Tim Hawkinson

by Steve Erickson, Tim Hawkinson (Artist), Tim Nye (Editor)

Among other things, Tim Hawkinson's art celebrates the process and materiality of the work itself. This limited edition manual-esque exhibition catalogue, designed by the prominent New York firm, Helicopter, LLC, seeks to reflect that interaction with special features like a tough, transparent plastic jacket that exposes the book's spiral binding, printed plastic section dividers, a pull-out text by the prominent Los Angeles novelist and film critic Steve Erickson, two posters, numerous gatefolds and a sound chip. Dramatic and typically unique, this volume explores the geography of bookmaking just as Hawkinson's artwork explores the geography of the human form.
Tim Hawkinson was born in San Francisco in 1960 and currently lives and works in Los Angeles. He has shown his work extensively for more than 25 years--recently at the J. Paul Getty Museum in Los Angeles.

96 pages, Spiral-bound

First published December 15, 2007

About the author

Steve Erickson is the author of ten novels: Days Between Stations, Rubicon Beach, Tours of the Black Clock, Arc d'X, Amnesiascope, The Sea Came in at Midnight, Our Ecstatic Days, Zeroville, These Dreams of You and Shadowbahn. He also has written two books about American politics and popular culture, Leap Year and American Nomad. Numerous editions have been published in English, Spanish, French, German, Italian, Dutch, Polish, Greek, Russian and Japanese. Over the years he has written for Esquire, Rolling Stone, Smithsonian, Conjunctions, Salon, the L.A. Weekly, the New York Times Magazine and other publications and journals, and his work has been widely anthologized. For twelve years he was editor and co-founder of the national literary journal Black Clock, and currently he is the film/television critic for Los Angeles magazine and teaches writing at the University of California, Riverside. He has received the Lannan Lifetime Achievement Award, the American Academy of Arts and Letters award in literature, a fellowship from the John Simon Guggenheim Foundation, and a grant from the National Endowment for the Arts, and twice has been nominated for the National Magazine Award for criticism and commentary.