Well, I be damned. I actually liked it.
My first thought upon starting the book was: “No.” Whatever dumb curiosity and a misdirected need for closure had brought me to the third book in a trilogy where the first two had hardly impressed me (and the second I had rated with 2 stars - which is saying much considering I rarely go below 3), I could barely make my way through the first chapter here either as my distaste resettled and the futility of the undertaking seemed to reveal itself. And then, something changed.
I’m not entirely sure what. Perhaps I had been unfair to the previous books, or perhaps (more probably) the differences in the third one just did it good. The writing and the leading character, Aelis, still felt too YA for my taste, but moving the action to a wholly new place and filling the book with conspiratorial mysteries and tangible dangers certainly helped. I still don’t much like Aelis’s arrogance, but Ford throws more challenges to her behaviour than before so that it starts feeling less like the self-obsessed assurance of a spoiled YA protagonist and more like a personality trait with its positives (can get things done) and negatives (most will hate you for it).
Aelis is still a pretty challenging person to like, made more problematic by how clearly the third book draws the Wardens as something akin a special police force, armed with deadly magic and the right to cast and trespass wherever the fuck they want. There seems to be so little indeed that they’re not allowed to do outside their colleges that one might wonder why there’s even a need for a criminal conspiracy amongst the wardens as it feels hardly different from most things Aelis walks away with unpunished. I guess if the victim happens to be one of the wizards/wardens themselves, things are suddenly serious. Remind you of something?
Aelis is little different. While she might balk at the most depraved uses of the wizardly abilities and cling to her humanistic ideals, she has no problems whatsoever using her position as an accomplished member of the special police and as the daughter of an ultra-rich and ultra-powerful family as freely as flossing her teeth (freer even considering the setting) in order to manipulate people around her into doing exactly what she wants, especially if they are on a lower social rung than her. Big sums of money exchanging hands is part of the proceedings and of a similarly low challenge to her (see before: ultra-rich). “Wardens do not answer to any civil authority this side of [whatever],” she cries, as she brushes aside another person who demands she explains what she’s doing. As long as she’s on the side of good - and her side is always good - she feels that she has to explain herself to no-one and it would be better for everybody if they just fell in line.
This paints a horribly unequal world that the author seems to somewhat acknowledge through the criticism of the wardens and the social inequality through Aelis'es new sidekick, and yet her actions are too justified within the narrative for it to matter, drawing the book close to some kind of copaganda as Aelis speeds through all the rules and correct procedures that should be in place because those simply do not work and hence corruption is merely the name of the game.
And mind you, playing within the rules of a broken system will not by itself fix the system in the real world either, especially if those interested in having it broken are doing their utmost to keep it so, but Aelis doesn’t seem to believe that anything she is doing is actually wrong or even that the system is broken, only that some people are bad and others just do not understand why the system is actually okay. Considering how many advantages Aelis has gained from the system, even if she has also worked hard to make the best use of them, it is not then a surprise that she is also dedicated to keeping the system the way it is, just with fewer bad apples.
But as I said, there’s a certain awareness of the problems, especially through the new sidekick - a gruff gnomish war-veteran with PTSD, a drinking problem and the perfect personality to conflict with Aelis in amusing and sometimes touching ways. He might be my new favourite, and he certainly is better than the elven romantic interest whose relationship with Aelis I’ve never managed to believe in (even though it was one of the original draws of the series) but whose presence is luckily kept to a minimum (I’ve rarely been as thankful for one of the “good guys” to be cursed). A character that exists mainly to be desired at a distance as the hot elf or to have uncomfortable discussions with when together, she and Aelis bicker and fuck for a chapter and then she’s out, only to revisit in the throw-away thoughts of Aelis alone, and isn’t that better (well, as long as you also find their relationship an unfortunate drag).
Some surprising twists (e.g., a certain death), some touching moments (e.g., Aelis getting nostalgic while giving a young wizarding student tips during a carriage ride), a crime I was actually invested in getting solved, and a book filled with characters I wanted to hear more of, I cannot believe I enjoyed it so. It is wild how little this book has to do with the previous two and their heady world-ending danger, but then again I didn't really like those much so I'm not exactly complaining. Sure hope this is a sign of more good things to come.
Well, the final hour back in the village wasn’t quite as good. Oh well. Still fun.