Edward Gross is a veteran entertainment journalist who took his childhood passion for film and television and turned it into a career. As a student at Hofstra University, while most of the staff of The New Voice was interviewing the likes of student senators and faculty members, he was speaking to people like playwright Neil Simon (awarded an honorary degree by the school), Curtis Sliwa of New York’s Guardian Angels, Dr. Daniel Schwartz, the police psychiatrist who interviewed both David Berkowitz and Mark David Chapman; and James Bond director John Glen. Early on he sold pieces to New York Nightlife, Starlog and Filmfax magazines and was on his way. Over the years he would not only become a correspondent for Starlog, but part of the editorial staff of Fangoria, Cinefantastique, SFX, Cinescape, Sci-Fi Now, Not of This Earth, RetroVision, Life Story, Movie Magic, Film Fantasy and TV Magic. Online he was Executive Editor, US for Empire Online, Film and TV Editor at Closer Weekly, Life & Style, and In Touch Weekly, and Nostalgia Editor for DoYouRemember? Currently he is senior editor at Geek magazine, and editor and podcast host for Voices from Krypton (devoted to the superhero genre), TV RetroVision (classic television) and Vampires and Slayers (the name says it all). In addition to the oral history books he’s written with Mark A. Altman, Gross’ other titles include Secret File: The Making of a Wiseguy and The Unofficial 25th Anniversary Odd Couple Companion; X-Files Confidential; Spider-Man Confidential; Planet of the Apes Revisited with Joe Russo and Larry Landsman; Rocky: The Ultimate Guide; and Stargate: SG1 — In Their Own Words.
An absolutely gargantuan tome befitting of the greatest superhero of them all. An in-depth exploration of every aspect of the character from his creation to his merchandise, his comic history and his bigger place in our real world. I learned tons of new things from this book, but if I had to give it one criticism, I would’ve asked for additional exploration of particular comic storylines. Outside of that, it has deepened my love of this character. Superman is for everyone. Who doesn’t want truth, justice and a better tomorrow?
DNF did we all read the same book? to be fair i didnt get very far, but after the author stated that "obviously the [comics in 1930] were pretty poor and pretty poorly drawn", then making statements without arguing how he got to these conclusions, and finally insulting the original superman author as being talentless........truly not an author who's opinion i value or want to read about. It truly baffles me how often someone can insult the source material and its creators in just the first chapter.