3+ stars - A riveting thriller authored by John D. MacDonald and published in 1957, ‘Cape Fear’ originally titled ‘The Executioners’ was translated into film in 1962 and again, almost thirty years later, in 1991. The novel takes place in MacDonald’s present day of ‘57 in the fictional town of New Essex. Sam Bowden, a small-town lawyer lives with his beautiful wife, Carol, and three kids, the effervescent and highly capable fourteen-year-old Nancy and lively boys Jamie, eleven and Bucky, six years old, just outside of town in a fairly isolated area. Sam is in his happy place, satisfied with his career, and content to rest his eyes on his good looking family. Sam and Carol frequently call each other Dear and Darling bringing to mind the innocence of 1950s TV shows. At times the dialog is just a bit cheesy, leaving my ears perked for the sound of canned laughter, but it’s not really all that bad,...eh, not really, darling. Certainly, the specter of a criminal that Sam, as a key witness help put behind bars for thirteen years, helps to put things into perspective. When Max Cady appears, he snatches the keys out of Sam’s car, bringing Sam to the remembrance of their unholy meeting all those years ago. A drunken Cady was raping a fourteen-year-old girl in an alley in Australia, when Sam, a First Lieutenant at the time, pulled the drunk man off of the girl. During the intervening years of prison, Cady has lost his marriage and his young son has died in an accident. Now, it’s Cady’s mission to even the score.
MacDonald balances some key ingredients in this revenge tale. The innocence of the times, Sam's children, his wife, and his own innocence about the underbelly of the world, the knife’s edge of violence that can be turned against what he holds most dear, and his belief that he is the master of his own destiny. All of those things are turned on its head, and Sam finds that possibly even he, moral and ethical man that he considers himself to be, can be persuaded to consider something reprehensible and unlawful, something immoral, when his family is threatened. The children’s playfulness, a well-loved dog, Nancy’s budding sexuality as she is beginning to be interested in boys, all remind us of our own families, our own daughters, and the reader comes to know that what’s at stake are things that we all have at risk in the world, the loss of our loves and often, a lifestyle that we have convinced ourselves that we’ve earned. For Sam, who feels the need to be the man protector, the he-man able to save the day; he is forced to confront his helplessness, his own inadequacies. For Carol, who wants to keep ‘her brood’ under her wing, it is the same, for she, too, has to face failure, nerves, devastation. In this way, MacDonald hones in on the ubiquitous nature of our fears about our inability to change outcomes and about being helpless in the face of terrifying events.
‘Cape Fear’ is a fascinating and rich character study in a work of popular fiction. The dialog is often inept, at times a detraction. Max Cady represents a universal evil, the bogey man of which we should all be aware. Sam is a representative of the law, of justice. If the law can’t save you, however, you should probably be ready to save yourself. Recommended for its astute probing into the nature of good and evil in the world as well as in ourselves.