Gulchera Hoja is a Uyghur who grew up in East Turkistan, which is in Northwest China. She is the grandchild of a renowned musician and the daughter of an esteemed archaeologist. Hoja grew up with her people’s culture and history running through her veins. She states that she was blessed with the talents of a dancer, actress, and storyteller, putting her on a path to becoming a local TV star in the Uyghur community.
The Uyghurs have been occupied by the majority population, The Han Chinese, since 1949. Hoja says the Uyghurs are not Chinese, but Indo European, and have lived in East Turkestan for thousands of years. Uyghurs are different from the Hans in culture, languages, religious beliefs, music, history, holiday, festivals and food. Hoja was raised in a prominent family to be proud of her heritage.
This book is a memoir and part of it is about China’s human rights abuses and cultural genocide against Uyghur region in East Turkistan. I was hoping for a perspective on how Uyghur people have been treated by China, and there is part of that in this book. Most of it, however, is stories about a self-indulgent unreliable narrator too caught up in her own stories of delusions of grandeur. Her upbringing, her career in dancing, acting, and then TV where she expounds on her popularity.
Since English is a second language I don’t know if its accident or deliberate but the writing is a lot of bombastic rhetoric of Hoja talking about – “How pretty I am. What a great dancer I am. How brave I am. How loyal I am. How much courage I have. How much I love children. How much I suffered.” All her bravado made her an unreliable narrator of a contemporary tragedy that is still going on today.
Early in the book she tells a story at age 19, after auditioning and then winning a major acting role in a Uyghur historical movie, of because of who her grandfather is, and of course how talented she is, that Hoja gets a starring role in a movie that she was dismissed when she refused to play a scene, because it is not portraying Uyghur history accurately, which is to be admired.
A little later in the memoir, Hoja gets a job as a TV reporter on Xinjiang TV. She self admits that she produced stories encouraging parents to send children to 12 different cities in China to study Chinese, separating them form their Uyghur language and people they love. Hoja says it started with good intentions to teach Uyghur children to be proud of their heritage. Paradoxically the higher up she got, she would parrot the CCP (Chinese Communist Party) telling Uyghur children that the CCP loves them like a father, and they must love them back. Hoja says, “I had to teach them to be ashamed of their own language and to reject their own ancient music, books, and stories. Uyghur culture is backwards and Chinese culture was the future.” Hoja says she was ashamed, but she kept doing it. Why did her principles change since the movie?
Later on, Hoja marries a childhood sweetheart she was never in love with, who she knew knowingly cheated on her. To not disappoint her parents, Hoja goes through with the marriage, and she is never happy. She eventually wants to get a divorce, but decides against it, or her husband will kill himself. They make it to Austria, defect from Europe to Washington DC where she began her career as a journalist at Radio Free Asia (RFA), a U.S. federally funded nonprofit news agency that first broadcast in 1996. The husband ends up taking a job as a dishwasher and she eventually leaves him for a man she met at RFA. Never a word on what ever happened to the first husband.
In America Hoja proudly starts wearing a Hijab, despite coming from a non-religious family. Her motivation might come form the fact that she did not have religious freedom to wear a hijab back in China. She did not mention all of the other countries where women are forced to wear hijabs and other body armor. Based on Hoja’s writing she consistently sounds more like an opportunist than someone with religious convictions.
Hoja says her mom was able to visit her in America if she was able to encourage her to come back to China. Why would Hoja go back? Why would her mother want her to do that? The mother goes back to China without her. What happened to her mother when she did not come back without her? Wouldn’t there be consequences? It did not make any sense.
Hoja also kept calling home when she knew the CCP collects phone records and was warned not to by her own parents, but she kept doing it without explanation. In February of 2018, Hoja states that 24 people in her family were arrested and taken to internment camps. They can also be called reeducation or indoctrination camps. It clearly sounds like a cultural genocide, but not a genocide. I’ve read other irresponsible writers call it a genocide. I think when it comes to reporting on such a tragedy there is no need to exaggerate or play with the truth.
Today there is estimated to be or have been over one million Uyghurs and Kazakhs at these camps. Kazakhs are a Muslim Turkish ethnic group that Hoja makes no mention of. This is the largest incarceration of an ethno-religious minority since the Holocaust.
Hoja’s mother was released from one of the camps, and she said what saved her life was befriending one of the guards. In typical unreliable narration in this book on the same page, Hoja says she saved her mother’s life from all her brave journalistic reporting.
My consistent turnoff in this memoir is Hoja as a reporter, kept making herself and all her great attributes as part of the story. The non-stop bragging about herself on qualities that did not need to be said. She says how determined she is to be part of revealing the truth regardless of the risks. Isn’t that a prerequisite for being a journalist? Not to mention all the time she says she loves her family, country, and children. I don’t think there is anything unusual about that. I hope most people do.
I wanted more to be illuminated on what exactly is going on in China with state control over Muslim minorities, and what it was like being in one of those internment camps. There is better information on this on YouTube. There have been better stories told on Vice News, Democracy Now and even Jon Oliver to name a few. I have also scene good interviews with Abduweli Ayup and Nury Turkel who are both Uyghur.
Today the Xinjiang region of China has turned into an Orwellian system of authoritarianism with a complete lack of privacy, state violence and an enormous open-air jail. There are facial recognition cameras everywhere and anyone can be taken to an internment camp for any innocuous reason. The CCP seem to be attempting to eradicate the Uyghur language, religion and culture. Gulchera Hoja has been a journalist with Radio Free Asia for over 20 years