafts a historical mystery that is both engaging and richly detailed, showcasing his extensive knowledge of backstage workings from his day job in theatre. The characters are well-rounded and likeable, making it easy for readers to become invested in their journey. I particularly enjoyed the introduction of Alice, who added a fresh dynamic to the narrative.
While this book can be enjoyed as a standalone, I highly recommend reading the first instalment to fully appreciate the character development and backstory.
Much like in Death on the Pier, the chemistry between Bertie and Hugh is clear. However, given that Hugh is a detective and homosexuality was illegal in the UK during the 1930s, their connection is subtly suggested, reflecting the societal constraints and secrecy of the era.
With its Agatha Christie-esque twists, turns, and red herrings, Murder at the Matinee is a captivating whodunnit that will keep readers guessing until the very end. West has once again delivered a compelling narrative that celebrates the allure of the theatrical world.
In Murder at the Matinee, the second instalment of the Bertie Carroll Mysteries series, we once again find ourselves immersed in the vibrant and intriguing world of 1930s London theatreland. Gay playwright Bertie Carroll is thrust into the centre of a murder investigation when a mysterious newspaper advertisement ominously announces that a murder will occur during a show’s third act.
Rival playwright Alice reaches out to Bertie for his amateur detective skills. Together with Inspector Hugh Chapman, who returns from Death on the Pier, they combine Bertie’s intimate knowledge of the theatre with Chapman’s investigative expertise to unravel the mystery.
Jamie West masterfully crafts a historical mystery that is both engaging and richly detailed, showcasing his extensive knowledge of backstage workings from his day job in theatre. The characters are well-rounded and likeable, making it easy for readers to become invested in their journey. I particularly enjoyed the introduction of Alice, who added a fresh dynamic to the narrative.
While this book can be enjoyed as a standalone, I highly recommend reading the first instalment to fully appreciate the character development and backstory.
Much like in Death on the Pier, the chemistry between Bertie and Hugh is clear. However, given that Hugh is a detective and homosexuality was illegal in the UK during the 1930s, their connection is subtly suggested, reflecting the societal constraints and secrecy of the era.
With its Agatha Christie-esque twists, turns, and red herrings, Murder at the Matinee is a captivating whodunnit that will keep readers guessing until the very end. West has once again delivered a compelling narrative that celebrates the allure of the theatrical world.
August 2, 2024
2SLGBTQIA+ Historical Mystery set in England 1934 in which a renowned murder mystery playwright turns sleuth to help a rival playwright after the star of her play's found murdered.
5/5 stars: This is the second entry in West's Bertie Carroll Mysteries series which is a 2SLGBTQIA+ Historical Mystery set in 1934 England and features a renowned murder mystery playwright who's asked by a rival playwright to uncover who killed the star of her play. He's once again thrown together with his old school friend and inspector as two work to find who's behind the devious murder. With plenty of twists and turns, West has masterfully crafted a mystery that deftly balances the suspects and weaves in plenty of clues and red herrings that will leave you pondering the whodunit until the final reveal. Additionally, West's writing and character work are stellar; the characters are well-rounded and complex while remaining incredibly likable. Bertie's a total joy and I love catching back up with him and the world of golden-age theatreland. I also really like seeing how Bertie and Hugh deal with their very complicated friendship. While you could read this as a stand-alone, you'll gain so much more by reading the series from the beginning; so be sure to pick up book one, Death on the Pier.
I received this eARC thanks to NetGalley and Brabinger Publishing | Brabinger in exchange for an honest review. Publishing dates are subject to change.
5/5 stars: This is the second entry in West's Bertie Carroll Mysteries series which is a 2SLGBTQIA+ Historical Mystery set in 1934 England and features a renowned murder mystery playwright who's asked by a rival playwright to uncover who killed the star of her play. He's once again thrown together with his old school friend and inspector as two work to find who's behind the devious murder. With plenty of twists and turns, West has masterfully crafted a mystery that deftly balances the suspects and weaves in plenty of clues and red herrings that will leave you pondering the whodunit until the final reveal. Additionally, West's writing and character work are stellar; the characters are well-rounded and complex while remaining incredibly likable. Bertie's a total joy and I love catching back up with him and the world of golden-age theatreland. I also really like seeing how Bertie and Hugh deal with their very complicated friendship. While you could read this as a stand-alone, you'll gain so much more by reading the series from the beginning; so be sure to pick up book one, Death on the Pier.
I received this eARC thanks to NetGalley and Brabinger Publishing | Brabinger in exchange for an honest review. Publishing dates are subject to change.
September 10, 2024
I haven't had the chance to read Jamie West's first book yet but I'll certainly be coming back for more Bertie Carroll investigations soon.
'Murder at the Matinee' is a wonderfully atmospheric cosy crime with hardly any violence in it, even the dead body is tastefully despatched! For someone like me who shies away from anything too graphic, this was a perfectly pitched level, enough detail to understand the story and try and work out whodunnit, but with very few gruesome details of the crime itself. I loved the detailed 1930s setting, the sounds and smells of the Gaiety theatre and the bustle of Romano's restaurants jumped off the page; after I finished reading, I went down a very satisfying rabbit hole googling 1930s London theatres!
But back to the story: celebrated playwright Bertie Carroll is visiting his friend and rival Alice, as her play wows the audiences in the Gaiety theatre. The stars of the play are married couple Katherine and Anthony Debenham; at the penultimate performance of the play, an anonymous letter is sent to the crew and posted in the newspapers saying there will be a murder in the third act of the show. There's no murder - but after the show, Anthony's lifeless body is found slumped in the dressing room. With all the backstage to-ing and fro-ing, there are a host of suspects to consider. Bertie and Alice start looking into it, only to be joined by Bertie's old school friend Hugh. There are tender looks and lingering stares between the two of them, but policeman Hugh knows that he can't do anything illegal, even if his heart is telling him otherwise.
Loved it -and already looking forward to where Jamie West will take Bertie and Hugh next!
'Murder at the Matinee' is a wonderfully atmospheric cosy crime with hardly any violence in it, even the dead body is tastefully despatched! For someone like me who shies away from anything too graphic, this was a perfectly pitched level, enough detail to understand the story and try and work out whodunnit, but with very few gruesome details of the crime itself. I loved the detailed 1930s setting, the sounds and smells of the Gaiety theatre and the bustle of Romano's restaurants jumped off the page; after I finished reading, I went down a very satisfying rabbit hole googling 1930s London theatres!
But back to the story: celebrated playwright Bertie Carroll is visiting his friend and rival Alice, as her play wows the audiences in the Gaiety theatre. The stars of the play are married couple Katherine and Anthony Debenham; at the penultimate performance of the play, an anonymous letter is sent to the crew and posted in the newspapers saying there will be a murder in the third act of the show. There's no murder - but after the show, Anthony's lifeless body is found slumped in the dressing room. With all the backstage to-ing and fro-ing, there are a host of suspects to consider. Bertie and Alice start looking into it, only to be joined by Bertie's old school friend Hugh. There are tender looks and lingering stares between the two of them, but policeman Hugh knows that he can't do anything illegal, even if his heart is telling him otherwise.
Loved it -and already looking forward to where Jamie West will take Bertie and Hugh next!
December 17, 2024
Playwright Bertie Carroll is asked by a fellow playwright to look into some strange goings on - an advert that advises theatre-goers that there will be a death at the end of the 3rd act of her play.
This brings Bertie back into the orbit of inspector Hugh Chapman his childhood friend and someone with whom Bertie once solved a murder in a theatre in Brighton. (Book1)
Author Jamie West knows a lot about theatres and their workings and we certainly get lots of background information.
The premise of the crime revolves around people who can act but can also put on an act. Hugh and Bertie along with Alice questions various suspects before Bertie, then quickly, Hugh work out the how and the why.
I took off a star because I found Hugh a bit of a bossy bully and Bertie too accepting of his offhand behaviour. He didn’t even question Hugh on why he’d stopped replying to his letters after the Brighton murder though this had puzzled and upset him.
Bertie is gay at a time when you could be arrested for it. Hugh is also gay but he’s police so he keeps himself in check and often warns Bertie of how much trouble he could find himself in and that he should be very careful.
Bertie is a nice character, kind, polite, neat and tidy in habits. When Hugh isn’t being a serious policeman and a bit of a bossy type, he is obviously quite fond of Bertie and as far as crime in the theatre is concerned knows how invaluable his knowledge is.
Alice is also an interesting character, very bright, if a bit of a gossip and a good friend to Bertie.
I think the characters have scope to grow as the series goes on, which hopefully it will.
This brings Bertie back into the orbit of inspector Hugh Chapman his childhood friend and someone with whom Bertie once solved a murder in a theatre in Brighton. (Book1)
Author Jamie West knows a lot about theatres and their workings and we certainly get lots of background information.
The premise of the crime revolves around people who can act but can also put on an act. Hugh and Bertie along with Alice questions various suspects before Bertie, then quickly, Hugh work out the how and the why.
I took off a star because I found Hugh a bit of a bossy bully and Bertie too accepting of his offhand behaviour. He didn’t even question Hugh on why he’d stopped replying to his letters after the Brighton murder though this had puzzled and upset him.
Bertie is gay at a time when you could be arrested for it. Hugh is also gay but he’s police so he keeps himself in check and often warns Bertie of how much trouble he could find himself in and that he should be very careful.
Bertie is a nice character, kind, polite, neat and tidy in habits. When Hugh isn’t being a serious policeman and a bit of a bossy type, he is obviously quite fond of Bertie and as far as crime in the theatre is concerned knows how invaluable his knowledge is.
Alice is also an interesting character, very bright, if a bit of a gossip and a good friend to Bertie.
I think the characters have scope to grow as the series goes on, which hopefully it will.
February 22, 2025
I really enjoyed the first book in the series – Death on the Pier. I was happy to get my hands on this second one.
The first thing I must mention going into this review is that I guessed the culprit and the almost exact sequence of events. It is not often that that happens, even with the several books in this genre that I inhale in any given year. I was happy to be right for once, but also disappointed that I guessed so early. Thankfully, I like the background story and the delicate way the emotions of everyone is dealt with.
In the first, we know the tough spot Bertie is in with regards to his feelings, something that is further explored in this installment. Bertie has a professional frenemy( a perfect word for the relationship that we get to see), who reaches out to him when there is an odd threat of an actual murder in the latter’s play. Bertie’s curiosity and the fact that he was involved in a previous murder has him taking a chance to figure things out. The murder ( obviously) happens anyway and the investigation commences.
Even with the early correct guess, I had a good time with the book. The world and people of the time and place are well described and it feels like an immersive experience, something I look for in historical mysteries. I would recommend this series to fans of the genre. I look forward to the next.
I received an ARC thanks to Netgalley and the publishers but the review is entirely based on my own reading experience of this and other books in the genre.
The first thing I must mention going into this review is that I guessed the culprit and the almost exact sequence of events. It is not often that that happens, even with the several books in this genre that I inhale in any given year. I was happy to be right for once, but also disappointed that I guessed so early. Thankfully, I like the background story and the delicate way the emotions of everyone is dealt with.
In the first, we know the tough spot Bertie is in with regards to his feelings, something that is further explored in this installment. Bertie has a professional frenemy( a perfect word for the relationship that we get to see), who reaches out to him when there is an odd threat of an actual murder in the latter’s play. Bertie’s curiosity and the fact that he was involved in a previous murder has him taking a chance to figure things out. The murder ( obviously) happens anyway and the investigation commences.
Even with the early correct guess, I had a good time with the book. The world and people of the time and place are well described and it feels like an immersive experience, something I look for in historical mysteries. I would recommend this series to fans of the genre. I look forward to the next.
I received an ARC thanks to Netgalley and the publishers but the review is entirely based on my own reading experience of this and other books in the genre.
September 12, 2024
A cosy murder mystery set in an historical theatre is precisely the book we all need to read now that autumn has sprung. It’s the perfect mix of genres, with insightful information into one of London’s long-gone landmarks, the Gaiety Theatre.
Since Death on the Pier, playwright Bertie Carroll has been down in the dumps, unsure why Hugh has not been in touch. Yet fate will bring them together again when there’s another murder in another theatre.
Murder at the Matinee takes inspiration from Agatha Christie, along with the author’s knowledge of working backstage in the West End. This passion really shows, along with discreet humour when discussing the crew and it’s a real page turner. Pacing is fast, but with enough time to drop in clues and allow readers to spend a bit more time with Bertie and Hugh.
Once again there are some fantastic characters, no doubt drawn from real actors throughout the years. Katherine Debenham is feisty, elegant and outspoken, whilst Alice Crawford is a bit Marple-esque, but more erratic and stubborn. And Bertie is just adorable.
With lots of sneak peeks into the world of the Golden Age of the West End, Murder at the Matinee is a short, sharp read that invites you to test your sleuthing and solve the crime.
Since Death on the Pier, playwright Bertie Carroll has been down in the dumps, unsure why Hugh has not been in touch. Yet fate will bring them together again when there’s another murder in another theatre.
Murder at the Matinee takes inspiration from Agatha Christie, along with the author’s knowledge of working backstage in the West End. This passion really shows, along with discreet humour when discussing the crew and it’s a real page turner. Pacing is fast, but with enough time to drop in clues and allow readers to spend a bit more time with Bertie and Hugh.
Once again there are some fantastic characters, no doubt drawn from real actors throughout the years. Katherine Debenham is feisty, elegant and outspoken, whilst Alice Crawford is a bit Marple-esque, but more erratic and stubborn. And Bertie is just adorable.
With lots of sneak peeks into the world of the Golden Age of the West End, Murder at the Matinee is a short, sharp read that invites you to test your sleuthing and solve the crime.
May 9, 2024
A well-written but slightly bland Golden Age style whodunnit, set in the theatre world of 1934 London.
Successful playwright Bertie Carroll gets a phone call from his worried friend/rival Alice Crawford. Some anonymous person has placed an announcement in the newspaper that there is going to be a murder in her play that night. Since Bertie has had previous experience with murder in the theatre (in the preceding book, which I haven’t read) she thinks he might help. Bertie agrees to accompany her that night, and lo and behold, someone does get killed… Detective Chief Inspector Hugh Chapman, Bertie’s old school friend (and unhappy love interest) shows up to solve the mystery, with some help from Bertie and his secretary Gertie.
The mystery is fairly straightforward and I guessed the murderer early on. However, the real star of this book is the Gaiety theatre. I loved reading about the theatre, the descriptions of its machinations and history etc, so much so that I dug out Dorothy Parker’s complete Broadway reviews as a companion read.
A nice read.
Thank you to Netgalley for providing an ARC in exchange for an honest review.
Successful playwright Bertie Carroll gets a phone call from his worried friend/rival Alice Crawford. Some anonymous person has placed an announcement in the newspaper that there is going to be a murder in her play that night. Since Bertie has had previous experience with murder in the theatre (in the preceding book, which I haven’t read) she thinks he might help. Bertie agrees to accompany her that night, and lo and behold, someone does get killed… Detective Chief Inspector Hugh Chapman, Bertie’s old school friend (and unhappy love interest) shows up to solve the mystery, with some help from Bertie and his secretary Gertie.
The mystery is fairly straightforward and I guessed the murderer early on. However, the real star of this book is the Gaiety theatre. I loved reading about the theatre, the descriptions of its machinations and history etc, so much so that I dug out Dorothy Parker’s complete Broadway reviews as a companion read.
A nice read.
Thank you to Netgalley for providing an ARC in exchange for an honest review.
June 2, 2024
3.25* rounded down
I found this to be an enjoyable story very much in the vein of the golden age of detective fiction. I found the choice to make Bertie openly gay to the reader, if not to most of the characters, a refreshing choice that added a dynamic that was not openly explored in the 30s and 40s.
The story was well rooted in it's time and location, as well as in the world of theatre. As someone who doesn't know a lot about the mechanics of theatre, I found this element very interesting. It reminded me a lot of Ngaio Marsh's theatre novels, in particular Enter a Murderer.
I think West did maybe too good of a job of ensuring the breadcrumbs were laid for the reader to work out the murderer, as I worked out who it was almost immediately. I didn't find that I was persuaded that anyone else could be the murderer through the novel, which cemented West's commitment to fairplay but turned the story into more of a howdoneit than a whodoneit.
Overall this is a solid example of the genre with an interesting take, but I would have liked a little more mystery.
Thank you to NetGalley and to Brabinger Publishing for the ebook ARC, this has been a good fun book to read and review.
I found this to be an enjoyable story very much in the vein of the golden age of detective fiction. I found the choice to make Bertie openly gay to the reader, if not to most of the characters, a refreshing choice that added a dynamic that was not openly explored in the 30s and 40s.
The story was well rooted in it's time and location, as well as in the world of theatre. As someone who doesn't know a lot about the mechanics of theatre, I found this element very interesting. It reminded me a lot of Ngaio Marsh's theatre novels, in particular Enter a Murderer.
I think West did maybe too good of a job of ensuring the breadcrumbs were laid for the reader to work out the murderer, as I worked out who it was almost immediately. I didn't find that I was persuaded that anyone else could be the murderer through the novel, which cemented West's commitment to fairplay but turned the story into more of a howdoneit than a whodoneit.
Overall this is a solid example of the genre with an interesting take, but I would have liked a little more mystery.
Thank you to NetGalley and to Brabinger Publishing for the ebook ARC, this has been a good fun book to read and review.
September 19, 2024
An advert is placed in the local newspaper stating there will be a death in act three of today’s matinee. Bertie is called in to investigate by friend and fellow playwright Alice. Although no murder takes place, a star of the show is later found dead in a dressing room. Bertie starts to investigate with the help of policeman Hugh.
The Review
A good traditional crime novel with everything you’d expect from a well written plot. As soon as I read about the murder is announced theme, I thought this was going to be very Christie-esque, and I was not disappointed. Each chapter was full of style and purpose, leading us through a whole cast of suspects. I was totally there in the moment with our sleuths guessing along as to whodunnit. It could have been easy to guess the murderer, but the writing led you off in different directions and information was well timed. Excellent dialogue and great rapport between characters. 4.5 stars as I would have liked a few more character and time period details, but these are very minor points. Overall a skillful classic crime novel, encore!
The Review
A good traditional crime novel with everything you’d expect from a well written plot. As soon as I read about the murder is announced theme, I thought this was going to be very Christie-esque, and I was not disappointed. Each chapter was full of style and purpose, leading us through a whole cast of suspects. I was totally there in the moment with our sleuths guessing along as to whodunnit. It could have been easy to guess the murderer, but the writing led you off in different directions and information was well timed. Excellent dialogue and great rapport between characters. 4.5 stars as I would have liked a few more character and time period details, but these are very minor points. Overall a skillful classic crime novel, encore!
October 2, 2024
Thanks to the publisher Brabinger Publishing and Netgalley for an advanced copy of this book in exchange for an honest book review.
I did enjoy reading this novel set in the theatrical world of the 1930s and featuring the playwright and amateur detective Bertie Carroll, following his investigation along with Detective Chief Inspector Hugh Chapman and fellow playwright Alice Crawford into a murder at a West End theatre that had been forewarned in the press!
The looks of longing between Bertie and Hugh are subtle but nonetheless heartrending considering that the time where this novel takes place homosexuality was illegal. This is a very ably told Agatha Christieesque murder mystery and it does successfully plunge the reader into the world of the long-gone Gaiety Theatre.
I would recommend this book to lovers of the history of theatre and fans of Agatha Christie and murder mysteries. This is the second book in a series, and it is promised that Bertie and Hugh will return in future novels, and it will be interesting to see how their relationship develops.
I did enjoy reading this novel set in the theatrical world of the 1930s and featuring the playwright and amateur detective Bertie Carroll, following his investigation along with Detective Chief Inspector Hugh Chapman and fellow playwright Alice Crawford into a murder at a West End theatre that had been forewarned in the press!
The looks of longing between Bertie and Hugh are subtle but nonetheless heartrending considering that the time where this novel takes place homosexuality was illegal. This is a very ably told Agatha Christieesque murder mystery and it does successfully plunge the reader into the world of the long-gone Gaiety Theatre.
I would recommend this book to lovers of the history of theatre and fans of Agatha Christie and murder mysteries. This is the second book in a series, and it is promised that Bertie and Hugh will return in future novels, and it will be interesting to see how their relationship develops.
June 18, 2024
📚 Book Review 📚
A golden age whodunnit, written with a bit of flair and pizzaz; this is a fun, enjoyable read.
This is the second book in a series involving playwright Bertie and his old school friend, DCI Hugh Chapman. I haven’t read the first instalment, but it made no difference to my enjoyment. It’s a good mystery with a couple of nods to my favourite, Agatha Christie, which I loved. The message in the newspaper, the typewriter and the final reveal are all very Agatha-esque and added to the charm of this read.
I did guess the identity of the murderer but I wasn’t sure how it was done, so the reveal was a great one for me! I really enjoyed this book and I’m really looking forward to reading more by Jamie West, what a fab find!
I’d like to thank Brabinger Publishers, NetGalley and the author for the arc and the fantastic opportunity, in exchange for my honest feedback 😊
Book released on 5th September 2024
⭐️⭐️⭐️⭐️
A golden age whodunnit, written with a bit of flair and pizzaz; this is a fun, enjoyable read.
This is the second book in a series involving playwright Bertie and his old school friend, DCI Hugh Chapman. I haven’t read the first instalment, but it made no difference to my enjoyment. It’s a good mystery with a couple of nods to my favourite, Agatha Christie, which I loved. The message in the newspaper, the typewriter and the final reveal are all very Agatha-esque and added to the charm of this read.
I did guess the identity of the murderer but I wasn’t sure how it was done, so the reveal was a great one for me! I really enjoyed this book and I’m really looking forward to reading more by Jamie West, what a fab find!
I’d like to thank Brabinger Publishers, NetGalley and the author for the arc and the fantastic opportunity, in exchange for my honest feedback 😊
Book released on 5th September 2024
⭐️⭐️⭐️⭐️
July 18, 2024
Murder at the Matinee by Jamie West
Firstly, my thanks to NetGalley, Brabinger Publishing and the author Jamie West for the advanced reading copy of this book in return for an honest review! This book is expected to be published on 5 September 2024.
This book is the 2nd in a series of whodunnits with Bertie Carroll, a gay playwright and is set in the West End Theatre scene in the 1930’s.
The writing is good, a nice flow, somewhat Agatha Christie style, with interesting characters. I enjoyed the subtlety of his male relationships and was hoping he would find love.
I was racing through it but, unfortunately, I worked out whodunnit and how very early on. Such a pity because it managed to evoke the 1930’s and the feel of theatre land - I could almost smell the greasepaint!
A good read! Given I’d worked it out I can only give it 3 stars!
Three stars!
This book will be reviewed on Goodreads, Facebook and Amazon UK!
Firstly, my thanks to NetGalley, Brabinger Publishing and the author Jamie West for the advanced reading copy of this book in return for an honest review! This book is expected to be published on 5 September 2024.
This book is the 2nd in a series of whodunnits with Bertie Carroll, a gay playwright and is set in the West End Theatre scene in the 1930’s.
The writing is good, a nice flow, somewhat Agatha Christie style, with interesting characters. I enjoyed the subtlety of his male relationships and was hoping he would find love.
I was racing through it but, unfortunately, I worked out whodunnit and how very early on. Such a pity because it managed to evoke the 1930’s and the feel of theatre land - I could almost smell the greasepaint!
A good read! Given I’d worked it out I can only give it 3 stars!
Three stars!
This book will be reviewed on Goodreads, Facebook and Amazon UK!
Displaying 1 - 30 of 65 reviews