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Dáma z Milkweed Manoru
Aj slušná dcéra anglikánskeho duchovného môže spraviť chybu… a Charlotte Lambová musí za svoj poklesok zaplatiť vysokú cenu. Ak sa chce vyhnúť všetečným pohľadom všetkých, ktorí ju poznajú, musí sa ukryť v londýnskej rezidencii naháňajúcej hrôzu, v záhadnom dome plnom starých tajomstiev a nového života.
Tu sa stretáva so svojím bývalým nápadníkom – mužom, ktorý je sám plný tajomstiev. Obaja sú odhodlaní s Božou pomocou ochrániť tých, ktorých milujú. Ani jeden z nich však netuší, akú veľkú obetu bude musieť priniesť.
Román Dáma z Milkweed Manor je dojímavým romantickým príbehom o vykúpení z minulých pádov a kráse obetujúcej sa lásky, pretkaný fascinujúcimi detailmi zo života žien v regentskom Anglicku.
Tu sa stretáva so svojím bývalým nápadníkom – mužom, ktorý je sám plný tajomstiev. Obaja sú odhodlaní s Božou pomocou ochrániť tých, ktorých milujú. Ani jeden z nich však netuší, akú veľkú obetu bude musieť priniesť.
Román Dáma z Milkweed Manor je dojímavým romantickým príbehom o vykúpení z minulých pádov a kráse obetujúcej sa lásky, pretkaný fascinujúcimi detailmi zo života žien v regentskom Anglicku.
424 pages, Hardcover
First published January 1, 2007
310 people are currently reading
4800 people want to read
About the author
Julie Klassen
32 books6,106 followersJulie Klassen loves all things Jane—Jane Eyre and Jane Austen. A graduate of the University of Illinois, Julie worked in publishing for sixteen years and now writes full time. Three of her books, The Silent Governess, The Girl in the Gatehouse, and The Maid of Fairbourne Hall, have won the Christy Award for Historical Romance. She has also won the Midwest Book Award, the Minnesota Book Award, and Christian Retailing’s BEST Award, and been a finalist in the Romance Writers of America’s RITA Awards and ACFW’s Carol Awards. She blogs at http://www.inspiredbylifeandfiction.com.
Julie and her husband have two sons and live in a suburb of St. Paul, Minnesota.
Julie and her husband have two sons and live in a suburb of St. Paul, Minnesota.
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Displaying 1 - 30 of 1,035 reviews
March 16, 2016
I think I have a new favorite author...I'm more than halfway through her published books and haven't found a dud yet. This one was so interesting and unusual and well written that I stayed up way late (3 am) to read the whole thing in one sitting.
One of the best things about Klassen's books (other than the excellent stories, characters, and writing) is the romance. It isn't all touchy-feely-overmuch-desire-y. The characters act like grown-ups and figure out how to communicate with each other in an adult way. And there isn't swooning over a shirtless man and a woman's incredible palpitations over such things. Yes, there are grown-up topics mentioned, but it isn't silly, and her heroes and heroines are attracted to each other for the qualities of their hearts. The focus is on the real-life issues, not just the "Let's get the hero/heroine hitched" aspect; often that feels almost like a side issue. As a result, the books feel authentic and realistic, as though they might really have happened.
And I love the incredible historical details she includes! The tales in this book about the life of a wet-nurse of the day were fascinating.
One of the best things about Klassen's books (other than the excellent stories, characters, and writing) is the romance. It isn't all touchy-feely-overmuch-desire-y. The characters act like grown-ups and figure out how to communicate with each other in an adult way. And there isn't swooning over a shirtless man and a woman's incredible palpitations over such things. Yes, there are grown-up topics mentioned, but it isn't silly, and her heroes and heroines are attracted to each other for the qualities of their hearts. The focus is on the real-life issues, not just the "Let's get the hero/heroine hitched" aspect; often that feels almost like a side issue. As a result, the books feel authentic and realistic, as though they might really have happened.
And I love the incredible historical details she includes! The tales in this book about the life of a wet-nurse of the day were fascinating.
February 21, 2012
Julie Klassen writes well in a technical sense, but I found this story disturbing. Charlotte's predicament, the way she got into it, her miserable family situation, and all the strange and sad and sinister circumstances around her didn't make for a very pleasant tale. The period details were probably the most interesting part. Suspension of disbelief was too much work to be worthwhile. The ending was both predictable and extremely awkward; to jump from the heart of a dramatic climax to a garden scene some decades later and sneak the information about the resolution in almost in passing is NOT a technique I would recommend! It was almost as if, having made Charlotte's situation as agonizing and emotionally intense as possible over the course of the novel, the author suddenly ran out of ways to make things worse, and so dropped her into a happy ending of the cheesiest kind just to be done.
I also missed any kind of good spiritual influences. The father was a pastor, but the type of pastor who deserves to be vilified; Charlotte did read parts of the Bible a few times; and other than that, nothing God-honoring stands out. The way the characters behaved, before, during, and after their various traumatic moments, left me uncertain whether any of them had any real religion, much less personal relationship with God, and I have serious questions as to the author's intentions along those lines!
I also missed any kind of good spiritual influences. The father was a pastor, but the type of pastor who deserves to be vilified; Charlotte did read parts of the Bible a few times; and other than that, nothing God-honoring stands out. The way the characters behaved, before, during, and after their various traumatic moments, left me uncertain whether any of them had any real religion, much less personal relationship with God, and I have serious questions as to the author's intentions along those lines!
August 27, 2018
A keener mood to Wuthering Heights I have not found. Chapter after chapter, I was reminded of that old, gothic tale. Aspects of this story were intriguing, inspiring, heartrending, and fascinating. The wealth of historical detail was astounding, though I shouldn’t be surprised, having read other Klassen novels before.
Frankly, I was quite stunned at the immense detail about breastfeeding. It went beyond what is acceptable in my personal moral code, but I know others won’t be as offended by this. I think a hundred pages of such content could have been removed without harming the story one bit; in fact, it might have created a more wholesome tale.
That is not to say the themes are wholesome. A woman fell (which, in the specified era, means she had sex outside of the bounds of marriage; I do not condone or support that type of behavior, though Ms. Klassen handled it mostly well, only crossing the line a time or two, I think – again, according to my personal moral code; hers might be vastly different than mine). This also means a man was involved in the act (meaning, he sinned too). [These are not spoilers, as they are alluded to in the back-cover copy.]
However, I think there were beautiful, if heartbreaking, lessons learned throughout the novel. The expressive and exquisite way in which Ms. Klassen knitted the broken pieces of this story together captured my interest throughout, despite my misgivings about themes and content. She definitely has a way with words, and I’m glad to count her as one of my favorite authors, even if this is not my favorite of her books.
As you might be able to tell by my back-and-forth attitude, this review is not an easy one to write. But then, I don’t think this book was an easy-to-pen piece either. I applaud Ms. Klassen for delving into the wet-nursing profession (though, again, the amount of detail made me quite uncomfortable many times), as it’s one not touched on often or with such grace. It opened my eyes to an era and profession I, quite honestly, had not previously considered or learned much about. I thank the author for the history lesson and thoughtful note after the completion of the story, as I enjoyed gaining knowledge while being entertained for hours on end.
Notes:
* There were one derogatory term (in a quote heading a chapter) and one replacement expletive. Otherwise, it was a cleanly-worded novel.
* There was one incident which gave concern. When a baby carriage was involved in an incident, the nurse’s only reaction was concern for the conveyance and none shown for the child in her care. This was quite out of character, as she had previously and afterward shown a very compassionate heart, especially toward infants and children.
Edited to add:
This book was a bit hard to follow at times, for two reasons. First, random POVs would show up at the drop of a hat. Sure, they were people already mentioned in the story, but there was no warning they'd have a POV, say, in the middle or second half of the story. Second, there were many memories that were suddenly delved into in great, lengthy detail (for many pages or the complete chapter, at times). That was disconcerting to me and, like I said, hard to follow.
Frankly, I was quite stunned at the immense detail about breastfeeding. It went beyond what is acceptable in my personal moral code, but I know others won’t be as offended by this. I think a hundred pages of such content could have been removed without harming the story one bit; in fact, it might have created a more wholesome tale.
That is not to say the themes are wholesome. A woman fell (which, in the specified era, means she had sex outside of the bounds of marriage; I do not condone or support that type of behavior, though Ms. Klassen handled it mostly well, only crossing the line a time or two, I think – again, according to my personal moral code; hers might be vastly different than mine). This also means a man was involved in the act (meaning, he sinned too). [These are not spoilers, as they are alluded to in the back-cover copy.]
However, I think there were beautiful, if heartbreaking, lessons learned throughout the novel. The expressive and exquisite way in which Ms. Klassen knitted the broken pieces of this story together captured my interest throughout, despite my misgivings about themes and content. She definitely has a way with words, and I’m glad to count her as one of my favorite authors, even if this is not my favorite of her books.
As you might be able to tell by my back-and-forth attitude, this review is not an easy one to write. But then, I don’t think this book was an easy-to-pen piece either. I applaud Ms. Klassen for delving into the wet-nursing profession (though, again, the amount of detail made me quite uncomfortable many times), as it’s one not touched on often or with such grace. It opened my eyes to an era and profession I, quite honestly, had not previously considered or learned much about. I thank the author for the history lesson and thoughtful note after the completion of the story, as I enjoyed gaining knowledge while being entertained for hours on end.
Notes:
* There were one derogatory term (in a quote heading a chapter) and one replacement expletive. Otherwise, it was a cleanly-worded novel.
* There was one incident which gave concern. When a baby carriage was involved in an incident, the nurse’s only reaction was concern for the conveyance and none shown for the child in her care. This was quite out of character, as she had previously and afterward shown a very compassionate heart, especially toward infants and children.
Edited to add:
This book was a bit hard to follow at times, for two reasons. First, random POVs would show up at the drop of a hat. Sure, they were people already mentioned in the story, but there was no warning they'd have a POV, say, in the middle or second half of the story. Second, there were many memories that were suddenly delved into in great, lengthy detail (for many pages or the complete chapter, at times). That was disconcerting to me and, like I said, hard to follow.
September 7, 2011
When I first began this novel, I was a little disheartened to think that it might be similar to Klassen's most recent novel, The Girl in the Gatehouse, but I soon found that the similarity was just that, a small similarity. From the novel's beginning, I felt totally pulled into the story. There was such a depth of sacrifice and a tangible quality to the emotion in the story, but none of it was overdone or too dramatic.From what appears to be a setting and a situation that was devoid of hope, Klassen created a powerful story of love and sacrifice.
It's obvious that Klassen made researching for this novel a top priority. Having never read anything about wet nurses or a novel that deals directly with the life of unwed mother's during this particular time in history, I found all the detail to be engrossing.
The plot was steady and realistic. It held my interest the entire time. Just when I thought I knew what was going to happen, a new circumstance would appear, but it all felt natural to the flow of the story. In a genre that has issues with predictability, Klassen kept me guessing the entire time. I wasn't entirely certain how the story was going to end.
Speaking of the ending--the ending also worked so well, in my opinion. While it was happy, not everything was perfect. As in real life, not every relationship was mended, and the characters did not achieve their happiness without some regret along the way.
I was already a fan of Klassen, but this is by far my favorite of her novels that I've read thus far. She is definitely one of my favorite writers in the Christian fiction world and historical fiction, in general. Highly recommended!
It's obvious that Klassen made researching for this novel a top priority. Having never read anything about wet nurses or a novel that deals directly with the life of unwed mother's during this particular time in history, I found all the detail to be engrossing.
The plot was steady and realistic. It held my interest the entire time. Just when I thought I knew what was going to happen, a new circumstance would appear, but it all felt natural to the flow of the story. In a genre that has issues with predictability, Klassen kept me guessing the entire time. I wasn't entirely certain how the story was going to end.
Speaking of the ending--the ending also worked so well, in my opinion. While it was happy, not everything was perfect. As in real life, not every relationship was mended, and the characters did not achieve their happiness without some regret along the way.
I was already a fan of Klassen, but this is by far my favorite of her novels that I've read thus far. She is definitely one of my favorite writers in the Christian fiction world and historical fiction, in general. Highly recommended!
January 27, 2008
This is truly one of the most emotionally gripping novels I've ever read and it is sure to make my best of 2008 list. My heart pounded with anticipation so many times I lost count. Just when I thought I knew what would happen next, something different took place. The author did an amazing job pulling the reader into Charlotte's life. I longed for her happiness. And there were so many powerful subplots that my head is still swimming with amazement, and my heart is still gripped by this strangely sad, yet hopeful and deeply romantic tale of love and loss, of sacrifice and reward. Bottom line...This story is so full of passion that it will make your heart sing.
Best of all, Lady of Milkweed Manor shows in a tangible and emotionally gratifying way how all things do work together for the good of those who love the Lord and are called according to His purpose. The element of sacrificial love in this poignant novel is so incredibly powerful that it will stick with me for years to come. I am so impressed with this author's "voice" and her ability to draw my heart into a story that I plan to read every books she pens from this day forward. I highly recommend this story. If you take my advice, you'll see why.
Best of all, Lady of Milkweed Manor shows in a tangible and emotionally gratifying way how all things do work together for the good of those who love the Lord and are called according to His purpose. The element of sacrificial love in this poignant novel is so incredibly powerful that it will stick with me for years to come. I am so impressed with this author's "voice" and her ability to draw my heart into a story that I plan to read every books she pens from this day forward. I highly recommend this story. If you take my advice, you'll see why.
January 26, 2019
Such a lovely novel. The symbolism of Milkweed and quotes at the beginning of each chapter were fabulous additions. The novel is primarily about Charlotte who has been ostracized from her family. Along her endearing journey we learn about wet nurses, lying in homes, depression during pregnancy and more.
There were a few coincidences that seemed a bit unrealistic to me but overall this was a very well done novel. And a debut!
There were a few coincidences that seemed a bit unrealistic to me but overall this was a very well done novel. And a debut!
January 21, 2024
3,75⭐️
Lo que he llegado a sufrir con este libro. Tuve que parar un par de veces, porque me era imposible continuar de lo mal que lo estaba pasando debido a la frustración y el dolor. Pero me ha hecho sentir mucho! Y me ha enganchado de principio a fin.
Lo que he llegado a sufrir con este libro. Tuve que parar un par de veces, porque me era imposible continuar de lo mal que lo estaba pasando debido a la frustración y el dolor. Pero me ha hecho sentir mucho! Y me ha enganchado de principio a fin.
June 20, 2020
Wow! What a splendid gothic regency ride! This is a redemption story with a ton of juicy drama & secrets... definitely a page turner!!
I wanted the two protagonists to get together & find happiness so baddd! The ending I had to read twice cause it makes you think it ended one way & then it twists on you. This was my second book by the renowned Julie Klassen & wow, I can see why she’s the queen of regency.
I wanted the two protagonists to get together & find happiness so baddd! The ending I had to read twice cause it makes you think it ended one way & then it twists on you. This was my second book by the renowned Julie Klassen & wow, I can see why she’s the queen of regency.
March 21, 2025
2025 re-read:
Excellent novel! But oh my, I was not prepared for how this story would tear at my heart now that I have a child of my own. I was brought to tears and my heart ached as I read this book late into the night.
The history of wet-nurses and foundling babies is both fascinating and heartbreaking. And beautiful. I was often moved by the descriptions of Charlotte so tenderly caring for needy babies that were not her own. This book also explores pregnancy related madness, which was gut-wrenching. Some hard themes (and adult themes), but overall I felt they were tastefully done.
A captivating tale of God bringing beauty from ashes.
2015 review: Lady of Milkweed Manor was very informative, well-written, and seemingly well researched. I love to read a book where the author knows exactly what everything was like in the time she/he is writing about.
It was also a very bittersweet story, filled with twists and turns, happiness and agony, mistakes and good deeds.
Julie Klassen weaves an amazing story in Lady of Milkweed Manor- not the everyday book. I absolutely recommend it.
Excellent novel! But oh my, I was not prepared for how this story would tear at my heart now that I have a child of my own. I was brought to tears and my heart ached as I read this book late into the night.
The history of wet-nurses and foundling babies is both fascinating and heartbreaking. And beautiful. I was often moved by the descriptions of Charlotte so tenderly caring for needy babies that were not her own. This book also explores pregnancy related madness, which was gut-wrenching. Some hard themes (and adult themes), but overall I felt they were tastefully done.
A captivating tale of God bringing beauty from ashes.
2015 review: Lady of Milkweed Manor was very informative, well-written, and seemingly well researched. I love to read a book where the author knows exactly what everything was like in the time she/he is writing about.
It was also a very bittersweet story, filled with twists and turns, happiness and agony, mistakes and good deeds.
Julie Klassen weaves an amazing story in Lady of Milkweed Manor- not the everyday book. I absolutely recommend it.
November 28, 2011
First of all I have to say this book's plot surprised me... greatly. Neither the book cover nor the synopsis betray it, though if you pondered the latter a while you might guess it. I however, did not stop to. I personally think the author did it on purpose, because if they knew, most people would probably not pick it up. I confess I would've probably been in that group... and would've never gotten acquainted with the lovely Charlotte Lamb, and her amazing story! I loved this book!!!
Considering the plot, I was genuinely surprised at how clean it was. Julie Klassen has this way of revealing just as much of things as to keep the reader aware of the goings-on, and yet keep plenty hidden. In other words, it was my kind of romance! :)
Another thing I found interesting was the way in which tiny facts about milkweeds and monarch butterflies were masterfully sewn into the very fabric of the story. Now, I actually think I can heal someone with a bit of milkweed root, if the need ever arises. :)
Also, I found the ending very satisfying. Usually I long for more, but this story ended so sweetly, I was fully satisfied... as I'm sure you will be too!
Considering the plot, I was genuinely surprised at how clean it was. Julie Klassen has this way of revealing just as much of things as to keep the reader aware of the goings-on, and yet keep plenty hidden. In other words, it was my kind of romance! :)
Another thing I found interesting was the way in which tiny facts about milkweeds and monarch butterflies were masterfully sewn into the very fabric of the story. Now, I actually think I can heal someone with a bit of milkweed root, if the need ever arises. :)
Also, I found the ending very satisfying. Usually I long for more, but this story ended so sweetly, I was fully satisfied... as I'm sure you will be too!
September 29, 2015
I love this book! And it took a million turns and had me so upset at times but I love the way Klassen writes a story.
July 26, 2017
I’m totally speechless of how brilliant this book is. It left me with my mouth open, after making me gasp, cheer and almost cry throughout its pages, and makes me want to say to all those writers out there, “this is how you write a historical novel”. Julie Klassen takes the best from both historical romance and fiction, and blends it together to create these wonderful novels that keep you up at night, needing to know what will happen next. She’s definitely one of the best authors I’ve ever read, and anything she writes its guaranteed to have a solid research foundation, an elegant writing, and an emotionally gripping plot that will grab you and won’t let go.
This isn’t your typical Regency story. You won’t find balls, parties, fine dresses and sweet romance on it. It’s overall darker than that. From the very start you know that something went horribly wrong, and Charlotte Lamb, the twenty-year-old protagonist, is about to pay the dire consequences. Already in the first scene, things looked grim, as she packed her belongings to leave her home, knowing that she wouldn’t get anything back from that life. She’s was a fallen woman about to fall even lower. Her family had cut all ties with her, wanted her out of the house as soon as possible, and her father even forbade her maternal aunt to make contact with her, which, in my opinion, is not only overly cruel, but an order there’s no reason to obey; it bothered me that she didn’t decide to break the rules, given that her niece’s situation was a lot more important than her reputation, and she needed her family more than ever. As Charlotte arrived at Milkweed Manor, nothing looked good, not even the house in itself. Honestly, I first thought she was going to enter a brothel, as the implications seemed to suggest. But when Mrs. Moorling said Manor Home for Unwed Mothers, I confess my jaw dropped, and I thought, “this can only go from bad to worse”. That was serious indeed.
Although Charlotte wouldn’t say, it was somewhat guessable that Charles Harris was the father of her child, as there was no other option, save William Bentley (I thought it was him, at first). Charlotte and Charles shared only one unwise night of passion, and although we get to read that scene, there’s nothing explicit; we readers get to know what we need to know, and nothing more, as the book focuses mainly on Charlotte dealing with the consequences of that night. Something I loved about her is how we can read the birth and growing of her strength both as a woman and human being. She paid for her mistakes, but became selfless, and found more love with the other women in the Manor and her son, than with her own family. She got beaten down, but still managed to get up and keep fighting, making the ultimate sacrifice as she gave her son to his father, Harris, in replacement of his own stillborn baby, to save her cousin Katherine from madness. It broke her heart (and mine), but she understood that she was doing what was best for her son. I don’t doubt she would have done anything to take care of him on her own, but at least she knew he would be taken care of. And from that decision on, she grew and became stronger, as she decided to help in the Manor the best she could, instead of sinking in her pain (and she would have had a good excuse for it). Even when she could have re-entered society, she chose not to, as she didn’t belong to that world anymore, after seeing all those things she saw.
On the other hand, we have Daniel Taylor, the hero in this story. He had met Charlotte in the past, as Dr. Webb’s apprentice in Doddington, and had a crush on her. But years passed, he married another woman, and later on, we find out she was also hospitalized in the Manor, and was also pregnant. It was their baby girl, Anne, that Charlotte started nursing with her own milk, giving a new purpose to her torn-apart life, given Lizette’s puerperal insanity, while Daniel took care of her. It’s heartbreaking to see him rediscovering his feelings for Charlotte, as they crash with the love he used to feel for his beautiful wife, now lost to him to madness. He couldn’t deny that he cared for Charlotte, all the while trying to heal and get back the woman he married. It took me a few chapters to start rooting for them, as they were so far away from each other, and with so many issues for their own, because I didn’t see the possibility of a love story, but, as I said before, this isn’t your typical romance.
There’s a few things I would like to mention. First, John Taylor, Daniel’s father. I felt that the plot around him could have been easily removed from the book, and nothing would have changed, save him delivering Charlotte’s baby. Daniel took Charlotte to this Miss Mardsen’s house, in a completely useless scene that doesn’t serve much of a purpose. The topic about John Taylor’s mistakes as a surgeon are briefly mentioned later, but I think that the book could have gone just the same without it. Although a complicated relationship with his father gives Daniel another level of character depth, letting us see how many problems he is dealing with, and his strength as he fights to make everything right, that scene just isn’t useful to any future plot point. On the other hand, William Bentley –Harris’ nephew and heir–, felt like a useless character too. I mean, he acted as Bea’s suitor, but ultimately chose to marry another woman for her money, and, in my opinion, that entire subplot could have been avoided, because it didn’t add much to the main plot. The Lamb sisters already vied over Harris’ admiration and that’s enough, without adding someone else to the mix. I guess his part in the story could be read as a way to say that, even without Charlotte, her father and sister continued with their lives as if nothing had happened, although more bitterly. Their attitude made me so angry! One would think that a vicar would know about forgiveness and righting wrongdoings, but he died without wanting to ever see her again. He chose his reputation and his name over his own daughter! Same as Beatrice, who decided her sister was dead to her, but even after parting ways, she managed to keep vying with her over Harris! I can’t wrap my head around that a family could do that, even back then. It’s already bad enough that Harris, even after professing his “love” for Charlotte, didn’t marry her after ruining her, but becoming strangers with your own family? I can’t understand how someone who loves you (a parent, a sibling) doesn’t consider you a priority, especially when you need them the most.
In fact, the only one willing to help Charlotte, that went beyond rules and gossip, was her cousin Katherine, married to Harris, and foster mother to Edmund (without knowing it). I didn’t like her as a person, but at least she was the only one willing to help her cousin, when her own family deserted her. She never suspected or knew her real son had died at birth, and she died giving birth to her second child, who died along with her. Early on in the book, we are told that pregnancies were risky for Katherine, given her age, so when I read that she was going to have another baby, I could guess she wouldn’t make it. I’ve seen her death referred as a badly written plot point created to open the road for Charlotte to be reunited with her son, but I don’t see it that way, because that, actually doesn’t happen. She gets to see Edmund but doesn’t say a word about her being her real mother, nor attempts to do so.
As for Lizette Taylor’s story, it was a bit hard to swallow, because she wasn’t in her right mind, but it’s brilliantly written how her relationship with Daniel started to crumble, as insanity, jealousy and homesickness took over her. She saw Charlotte as a threat, as she nursed their daughter, and didn’t fail to see her husband’s attachment to her. She was mad, but not stupid, and clearly, the only way to get her out of the way to develop Charlotte and Daniel’s story was her demise. But it was incredibly tragic, and not at all what I was expecting. I confess I almost cry when I thought Lizette, in her madness, had drowned her baby with her, but then I let out a sigh of relief when I read Charlotte had her. As I said, this book is so gripping, that I read it at the edge of my seat, actually concerned about the characters, feeling their pain, and in this particular moment, all the weight of Daniel’s burdens over his shoulders, his confusion, his mixed feelings for both his wife and Charlotte, his helplessness in his attempts to recover the wife he fell in love with, knowing that there was no turning back to what it used to be, and not knowing what to do in regards of Anne’s future. It’s heartbreaking, and for that brilliantly done. It makes these characters a lot more human and relatable.
I loved Daniel and Charlotte’s story. It’s not your typical romance, as there were sad and difficult circumstances what reunited them in the Manor, after so many years. Theirs is not a happy story, but there’s a lot more than romance going on. The two of them are deep characters, they feel like real people, with both virtues and flaws, struggles and fears, and you can understand how and how much they got not only to love each other, but to need each other. After so many years of Charlotte taking care of Anne as if she were her own daughter, after everything they went through together, I understand how they couldn’t have lived without each other, and for a moment it bothered me that they still had this master/governess relationship and formalities between them, when they both knew their bond was a lot deeper than that. For a second in which my heart sank, I believed she had accepted Harris’ long overdue proposal, thinking of her son, but for once she stopped listening to the voice of duty, and thought of her own happiness. Along the whole book, milkweeds are mentioned over and over again, and I loved how they were a metaphor of their relationship, and of Charlotte herself: her family thought her a weed, something that needed to be pulled out from their lives so they could have a perfectly ordered existence, without the blemish of something that would take root and ruin them. But Daniel saw beyond that. He saw her healing powers, her many virtues, merits and talents, that were always there, but nobody cared about, choosing to discard her, to treat her like the disposable weed they considered she was, when in fact, there was so much more in Charlotte Lamb that what met the eyes. I loved Daniel for still loving her and caring for her when the world thought she didn’t deserve more than rejection and her rightful punishment for ruining her reputation, as she were the sole culprit for her situation. She learned from her mistakes and became a better, stronger, person, ready to face the world once more and make her life count, even with all her disadvantages.
The only flaw in their story is their first kiss! I hate when it is left for the very last page. They literally kiss at the last paragraph before the epilogue, and such a thing is always disappointing. I’d have been rooting for that kiss, and when they finally had it, it ended before we could truly relish on their joy, savoring the moment after so much expectation and sorrow!
A great thing is that there’s not a happy ending for everyone. This is a story of forgiveness, of how love heals the wounds, and states that, as there’s not one perfect life, neither there’s a perfect happy ending. Charlotte doesn’t get her child back, though I had hoped she would at some point, and it left me thinking, once Edmund and Anne get married, will she ever tell him? He deserved to know, and, if she decided to do so, that would be an excellent scene I would read biting my nails. It’s like the story continues, even when we turn the last page. As I said before, these character feel so like real people, that you just know their lives will continue long before the book has ended!
Although I couldn’t do justice to every little detail of this story, and left many things out (like Sally Mitchell and Thomas Cox’s story), I can’t finish without mentioning the excellent research Julie Klassen did before writing this book. I knew nothing about the world of wet nurses and foundlings, and I found it utterly fascinating. It’s clear when an author writes knowing what he/she’s doing, it’s visible when the foundation is solid and carefully studied, and I personally love a book more when it’s actually historical, with everything that means. This story is filled with historically accurate details that make it even more of a gem. Julie Klassen is an amazing, passionate author, and everything she writes is worth reading, as she creates deep, layered characters and stories that will keep you at the edge of your sit. She’s definitely among the best authors I’ve ever read!
*If you like what you read, you can find me in my blog for more reviews and other articles: http://abookandateacup.blogspot.com.ar/*
This isn’t your typical Regency story. You won’t find balls, parties, fine dresses and sweet romance on it. It’s overall darker than that. From the very start you know that something went horribly wrong, and Charlotte Lamb, the twenty-year-old protagonist, is about to pay the dire consequences. Already in the first scene, things looked grim, as she packed her belongings to leave her home, knowing that she wouldn’t get anything back from that life. She’s was a fallen woman about to fall even lower. Her family had cut all ties with her, wanted her out of the house as soon as possible, and her father even forbade her maternal aunt to make contact with her, which, in my opinion, is not only overly cruel, but an order there’s no reason to obey; it bothered me that she didn’t decide to break the rules, given that her niece’s situation was a lot more important than her reputation, and she needed her family more than ever. As Charlotte arrived at Milkweed Manor, nothing looked good, not even the house in itself. Honestly, I first thought she was going to enter a brothel, as the implications seemed to suggest. But when Mrs. Moorling said Manor Home for Unwed Mothers, I confess my jaw dropped, and I thought, “this can only go from bad to worse”. That was serious indeed.
Although Charlotte wouldn’t say, it was somewhat guessable that Charles Harris was the father of her child, as there was no other option, save William Bentley (I thought it was him, at first). Charlotte and Charles shared only one unwise night of passion, and although we get to read that scene, there’s nothing explicit; we readers get to know what we need to know, and nothing more, as the book focuses mainly on Charlotte dealing with the consequences of that night. Something I loved about her is how we can read the birth and growing of her strength both as a woman and human being. She paid for her mistakes, but became selfless, and found more love with the other women in the Manor and her son, than with her own family. She got beaten down, but still managed to get up and keep fighting, making the ultimate sacrifice as she gave her son to his father, Harris, in replacement of his own stillborn baby, to save her cousin Katherine from madness. It broke her heart (and mine), but she understood that she was doing what was best for her son. I don’t doubt she would have done anything to take care of him on her own, but at least she knew he would be taken care of. And from that decision on, she grew and became stronger, as she decided to help in the Manor the best she could, instead of sinking in her pain (and she would have had a good excuse for it). Even when she could have re-entered society, she chose not to, as she didn’t belong to that world anymore, after seeing all those things she saw.
On the other hand, we have Daniel Taylor, the hero in this story. He had met Charlotte in the past, as Dr. Webb’s apprentice in Doddington, and had a crush on her. But years passed, he married another woman, and later on, we find out she was also hospitalized in the Manor, and was also pregnant. It was their baby girl, Anne, that Charlotte started nursing with her own milk, giving a new purpose to her torn-apart life, given Lizette’s puerperal insanity, while Daniel took care of her. It’s heartbreaking to see him rediscovering his feelings for Charlotte, as they crash with the love he used to feel for his beautiful wife, now lost to him to madness. He couldn’t deny that he cared for Charlotte, all the while trying to heal and get back the woman he married. It took me a few chapters to start rooting for them, as they were so far away from each other, and with so many issues for their own, because I didn’t see the possibility of a love story, but, as I said before, this isn’t your typical romance.
There’s a few things I would like to mention. First, John Taylor, Daniel’s father. I felt that the plot around him could have been easily removed from the book, and nothing would have changed, save him delivering Charlotte’s baby. Daniel took Charlotte to this Miss Mardsen’s house, in a completely useless scene that doesn’t serve much of a purpose. The topic about John Taylor’s mistakes as a surgeon are briefly mentioned later, but I think that the book could have gone just the same without it. Although a complicated relationship with his father gives Daniel another level of character depth, letting us see how many problems he is dealing with, and his strength as he fights to make everything right, that scene just isn’t useful to any future plot point. On the other hand, William Bentley –Harris’ nephew and heir–, felt like a useless character too. I mean, he acted as Bea’s suitor, but ultimately chose to marry another woman for her money, and, in my opinion, that entire subplot could have been avoided, because it didn’t add much to the main plot. The Lamb sisters already vied over Harris’ admiration and that’s enough, without adding someone else to the mix. I guess his part in the story could be read as a way to say that, even without Charlotte, her father and sister continued with their lives as if nothing had happened, although more bitterly. Their attitude made me so angry! One would think that a vicar would know about forgiveness and righting wrongdoings, but he died without wanting to ever see her again. He chose his reputation and his name over his own daughter! Same as Beatrice, who decided her sister was dead to her, but even after parting ways, she managed to keep vying with her over Harris! I can’t wrap my head around that a family could do that, even back then. It’s already bad enough that Harris, even after professing his “love” for Charlotte, didn’t marry her after ruining her, but becoming strangers with your own family? I can’t understand how someone who loves you (a parent, a sibling) doesn’t consider you a priority, especially when you need them the most.
In fact, the only one willing to help Charlotte, that went beyond rules and gossip, was her cousin Katherine, married to Harris, and foster mother to Edmund (without knowing it). I didn’t like her as a person, but at least she was the only one willing to help her cousin, when her own family deserted her. She never suspected or knew her real son had died at birth, and she died giving birth to her second child, who died along with her. Early on in the book, we are told that pregnancies were risky for Katherine, given her age, so when I read that she was going to have another baby, I could guess she wouldn’t make it. I’ve seen her death referred as a badly written plot point created to open the road for Charlotte to be reunited with her son, but I don’t see it that way, because that, actually doesn’t happen. She gets to see Edmund but doesn’t say a word about her being her real mother, nor attempts to do so.
As for Lizette Taylor’s story, it was a bit hard to swallow, because she wasn’t in her right mind, but it’s brilliantly written how her relationship with Daniel started to crumble, as insanity, jealousy and homesickness took over her. She saw Charlotte as a threat, as she nursed their daughter, and didn’t fail to see her husband’s attachment to her. She was mad, but not stupid, and clearly, the only way to get her out of the way to develop Charlotte and Daniel’s story was her demise. But it was incredibly tragic, and not at all what I was expecting. I confess I almost cry when I thought Lizette, in her madness, had drowned her baby with her, but then I let out a sigh of relief when I read Charlotte had her. As I said, this book is so gripping, that I read it at the edge of my seat, actually concerned about the characters, feeling their pain, and in this particular moment, all the weight of Daniel’s burdens over his shoulders, his confusion, his mixed feelings for both his wife and Charlotte, his helplessness in his attempts to recover the wife he fell in love with, knowing that there was no turning back to what it used to be, and not knowing what to do in regards of Anne’s future. It’s heartbreaking, and for that brilliantly done. It makes these characters a lot more human and relatable.
I loved Daniel and Charlotte’s story. It’s not your typical romance, as there were sad and difficult circumstances what reunited them in the Manor, after so many years. Theirs is not a happy story, but there’s a lot more than romance going on. The two of them are deep characters, they feel like real people, with both virtues and flaws, struggles and fears, and you can understand how and how much they got not only to love each other, but to need each other. After so many years of Charlotte taking care of Anne as if she were her own daughter, after everything they went through together, I understand how they couldn’t have lived without each other, and for a moment it bothered me that they still had this master/governess relationship and formalities between them, when they both knew their bond was a lot deeper than that. For a second in which my heart sank, I believed she had accepted Harris’ long overdue proposal, thinking of her son, but for once she stopped listening to the voice of duty, and thought of her own happiness. Along the whole book, milkweeds are mentioned over and over again, and I loved how they were a metaphor of their relationship, and of Charlotte herself: her family thought her a weed, something that needed to be pulled out from their lives so they could have a perfectly ordered existence, without the blemish of something that would take root and ruin them. But Daniel saw beyond that. He saw her healing powers, her many virtues, merits and talents, that were always there, but nobody cared about, choosing to discard her, to treat her like the disposable weed they considered she was, when in fact, there was so much more in Charlotte Lamb that what met the eyes. I loved Daniel for still loving her and caring for her when the world thought she didn’t deserve more than rejection and her rightful punishment for ruining her reputation, as she were the sole culprit for her situation. She learned from her mistakes and became a better, stronger, person, ready to face the world once more and make her life count, even with all her disadvantages.
The only flaw in their story is their first kiss! I hate when it is left for the very last page. They literally kiss at the last paragraph before the epilogue, and such a thing is always disappointing. I’d have been rooting for that kiss, and when they finally had it, it ended before we could truly relish on their joy, savoring the moment after so much expectation and sorrow!
A great thing is that there’s not a happy ending for everyone. This is a story of forgiveness, of how love heals the wounds, and states that, as there’s not one perfect life, neither there’s a perfect happy ending. Charlotte doesn’t get her child back, though I had hoped she would at some point, and it left me thinking, once Edmund and Anne get married, will she ever tell him? He deserved to know, and, if she decided to do so, that would be an excellent scene I would read biting my nails. It’s like the story continues, even when we turn the last page. As I said before, these character feel so like real people, that you just know their lives will continue long before the book has ended!
Although I couldn’t do justice to every little detail of this story, and left many things out (like Sally Mitchell and Thomas Cox’s story), I can’t finish without mentioning the excellent research Julie Klassen did before writing this book. I knew nothing about the world of wet nurses and foundlings, and I found it utterly fascinating. It’s clear when an author writes knowing what he/she’s doing, it’s visible when the foundation is solid and carefully studied, and I personally love a book more when it’s actually historical, with everything that means. This story is filled with historically accurate details that make it even more of a gem. Julie Klassen is an amazing, passionate author, and everything she writes is worth reading, as she creates deep, layered characters and stories that will keep you at the edge of your sit. She’s definitely among the best authors I’ve ever read!
*If you like what you read, you can find me in my blog for more reviews and other articles: http://abookandateacup.blogspot.com.ar/*
This entire review has been hidden because of spoilers.
April 18, 2022
3,5/5 ⭐️ Es una historia muy acogedora, como suele pasarme con los libros de la autora, pero al mismo tiempo he sentido mucha pena por Charlotte al tener una experiencia tan injusta. Igualmente, he sentido mucho cariño por ella, por lo que mucho que resiste, sacrifica y consigue soportar con una entereza increíble.
Me habría gustado encontrar más escenas románticas en la novela. Me ha parecido más narrativa que romántica en sí, aunque no por ello he dejado de tener interés en la trama, manteniendo buen ritmo en todo momento.
Me habría gustado encontrar más escenas románticas en la novela. Me ha parecido más narrativa que romántica en sí, aunque no por ello he dejado de tener interés en la trama, manteniendo buen ritmo en todo momento.
July 4, 2024
2.5⭐️ rounded to 3⭐️Whew this was a tough read. Masterfully written (which i have come to expect from Klassen), beautiful, heartbreaking…so sad.
I’ll keep this review brief.
I grieved for Charlotte and loved her, as well. Julie Klassen tackled some very difficult topics beautifully. Daniel’s story also broke my heart.
All the babies ❤️💔 The nursing content didn’t bug me (I have 6 kids and nursed them all.), but some may not feel comfortable with that as it’s pretty detailed. The history seems well researched. Due to the nature of this story—unwed mothers, depression, etc.—I would recommend this for 18+ for sure.
Though not my favorite by the author, this is a well written story and many will like it. But be warned, if you’re a crier or empathizer, you may need a box of tissues. 😢
I’ll keep this review brief.
I grieved for Charlotte and loved her, as well. Julie Klassen tackled some very difficult topics beautifully. Daniel’s story also broke my heart.
All the babies ❤️💔 The nursing content didn’t bug me (I have 6 kids and nursed them all.), but some may not feel comfortable with that as it’s pretty detailed. The history seems well researched. Due to the nature of this story—unwed mothers, depression, etc.—I would recommend this for 18+ for sure.
Though not my favorite by the author, this is a well written story and many will like it. But be warned, if you’re a crier or empathizer, you may need a box of tissues. 😢
June 21, 2020
I can't believe this was her debut! Wow!!!
This book covers some hard and touchy subjects but it does it well. We see the heartbreaking real life consequences that come when we make certain choices. We get to experience the stigma, the hurt and the eventual triumph of our main character. I thought the history in this book was fascinating. I wouldn't recommend for young readers but for everyone else it's an excellent read.
This book covers some hard and touchy subjects but it does it well. We see the heartbreaking real life consequences that come when we make certain choices. We get to experience the stigma, the hurt and the eventual triumph of our main character. I thought the history in this book was fascinating. I wouldn't recommend for young readers but for everyone else it's an excellent read.
August 28, 2021
Julie Klassen es una de mis autoras favoritas, he leído todas sus novelas y todavía no he encontrado una que me haya decepcionado. Da igual que esté en una crisis lectora, sé que me voy a enganchar desde la primera página.
Como ya comenté en distintas ocasiones, esta autora tiene distintas facetas: novelas que se centran en el romance, otras en el misterio y otras en el contexto social por decirlo así. En esta última categoría que me acabo de inventar, añadiría este libro junto con «La hija del boticario» y «El profesor de baile».
La idea es que si bien es cierto que a priori parecen historias que se van a centrar en el romance, al final la autora toma otros derroteros pasándolas a un segundo plano, para priorizar y analizar un tema de la época. En el caso de «La hija del boticario» la protagonista conocía el oficio, los remedios naturales, hablaba de la diferencia entre médicos y boticarios y cómo se pisaban el terreno y había ciertas tiranteces, las dificultades que tenía la mujer para poder ser independiente a pesar de estar preparada, etc. Con «El profesor de baile» analizará los protocolos, bailes y formas de emprender. ¿Y en «Donde se ocultan las mariposas»?
Esta nueva historia habla del difícil papel de la mujer en la sociedad londinense, a pesar de que Charlotte es la viva imagen de la prudencia y recato, en un momento comete un error para los ojos de la sociedad que tendrá que pagar sola. De un día para otro, pierde el contacto con todos sus seres queridos y se refugia en sí misma. La muchacha proviene de una familia con convicciones férreas (estoy siendo políticamente correcta), es la hija de un vicario y su hermana solo busca posición social a través de un matrimonio, su único apoyo es su tía que aparece de vez en cuando.
Charlotte acaba pidiendo hospicio en Milkweed Manor, una mansión donde se ocultan secretos vergonzosos, todos saben qué pasa ahí pero nadie lo dice en alto. Allí se encontrará con un antiguo pretendiente y amigo de la familia, el Dr Taylor quien se encuentra casado. El primer encuentro es impactante para ambos, aunque en especial para él; digamos que para Charlotte es incómodo en otro sentido.
Si bien es cierto que en un primer momento parece una historia que se centra en el romance, cada vez va decayendo, os animo a leerla porque merece la pena pero no es del estilo de «La hija del tutor» o «La institutriz silenciosa», a medida que avanzamos la autora se centra más en mostrar el contexto de la mujer tanto de una dama como de una sirvienta, cuando es apartada de la sociedad, cómo salen adelante y qué opciones tienen. Charlotte al principio se sentía fuera de juego, era un ambiente nuevo para ella, se relacionaba con gente muy distinta, era la primera vez que estaba sola y que se enfrentaba a un "problema" así, en un primer momento prejuzgaba ciertas cosas pero la experiencia y las circunstancias adversas hicieron que acabara por comprender a sus nuevas amistades.
Como punto negativo, me ha pasado un poco como con «El profesor de baile», el 90% del libro va a un paso lento, muy progresivo y la autora al final mete un acelerón y acaba el libro. Este tipo de finales me descuadran y me dejar un sabor agridulce, creo que con un par de capítulos más hubiese quedado de diez. Solo puedo recomendar esta historia porque merece mucho la pena, es increíble cómo la autora logra empaparse y documentarse de un tema muy concreto de la época y logra desarrollar toda una historia, sumergiendo al lector en su estudio y búsqueda sin resultar denso, ella hace el trabajo duro y nosotros nos documentamos a su vez disfrutando de una bonita historia.
Tengo que resaltar, como siempre, los inicios de capítulo. La autora siempre añade en cada capítulo un fragmento de novelas, periódicos o cualquier documento de la época que aporta un plus a la novela, enriqueciéndola. La portada, muy bonita y con un gran significado en la historia.
Una vez advertidos sobre el punto fuerte de la novela (que no es el romance), solo puedo recomendaros leerla porque os sorprenderá y estoy segura de que os encantará tanto como a mí.
ZONA SPOILER:
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Nunca he hecho esto pero me gustaría ahondar un poquito más para aquellos que no les importe spoilearse y quieran saber qué esconde realmente esta historia. He intentado hacer la reseña lo más neutra posible sin desvelar nada, respetando la sinopsis de la autora puesto que si ella no lo desvela en la misma yo tampoco tengo que hacerlo: «Donde se ocultan las mariposas» se centra en el mundo de las madres solteras, desde que se enteran de la noticia hasta que dan a luz, cómo son apartadas de la sociedad y tienen que buscarse la vida, incluso a veces a renunciar a sus propios hijos, el oficio de las nodrizas, cómo trataban la depresión postparto, el mundo de amamantar, cómo se sentían las mujeres durante y después del parto, etc. Todo ello aderezado con un laborioso trabajo de documentación y un estilo impecable.
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FIN SPOILER
Como ya comenté en distintas ocasiones, esta autora tiene distintas facetas: novelas que se centran en el romance, otras en el misterio y otras en el contexto social por decirlo así. En esta última categoría que me acabo de inventar, añadiría este libro junto con «La hija del boticario» y «El profesor de baile».
La idea es que si bien es cierto que a priori parecen historias que se van a centrar en el romance, al final la autora toma otros derroteros pasándolas a un segundo plano, para priorizar y analizar un tema de la época. En el caso de «La hija del boticario» la protagonista conocía el oficio, los remedios naturales, hablaba de la diferencia entre médicos y boticarios y cómo se pisaban el terreno y había ciertas tiranteces, las dificultades que tenía la mujer para poder ser independiente a pesar de estar preparada, etc. Con «El profesor de baile» analizará los protocolos, bailes y formas de emprender. ¿Y en «Donde se ocultan las mariposas»?
Esta nueva historia habla del difícil papel de la mujer en la sociedad londinense, a pesar de que Charlotte es la viva imagen de la prudencia y recato, en un momento comete un error para los ojos de la sociedad que tendrá que pagar sola. De un día para otro, pierde el contacto con todos sus seres queridos y se refugia en sí misma. La muchacha proviene de una familia con convicciones férreas (estoy siendo políticamente correcta), es la hija de un vicario y su hermana solo busca posición social a través de un matrimonio, su único apoyo es su tía que aparece de vez en cuando.
Charlotte acaba pidiendo hospicio en Milkweed Manor, una mansión donde se ocultan secretos vergonzosos, todos saben qué pasa ahí pero nadie lo dice en alto. Allí se encontrará con un antiguo pretendiente y amigo de la familia, el Dr Taylor quien se encuentra casado. El primer encuentro es impactante para ambos, aunque en especial para él; digamos que para Charlotte es incómodo en otro sentido.
Si bien es cierto que en un primer momento parece una historia que se centra en el romance, cada vez va decayendo, os animo a leerla porque merece la pena pero no es del estilo de «La hija del tutor» o «La institutriz silenciosa», a medida que avanzamos la autora se centra más en mostrar el contexto de la mujer tanto de una dama como de una sirvienta, cuando es apartada de la sociedad, cómo salen adelante y qué opciones tienen. Charlotte al principio se sentía fuera de juego, era un ambiente nuevo para ella, se relacionaba con gente muy distinta, era la primera vez que estaba sola y que se enfrentaba a un "problema" así, en un primer momento prejuzgaba ciertas cosas pero la experiencia y las circunstancias adversas hicieron que acabara por comprender a sus nuevas amistades.
Como punto negativo, me ha pasado un poco como con «El profesor de baile», el 90% del libro va a un paso lento, muy progresivo y la autora al final mete un acelerón y acaba el libro. Este tipo de finales me descuadran y me dejar un sabor agridulce, creo que con un par de capítulos más hubiese quedado de diez. Solo puedo recomendar esta historia porque merece mucho la pena, es increíble cómo la autora logra empaparse y documentarse de un tema muy concreto de la época y logra desarrollar toda una historia, sumergiendo al lector en su estudio y búsqueda sin resultar denso, ella hace el trabajo duro y nosotros nos documentamos a su vez disfrutando de una bonita historia.
Tengo que resaltar, como siempre, los inicios de capítulo. La autora siempre añade en cada capítulo un fragmento de novelas, periódicos o cualquier documento de la época que aporta un plus a la novela, enriqueciéndola. La portada, muy bonita y con un gran significado en la historia.
Una vez advertidos sobre el punto fuerte de la novela (que no es el romance), solo puedo recomendaros leerla porque os sorprenderá y estoy segura de que os encantará tanto como a mí.
ZONA SPOILER:
.
.
.
.
.
.
.
Nunca he hecho esto pero me gustaría ahondar un poquito más para aquellos que no les importe spoilearse y quieran saber qué esconde realmente esta historia. He intentado hacer la reseña lo más neutra posible sin desvelar nada, respetando la sinopsis de la autora puesto que si ella no lo desvela en la misma yo tampoco tengo que hacerlo: «Donde se ocultan las mariposas» se centra en el mundo de las madres solteras, desde que se enteran de la noticia hasta que dan a luz, cómo son apartadas de la sociedad y tienen que buscarse la vida, incluso a veces a renunciar a sus propios hijos, el oficio de las nodrizas, cómo trataban la depresión postparto, el mundo de amamantar, cómo se sentían las mujeres durante y después del parto, etc. Todo ello aderezado con un laborioso trabajo de documentación y un estilo impecable.
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.
.
.
.
FIN SPOILER
February 12, 2009
"Romantic" novel set in 1800-something. Girl gets pregnant, refuses to name the father of her child. Father kicks her out and she ends up at a laying-in hospital in London with the destitute. Coincidently, one of the doctors is a man who once wished to marry her. He's now married, to (Jane Eyre, anyone) a woman who suffers from insanity, apparently brought on by pregnancy.
Lots of sacrificing throughout. Fairly well-written, though not exactly surprising story line. Very "earthy" in some ways, which, considering this is a Bethany House book, both surprised me and made me happy. What's that? Christian women have bodies? sex? make bad choices sometimes?
The actual instance of sex isn't particularly racy. The birth scenes, of which there are many, not exactly gory (strangely enough, the heroine's childbirth is completely skipped over). Breastfeeding is a constant element.
I'd recommend this, if you're not offended by the romance of the thing. I thought it did a good job of putting you in the era, and looking at more than the usual sitting-room scenes that many novels set in the same time period stick to.
Lots of sacrificing throughout. Fairly well-written, though not exactly surprising story line. Very "earthy" in some ways, which, considering this is a Bethany House book, both surprised me and made me happy. What's that? Christian women have bodies? sex? make bad choices sometimes?
The actual instance of sex isn't particularly racy. The birth scenes, of which there are many, not exactly gory (strangely enough, the heroine's childbirth is completely skipped over). Breastfeeding is a constant element.
I'd recommend this, if you're not offended by the romance of the thing. I thought it did a good job of putting you in the era, and looking at more than the usual sitting-room scenes that many novels set in the same time period stick to.
November 26, 2019
Charlotte Lamb, a vicar’s daughter, has made a mistake which has taken her to this hideaway for expectant mothers so both her family and herself may be protected from condemnation and gossip in the local community.
I really enjoyed this glimpse into the lives of vulnerable women in Edwardian England. How out of wedlock pregnancies were dealt with which made a place like Milkweed Manor necessary.
Even though there is a serious issue being dealt with here, I feel like Klassen still manages to make this work a fascinating read with all the staple ingredients we expect to find when reading her work.
I highly recommend this read to anyone who enjoys historical romance fiction and fans of Klassen’s work.
(All opinions in this review are my own).
I really enjoyed this glimpse into the lives of vulnerable women in Edwardian England. How out of wedlock pregnancies were dealt with which made a place like Milkweed Manor necessary.
Even though there is a serious issue being dealt with here, I feel like Klassen still manages to make this work a fascinating read with all the staple ingredients we expect to find when reading her work.
I highly recommend this read to anyone who enjoys historical romance fiction and fans of Klassen’s work.
(All opinions in this review are my own).
October 9, 2016
I enjoyed the historical and medical details along with compelling stories that illustrated how a single choice or moment could alter one's life forever. There were realistic characters that were both likable and detestable. Overall, this was a wonderful story. I cannot wait to read another book by Julie Klassen.
June 19, 2017
I never realized that I didn't write a review of this novel. Well, it was fairly good ... but not amazing. It dragged in places and was pretty confusing at points. It was sad, too, and it didn't end "just so." That's not really a problem, per se, but it did lower my enjoyment of the book. I do have a couple content concerns, too.
September 19, 2018
DNF halfway through. Too many inappropriate moments, I finally had enough.
August 25, 2021
Como ya sabréis esta autora es una de mis favoritas en cuanto a novela
de época se refiere y esta historia ha sido brutal. Una historia de
384 páginas de amor y sacrificio ambientada en la Regencia inglesa muy al estilo de Jane Austen.
En ella conoceremos a Charlotte, hija de un vicario la cual ha
cometido un error y se la repudia enviándola a Milkweed Manor, una
casa oscura que oculta muchos secretos y que pocos quieren reconocer.
Una vez llega allí se reencuentra con un antiguo amor, el Dr. Taylor
que será una pieza muy fundamental en el bienestar de nuestra protagonista. Él está casado y tiene sus propios problemas personales
pero retomaran su vieja amistad.
Todos los personajes que salen están muy bien cuidados, algunos te cabrearán muchísimo por su testarudez y su maldad, otros simplemente te daran pena por lo que les ha tocado vivir y otros te harán sacar una sonrisa.
Es una historia donde Charlotte va a hacer un sacrificio que a mi
personalmente hizo que se me saltaran las lágrimas. Veremos madurar a nuestra
protagonista y sentirnos orgullosos con ella con la fuerza que
desprende, pero no solo de ella, de otros personajes también.
Una obra muy bien narrada, como nos tiene acostumbradas la autora y muy bien documentada que hará que nos adentremos en la historia
fácilmente.
No os puedo decir más porque es una historia digna de conocer. Así que os la recomiendo muchísimo.
de época se refiere y esta historia ha sido brutal. Una historia de
384 páginas de amor y sacrificio ambientada en la Regencia inglesa muy al estilo de Jane Austen.
En ella conoceremos a Charlotte, hija de un vicario la cual ha
cometido un error y se la repudia enviándola a Milkweed Manor, una
casa oscura que oculta muchos secretos y que pocos quieren reconocer.
Una vez llega allí se reencuentra con un antiguo amor, el Dr. Taylor
que será una pieza muy fundamental en el bienestar de nuestra protagonista. Él está casado y tiene sus propios problemas personales
pero retomaran su vieja amistad.
Todos los personajes que salen están muy bien cuidados, algunos te cabrearán muchísimo por su testarudez y su maldad, otros simplemente te daran pena por lo que les ha tocado vivir y otros te harán sacar una sonrisa.
Es una historia donde Charlotte va a hacer un sacrificio que a mi
personalmente hizo que se me saltaran las lágrimas. Veremos madurar a nuestra
protagonista y sentirnos orgullosos con ella con la fuerza que
desprende, pero no solo de ella, de otros personajes también.
Una obra muy bien narrada, como nos tiene acostumbradas la autora y muy bien documentada que hará que nos adentremos en la historia
fácilmente.
No os puedo decir más porque es una historia digna de conocer. Así que os la recomiendo muchísimo.
October 29, 2018
A very nice tale by Ms. Klassen. Though not one of my favorite of hers, it is still a fun read with a good lesson at it’s core. I feel like the lesson was a little too brushed over perhaps, but everyone likes a happy ending, certainly me, and I wouldn’t have wanted to change that. I don’t know, there was something about Ms. Lamb’s situation that irritated me, and I can’t quite put a finger on it well enough to put it into words. One scene that did stand out to me in particular was the closing scene between Pastor Lamb and … well you’ll just have to read it and find out for yourself. The overall story was fantastic and if you are a fan of Ms. Klassen’s or you just like regency period novels in general I do not think you will be disappointed. I highly recommend the Lady of Milkweed Manor, as I do with most of Ms. Klassen’s other novels.
July 25, 2014
I pity the poor 12-year-old who picks up this book. Yes, it was a moving story about sin, trial, forgiveness, redemption, love, loss, duty, motherhood, etc, but the majority of the first half of the book I was embarrassed to read, even alone to myself! Much of what goes on is alluded to discreetly, but other references are not so subtle and left me cringing or feeling sick. The idea itself, of an unmarried Charlotte having a child and being faced with difficult decision after difficult decision, is an original one (I have yet to read another regency era book that addresses this topic), but I felt it was a bit much. Not being a mother myself, I had no emotional connection to what Charlotte was going through. I didn't relate to her situation at all. There were frequent unexpected twists in the plot line, which surprised me, and the ending was well done, but really the only reason I read the whole thing was to be able to review it accurately. I love other books by Julie Klassen, but just... Not this one.
December 5, 2021
2021 re-read: I think this was my 3rd time reading this book. The first time I read it I was single, the second time I was married and expecting my first child, and this time around, a mother of one with one on the way. It made me emotional in a whole new way reading it as a mother this time.
This book is a fabulous debut. One of my favorite things about Klassen novels is the quotes and tidbits from historical literature at the top of each chapter. I love that little glimpse into the times.
I was fascinated by the insight into breastfeeding and birth in the Regency period, unwed mothers homes, mental health issues, wet nursing, and more.
Reading this book before being a mom I remember left me slightly uncomfortable with some of the details. That wasn't the case this time around, and it made for a more enjoyable read.
This is an unconventional love story. There is a difficult marriage, a previous lover, a baby, careers, angry fathers all in the mix.
I really enjoy this one every time I read it.
I can't imagine walking through what Charlotte Lamb did.
This book is a fabulous debut. One of my favorite things about Klassen novels is the quotes and tidbits from historical literature at the top of each chapter. I love that little glimpse into the times.
I was fascinated by the insight into breastfeeding and birth in the Regency period, unwed mothers homes, mental health issues, wet nursing, and more.
Reading this book before being a mom I remember left me slightly uncomfortable with some of the details. That wasn't the case this time around, and it made for a more enjoyable read.
This is an unconventional love story. There is a difficult marriage, a previous lover, a baby, careers, angry fathers all in the mix.
I really enjoy this one every time I read it.
I can't imagine walking through what Charlotte Lamb did.
September 17, 2018
Klassen's writing is always masterful. This book is about a girl who gets pregnant out of wedlock and has to go to a home for unwed mothers. There are details about pregnancy and nursing that some people might not like, however, having grown up with a mother who nursed and being very involved with my little siblings when mom was pregnant, I didn't find any of it offensive at all.
So why only three stars? Honestly, it was just sad. While it had a happy ending, there was a lot of sadness all through the book. It just left me feeling sad.
So why only three stars? Honestly, it was just sad. While it had a happy ending, there was a lot of sadness all through the book. It just left me feeling sad.
January 28, 2023
The Sacrifices and Difficult Choices of Unwed Mothers
Rating: 4 out of 5 stars
Source: Purchased
TYPE OF NOVEL: Regency Romance, Christian Historical Fiction
THE PREMISE: Charlotte Lamb is being disowned from her family and forced to leave home. Her new place of residence is the Manor Home for Unwed Mothers. And it is there Charlotte faces a new chapter of her life – one where she is a servant and not a gentlewoman, one where she encounters and works for a past suitor, one where she makes enormous sacrifices. After being ostracized and cast out for a past mistake, can Charlotte ever feel worthy of love in happiness again?
MY THOUGHTS: For twelve years now I’ve claimed to be a devoted Julie Klassen fan, yet before this week, I had not read her debut novel! To quote Lizzo, “it’s about damn time,” right? I’ve been eager to read this one since it depicts the life of a Regency “fallen woman.” And it tells the tale of hardships and challenges these women faced. It is a story about women like Eliza Williams and Lydia Bennet (if Mr. Darcy didn’t redeem her), who often exist in the periphery, but not center stage.
In Lady of Milkweed Manor Julie Klassen’s exquisite story-telling skills present a heroine that is endearing and sensible, and a story that is engrossing and poignant. I found Charlotte to be admirable, genuine, and strong. Her predicament and her own fault it in are so easy to understand and forgive. And I found her resilience during all the cruelty and sadness she faced to be incredibly moving. In addition, I loved how – in classic Julie Klassen style – the reader doesn’t learn much about what happened in Charlotte’s past until later on in the tale. The suspense and the wait to discover the why and how when all we have are slight hints and suppositions to go on is a special kind of torture I love to suffer through.
I greatly appreciate that Julie Klassen tells stories about women from all walks of life. Not just genteel maidens of the gentry who live in the country. For readers who have enjoyed other works by this author, by comparison, this tale is a little more somber and grim. Readers witness the primitive care provided at lying-in hospitals, the heartbreaking realities of foundling wards, and the day-to-day activities of a wet-nurse. There was so much that was eye-opening and interesting, even to a reader that is becoming more and more familiar with medical practices and life conditions during the Regency Period. Even though there were some aspects that were heart-wrenching to observe, I loved how Julie Klassen strived to present an authentic representation of this world.
Another element I enjoyed about this novel was Charlotte’s relationships and interactions with the people around her. With the doctor she admires, with her friend who works as a wet-nurse, with the man she fell in love with, and with the child in her care. All these characters were well-drawn, sympathetic, and distinct. I especially enjoyed the Jane Eyre undertones I felt with some characters in particular.
Similar to another early work by Julie Klassen, this novel includes a few more mentions of faith and relationships with God and a romance that leaves readers in suspense for 90% of the tale. Charlotte has a few admirers in this story. And while one stands out a bit more than the others, her own feelings were so private and calm throughout that it did take away some of the satisfaction of witnessing them finally coming together. But maybe a subtle and gentle romance is what the author was going for.
While Lady of Milkweed Manor might not be on the short list for Favorite Julie Klassen novels, it is a stirring and memorable tale that held me enthrall. In general, I recommend Julie Klassen’s novels to any Austenesque fan that loves stories set during the Regency Period.But specifically, I recommend Lady of Milkweed Manor to those readers that are interested in learning about the hardships of women (specifically unwed and new mothers) during the Regency Period.
Austenesque Reviews
Rating: 4 out of 5 stars
Source: Purchased
TYPE OF NOVEL: Regency Romance, Christian Historical Fiction
THE PREMISE: Charlotte Lamb is being disowned from her family and forced to leave home. Her new place of residence is the Manor Home for Unwed Mothers. And it is there Charlotte faces a new chapter of her life – one where she is a servant and not a gentlewoman, one where she encounters and works for a past suitor, one where she makes enormous sacrifices. After being ostracized and cast out for a past mistake, can Charlotte ever feel worthy of love in happiness again?
MY THOUGHTS: For twelve years now I’ve claimed to be a devoted Julie Klassen fan, yet before this week, I had not read her debut novel! To quote Lizzo, “it’s about damn time,” right? I’ve been eager to read this one since it depicts the life of a Regency “fallen woman.” And it tells the tale of hardships and challenges these women faced. It is a story about women like Eliza Williams and Lydia Bennet (if Mr. Darcy didn’t redeem her), who often exist in the periphery, but not center stage.
In Lady of Milkweed Manor Julie Klassen’s exquisite story-telling skills present a heroine that is endearing and sensible, and a story that is engrossing and poignant. I found Charlotte to be admirable, genuine, and strong. Her predicament and her own fault it in are so easy to understand and forgive. And I found her resilience during all the cruelty and sadness she faced to be incredibly moving. In addition, I loved how – in classic Julie Klassen style – the reader doesn’t learn much about what happened in Charlotte’s past until later on in the tale. The suspense and the wait to discover the why and how when all we have are slight hints and suppositions to go on is a special kind of torture I love to suffer through.
I greatly appreciate that Julie Klassen tells stories about women from all walks of life. Not just genteel maidens of the gentry who live in the country. For readers who have enjoyed other works by this author, by comparison, this tale is a little more somber and grim. Readers witness the primitive care provided at lying-in hospitals, the heartbreaking realities of foundling wards, and the day-to-day activities of a wet-nurse. There was so much that was eye-opening and interesting, even to a reader that is becoming more and more familiar with medical practices and life conditions during the Regency Period. Even though there were some aspects that were heart-wrenching to observe, I loved how Julie Klassen strived to present an authentic representation of this world.
Another element I enjoyed about this novel was Charlotte’s relationships and interactions with the people around her. With the doctor she admires, with her friend who works as a wet-nurse, with the man she fell in love with, and with the child in her care. All these characters were well-drawn, sympathetic, and distinct. I especially enjoyed the Jane Eyre undertones I felt with some characters in particular.
Similar to another early work by Julie Klassen, this novel includes a few more mentions of faith and relationships with God and a romance that leaves readers in suspense for 90% of the tale. Charlotte has a few admirers in this story. And while one stands out a bit more than the others, her own feelings were so private and calm throughout that it did take away some of the satisfaction of witnessing them finally coming together. But maybe a subtle and gentle romance is what the author was going for.
While Lady of Milkweed Manor might not be on the short list for Favorite Julie Klassen novels, it is a stirring and memorable tale that held me enthrall. In general, I recommend Julie Klassen’s novels to any Austenesque fan that loves stories set during the Regency Period.But specifically, I recommend Lady of Milkweed Manor to those readers that are interested in learning about the hardships of women (specifically unwed and new mothers) during the Regency Period.
Austenesque Reviews
December 11, 2022
3.5 stars
February 5, 2017
Lady of Milkweed Manor was a good read, though not my favorite Klassen book.
Charlotte made a mistake & ends up having to leave home. Her father is very stern & unforgiving. Her sister is very condemning as well & treats her with cold disdain. For her sister, it was all about self, how it would reflect on her. She had no thought for what Charlotte was going through. Aunt Tilney wants to stay in contact, but Charlotte's father has forbidden it. (I have to say, I don't see why she listened to him. She is Charlotte's aunt from her mother's side. I just didn't feel there was any way that her father could have made things rough for her aunt & uncle. Her father was obviously not following God's commandment to forgive, and he's a vicar!) Charlotte ends up having to make a very tough decision that breaks her heart, but it seems like the best.
In Regency England, ladies in Charlotte's position don't necessarily have a happy ending. Charlotte does end up having a happy ending, but her journey to get there is full of pain. This makes for a sad story in places. There was a few things that didn't mesh for me. But overall this was well written & moved along pretty good.
Sally was a sweet girl & a good secondary character. I was glad to see her get such a happy ending as well. As usual I enjoyed the tidbits Ms. Klassen put at the beginning of the chapters. I learned some interesting things about milkweeds & about wet nursing.
Charlotte made a mistake & ends up having to leave home. Her father is very stern & unforgiving. Her sister is very condemning as well & treats her with cold disdain. For her sister, it was all about self, how it would reflect on her. She had no thought for what Charlotte was going through. Aunt Tilney wants to stay in contact, but Charlotte's father has forbidden it. (I have to say, I don't see why she listened to him. She is Charlotte's aunt from her mother's side. I just didn't feel there was any way that her father could have made things rough for her aunt & uncle. Her father was obviously not following God's commandment to forgive, and he's a vicar!) Charlotte ends up having to make a very tough decision that breaks her heart, but it seems like the best.
In Regency England, ladies in Charlotte's position don't necessarily have a happy ending. Charlotte does end up having a happy ending, but her journey to get there is full of pain. This makes for a sad story in places. There was a few things that didn't mesh for me. But overall this was well written & moved along pretty good.
Sally was a sweet girl & a good secondary character. I was glad to see her get such a happy ending as well. As usual I enjoyed the tidbits Ms. Klassen put at the beginning of the chapters. I learned some interesting things about milkweeds & about wet nursing.
February 5, 2014
Originally published here
Highly recommended!
Lady of Milkweed Manor is probably one of the most bittersweet Christian romances I've ever read. It's one of those novels that make me feel so sorry for the main character that I shed a few tears...and then shed a few more when she has a happy ending.
I appreciate how Klassen brings an appropriate setting to the story by including lots of relevant historical detail. Many times, slapping a label of "Regency England" on a novel without research (that actually enhances the story) is somehow enough for some people. But Klassen adds historical detail to Lady of Milkweed Manor that gives a picture of why certain characters act as they do.
Another thing I like about Lady of Milkweed Manor is that the supporting characters are well-developed. Every character is in his/her proper place. Their stories and personal experiences are only told to help the main character achieve personal growth, and their characters never overshadow the main characters.
I especially like the unconventional romance between Charlotte and Daniel.
Even though their love is thwarted in the beginning, their love resurrects despite all.
This is a novel that I have read many times, and it never ceases to touch me with its sweet simplicity. This is the novel that made me a fan of Julie Klassen's work because of its well-researched background and human characters.
This is an emotional read, to be sure-one that will keep you reading till the end.
Highly recommended!
Lady of Milkweed Manor is probably one of the most bittersweet Christian romances I've ever read. It's one of those novels that make me feel so sorry for the main character that I shed a few tears...and then shed a few more when she has a happy ending.
I appreciate how Klassen brings an appropriate setting to the story by including lots of relevant historical detail. Many times, slapping a label of "Regency England" on a novel without research (that actually enhances the story) is somehow enough for some people. But Klassen adds historical detail to Lady of Milkweed Manor that gives a picture of why certain characters act as they do.
Another thing I like about Lady of Milkweed Manor is that the supporting characters are well-developed. Every character is in his/her proper place. Their stories and personal experiences are only told to help the main character achieve personal growth, and their characters never overshadow the main characters.
I especially like the unconventional romance between Charlotte and Daniel.
Even though their love is thwarted in the beginning, their love resurrects despite all.
This is a novel that I have read many times, and it never ceases to touch me with its sweet simplicity. This is the novel that made me a fan of Julie Klassen's work because of its well-researched background and human characters.
This is an emotional read, to be sure-one that will keep you reading till the end.
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