A children's book, written by a soldier about an Afghani girl, set in the recent past. That's a toughie. There are a lot of easier books out there to review too. Why aren't I writing one about the adorable little girl who wants to be Little Miss Apple Pie or the one about the cute dog that wants to find its home? Well, sometimes you have to step out of your comfort zone, which I suspect is what author Trent Reedy wanted to do here. With an Introduction by Katherine Paterson and enough backmatter to sink a small dinghy, Reedy takes a chance on confronting the state of the people of Afghanistan without coming off as imperialist, judgmental, or a know-it-all. For the most part he succeeds, and the result is a book that carries a lot more complexity in its 272 pages than the first 120 or so would initially suggest. Bear with it then. There's a lot to chew on here.
Zulaikha would stand out in any crowd. It's not her fault, but born with jutting teeth and a cleft upper lip she finds herself on the receiving end of the taunts of the local boys, and sometimes even her own little brother. Then everything in her life seems to happen at once. She's spotted by an American soldier, who with his fellows manages to convince their captain to have Zulaikha flown to a hospital for free surgery. At the same time she makes the acquaintance of a friend of her dead mother, a former professor who begins to teach her girl how to read. Top it all off with the upcoming surprise marriage of Zeynab, Zulaikha's older sister, and things seem to be going well. Unfortunately, hopes have a way of becoming dashed, and in the midst of all this is a girl who must determine what it is she wants and what it is the people she cares about need.
I approach most realistic children's fiction with a great deal of trepidation, particularly when it discusses topical information. The sad truth of children's books is that they are perfect containers for didacticism, even if you did not mean for that to be the case when you begin. With that in mind I read the first 120 pages of the story warily. I wasn't certain that I liked what I saw either. Seemed to me that this book was indeed showing an in-depth portrait of Afghanistan, beauty, warts, and all, while the Americans were these near saviors, picking a poor girl out of the crowd upon whom to bestow free surgery out of the goodness of their golden glorious hearts. Fortunately, by the time we got to page 120 we saw the flip side of the equation. Yes, the Americans are perky and western and what have you. They're also doofuses. Sometimes. They sort of blunder about Afghanistan without any recognition of the cultural courtesies they're supposed to engage in. They merrily serve their Muslim guests food made out of pigs, unaware of what they're doing. At one point Zulaikha's father grows increasingly angry with them for their distrust of common Afghan workers (watching builders at gunpoint so that none of them steal tools) as well as their conversational blunders. Don't get me wrong. The Americans are generally seen as good blokes. But I was worried that this book was going to be one sweet love song to the American invasion, and it's not that. It's nuanced and folks are allowed to be both good and bad. Even the ones writing the book.
I still got nervous, though. I desperately did not want this to be a Poor Little Backwards Afghanistan story, so it's interesting to watch Reedy at work. He draws very distinct lines between the Taliban and everyday Afghanis, which is important. A lot of kids (heck, a lot of adults) have a hard time realizing that citizens of Afghan and the Taliban are not one and the same. At the same time, he has to show the state women inhabit without pulling out any real judgments. The name of the game here is to show and not tell. I think we're all familiar with the awful historical novels where a girl will randomly say something like "corsets restrict more than bodies . . . they restrict minds!" (I actually saw this in a book once) without any outside influences. Such moments are good for drama but are terribly unbelievable. If Zulaikha for one moment suddenly threw down a chadri and stomped on it, the moment would feel forced and false. So I was very impressed by the ending (which I won't give away here) since it invoked books like Anne of Green Gables in terms of its happy, if complicated resolution.
It will be interesting to watch American kids read this title, though. For one thing, how will they react to the physical violence of women? Even "good" male characters in this book will occasionally hit their wives or children. We don't see a lot of domestic violence in children's books where the abuser is not only forgiven but also beloved. It's a cultural reality that some would rather their kids not face, but at the same time it happens. And it seems to me that what Reedy wants more than anything here is for child readers to make up their own minds. I can see more than reader getting a little miffed that the neat and tidy comeuppances they're accustomed to are no longer at play.
This brings up the question of the age of the readership too. The suggested age of 9-13 is probably dipping a bit low. Aside from the aforementioned domestic abuse there's also sex. Not that any is ever viewed, but it's alluded to once in a while. Now typically kids read into a book like this only as much as they themselves know. Only a few would understand why Zulaikha's sister Zeynab blushes so much when receiving wedding night information. Fewer still will understand the significance of the wedding cloth stained with her sister's blood (though I suspect a few might ask their parents about it). And then there's the moment when Zeynab, in the midst of her marriage, tries to explain to her sister some of her difficulties with her husband. "Every night . . . He wants me to have a son, but I don't know . . ." A little old for the readership but, again, a kid sees in that only as much as they necessarily know. Some will comprehend Zeynab's meaning. Others will merrily skim through, oblivious.
The writing is strong, though sometimes a little predictable. The minute Zulaikha's sister questioned the wisdom of bothering to educate women I thought, "Uh-oh. Nothing good's gonna happen to her." Sort of the case, I'm afraid. Reedy also spends a lot of time looking at the characters' day-to-day lives. This is understandable since it gives you a better sense of everyday living, but it does have the unfortunate downside of feeling like there's a bit of unnecessary padding here. The inclination is to skip all this description and get to the plot, though fortunately that instinct doesn't have to kick in very often. Reedy's book always keeps moving, never dies, and feels very much like a first novel. A good first novel, though. An interesting one.
Reedy's Author's Note brings up an essential point that is worth discussing and that I was very pleased to find him address right off the bat. After mentioning that he wrote this book because of another girl named Zulaikha with a cleft lip that he met while serving in Afghanistan between 2004-2005 he goes on to say that he made a promise to her in his head that he would write this book. He goes on, "Of course, another problem I had in keeping my promise is that I have never been a girl and I am not an Afghan. Many would say that stories about Afghan girls should best be told by Afghan girls. I agree completely. I would love nothing more than to read the story of the girl who we helped in her own words. However, the terrible reality is that by some estimates, 87 percent of Afghan women are illiterate." He goes on to mention other statistics as well and then says that he has done his best to be respectful of the "culture and traditions of Afghanistan." There was a bit of discussion last year about authenticity in children's literature. Reedy himself brings up the point about whether or not it is ever okay to write about someone else's life and experience if they are not your own. And what if the group you write about has, until now, remained largely silent in the American publishing world? Is it better that no one writes anything, or should someone try? Reedy compensates for what he is not by mentioning his advisors, his personal history in the region, the poetry used in the book (even going so far as to say which translations he used, for which I was VERY grateful) and then includes a recommended reading list about Afghanistan that includes books for both kids and teens as well as adults. You cannot say he has not covered his bases. If your objection is what he is and how that is not the same as the person he has taken the voice of (or given voice to?) then none of that will change your mind. For others, it gives the book a kind of legitimacy that the mere words upon the page would not have.
Disfigured girls have a way of cropping up in Middle Eastern children's fiction these days. It might be very interesting to pair this book alongside the set in Palestine novel Where The Streets Had A Name by Randa Abdel-Fattah. Of course, in Abdel-Fattah's book the heroine's face was injured late in life and is easy enough to hide for the most part under make-up. The best pairing, however, would probably be with N.H. Senzai's Shooting Kabul, a book inspired in part by the author's husband's experience fleeing Soviet controlled Afghanistan. Words in the Dust is even more contemporary than those two novels, and it covers new ground. Zulaikha's is a voice we've not heard in recent children's books. Here's the hope, then, that she is just the frontrunner of more good things to come. A strong debut.
I count this among the finest first novels I've yet read. I was most impressed by the tremendous empathy, Trent Reedy, a U.S. soldier, was able to find for his main character, Zulaikha, a young Afghan girl. He wrote so deeply in her perspective that if I were told that the book was written by Zulaikha, I'd completely believe it.
Part of what makes the writing so outstanding and believable is the level of detail Words in the Dust incorporates. Reedy has obviously spend countless hours researching the daily lives of the Afghan people which, when added to his personal experience in the country, makes the story utterly engrossing and realistic.
Don't skip the amazing Author's Note at the end. The idea that a soldier could arrive in Afghanistan to "focus on hunting down terrorists" and leave with a quixotic drive to tell the story of one small child brought tears of joy to my eyes.
But what makes this book really, really good is first, how beautifully low-key and specific it is about Zulaikha's life in western Afghanistan -- how she and her sister do housework all day, her stepmother's coldness, the teasing and low self-esteem that come with her cleft palate; and then how naturally the world opens up for her, through learning to read at last and surgery to fix her face; and how wonderful and also painful are the changes that follow. Trent pulls no punches about anything, but neither does he punch where only a gentle nudge might do. And every one of his characters is round and real.
I first read this book in November of 2009, right when President Obama was deliberating about how to proceed in Afghanistan, and it complicated my opinions of that in a way I'm really grateful for. I hope lots of readers will let their opinions be complicated too.
I won this book through GoodReads! Having the privilege of a first read was lots of fun! I really enjoyed this novel! The story follows the life of a young Afghan girl, Zulaikha, who, born with a cleft lip, struggles with her own self image as she comes of age. In a country previous wrought by the restrictions of the Taliban, Afghanistan is in a time of change under the presence of the American soldiers. Zulaikha comes into direct contact with American soldiers as they help her fix her cleft lip and provide her father with profitable employment. There is a glimpse of the marriage process in the book as her sister marries young, leaving her starving for companionship. She finally begins to learn to read and write from her mom's friend Meena and desires to go to school to learn more.
This book is a wonderful blend of story and culture. The different cultural aspects were what really intrigued me in this book. While many of the Afghan words stopped me in the beginning (even with the wonderful glossary, it was hard to get into immediately), it was fascinating to see Afghanistan's perspective on American presence. What is even cooler about this book is that the perspective comes from a young girl in a culture that rarely lets women speak or think freely. The encounters with the Americans really highlight the contrast in cultures, as Zulaikha does not understand a handshake or soldiers speaking to her rather than her father. While heartbreaking, I also enjoyed following the parallel tale of her sister as she finds herself in the married state. I could not imagine marrying someone whom I did not see until the actual wedding day!
This novel is incredibly powerful and is a great tool for any middle school classroom. The cultural and political aspects are present and relevant. Beyond that, the themes of identity, personal growth, and independence can all lead to an enriching literary discussion. This novel really makes the reader more understanding of and sympathetic to the citizens of Afghanistan's situation. There is so much hatred directed towards Afghanistan that is based on false misconception and stereotypes. I believe this novel can be used to help eradicate and prevent these assumptions from forming, especially when starting at a young age.
A solid contribution to the small (but growing) "downtrodden Middle Eastern girl" genre. Zulaika has an interesting story arc, in that in the beginning her hopes and dreams are rather modest and it's only as she's exposed to the world outside of her home that she begins to dream of going to school and getting her cleft palate fixed. Her desire to gain an education doesn't come out of nowhere or from a desire to be like her brothers - it seems it generally hadn't occurred to her prior to hearing that the American soldiers were insisting a school be built for girls.
But I think my absolute favorite part of the book may be Reedy's author's note. Reedy writes of his time in Afghanistan as a member of the National Guard and how he was initially disappointed that his mission wasn't to fight terrorists - instead he was working with Afghan communities to build schools and hospitals. I always find it interesting when someone can admit that perhaps they didn't always have the noblest of intentions.
Bravo, Mr. Reedy, Bravo...WHAT A STORY THIS BOOK IS FOR ALL AGES! To say this book isn't breaking my heart and sucked me in from page one would be a total lie. It has been several months since I have considered a YA book to be a worthwhile read and this one more than exceeds my expectations as a 43 year old woman. I am heartbroken by the treatment of the main character, Zulaikha, yet as the book continues on..that heart break turns to heart-warming as the exceptional young woman she is turning out to be! I know this book will only get better and the 5 star rating will continue to be warranted. To think that this is a book, about a 12 year old girl written BY A MAN..is even more impressive.
ETA: OK, I thought the book made me bawl like a baby. Normally, I skip over author's notes, but this one caught my attention for God knows what reason and made my heart warm...yet again!
As Katherine Paterson puts it in her introduction to this heartwrenching debut novel, you will never read the news about Afghanistan again without remembering that you have a friend there -- a girl named Zulaikha with whom you hoped and suffered and rejoiced and prayed.
I received this book through Goodreads. Words in the Dust is the story of a young Afghani girl, Zulaika, with a cleft lip and palate. The story explores her daily life in Afghanistan and the changes brought by the arrival of American soldiers. Zulaika lives in a modest dirt home with her father, stepmother, her older brother and sister (Zeynab), and her two younger brothers. Her mother had been killed years before. Initially, Zulaika's life consists of chores, as school is not even a consideration for most people and certainly not for girls. Her stepmother gives her the daily task of going to the bazaar to purchase the family's supplies, a task Zulaika deplores because people stare at her condition. She also fears seeing two bullies who threaten her and taunt her with names. On one of these visits, Zulaika meets Meena, a former teacher and a friend of her mother, who teaches Zulaika to read a write. During her secret meetings with Meena, Zulaika develops self-confidence and strengthens her connection with her mother, who had such a great passion for poetry that she named Zulaika after a character in one of her favorite poems. When the American soldiers come to town, a soldier happens to see Zulaika, which starts her on a journey to get her mouth fixed, an answer to her prayers. At the same time, the Americans bring opportunities for her father and brother's business as welders and the opportunity for her sister Zeynab to marry a successful Afgani, many years her senior, which seems to be an answer to her sister's prayers. The novel gives great insight into Afghani culture and tradition and the Muslim religion. Yet, it also demonstrates the universality of certain issues - self-esteem, bullying, stepparents. Zulaika is a wonderful, sympathetic face for the true innocents in the Afghanistan conflict.
The author shows the conflcit of tradition, fear of the reemergence of the Taliban, resentment of the Americans, as well as opportunities from the Americans. Having been a soldier himself stationed in Afghanistan, the author's descriptions are very realistic. He also does not hold back criticism of Americans who are ignorant of local customs (such as acknowledging men first) and the hard feelings such simple missteps can create. I am amazed that an American man could create a teenage, female Afghani girl whose voice is completely authentic. This book would be a wonderful teaching tool to humanize the conflict and to encorage tolerance and cross-cultural respect. I highly recommend this as a selection for adults, as well as young adults. AI found myself racing back to the book to find out what happened next. This is a truly engrossing and fabulous read.
This is of the YA genre but I still enjoyed reading it.
DONKEY FACE! Donkey Face! Can you imagine hearing that chant every time your mother sent you to the market? Neither can I but Zulaikha lived with it. Always pulling her chador tighter across her mouth.
Zulaikha is a young Afghani girl with a cleft palate. Zulaikha's life is not easy. Her brother and others make fun of her. The Taliban while no longer in power has violently taken her mother from her and she lives her life keeping house for her very traditional father and his wife who is very mean to Zulaikha.
One day on her way home from market Zulaikha meets her Muallem (teacher). Can this women teach her to read and write? Will her father find out and forbid her?
Zulaikha just wants to be normal like her sister. To plan to get married one day. To perhaps get an education and learn to read like her mother could. Who would want to marry someone with a donkey face? To have to watch someone eat the way she does? Then one day while on an errand to the market Zulaikha is spotted by an American Solider who sees her deformity and learns who she is and helps her father get her surgery. But will this surgery make her life better? You must read the book to find out!
The author Trent Reedy was inspired by a girl he met during his tour of duty in Afghanistan, and Zulaikha's character is based loosely on her experiences.
Sweet and caring Zulaikah is the second-oldest girl in her large family. They live in a small village in Afghanistan—a country that places a lot of importance on marriage prospects for their children. For Zulaikah, this reality is hard to take because she has a cleft palate, which makes her less desirable for a match in marriage. After watching her sister get married to an older wealthy man, Zulaikah wonders what her life will become other than helping to raise her younger siblings and doing chores.
Things change completely when two things happen: first, when American soldiers arrive in their village, one of them notices Zulaikah’s mouth and offers her father the chance for her to have free surgery to fix her problem; and second, when she meets a former university professor in her village who offers to teach Zulaikah how to read and write. All of a sudden, her future is looking much brighter—but will her father allow her to follow her dreams?
This is an excellent book. It’s fascinating how different a teen girl’s life in Afghanistan is from a teen girl’s life in the United States—but there are also many similarities, too. Those who enjoyed this book might also like Where the Streets Had a Name (Abdel-Fattah) and Jungle Crossing (Salter).
“HEEEEE-HAAAAAW!…Donkeyface!” For Zulaikha, a 13 year-old Afghan girl with a severe cleft lip whose front teeth stuck straight out from her mouth, the torment came on a regular basis. In her society, women are expected to marry, but who will ever want her? Even her little brother makes fun of her. She yearns to learn to read and write like her mother, killed by the Taliban because she dared to read, but that too seems to be out of her reach. “Words in the Dust,” (Arthur A. Levine Books, 2011) the debut novel by Trent Reedy, is a remarkable portrait of life in contemporary Afghanistan. When an American serviceman spots Zulaikha, he and his fellow soldiers arrange to have her flown to a military hospital for free surgery. She eventually gains the pretty face she desired, but will she ever be able to attain the education she so desperately desires?
To read the rest of the review, published in the News-Gazette (Champaign, Illinois), please visit the book shelf on my site, at http://www.saralatta.com
If you have middle schoolers/high schoolers who are finally getting tired of reading about vampires and werewolves, steer them to this wonderful novel. The most amazing thing about it is, had it been published anonymously, I would definitely have thought it was written by a woman, and probably by an Afghani woman at that. Instead, it is the debut novel of a man who served in the U.S. army in Afghanistan.
Which is amazing, since the author so deftly enters the mind of young Zulaikha, a girl whose future looks bleak because of her disfiguring cleft lip. But Zulaikha has great inner strength and is determined to overcome her obstacles as she sets out on a fascinating journey of discovery about herself and her family.
I cried at the end, even though it was uplifting. If you think you have heard enough about war and Afghanistan to last a lifetime, think again. Read this book.
Zulaikha's life, by any measure, is limited. She is taunted by boys who call her "Donkeyface." She is bound by culture, laws, time, and war. Barely any stories of girls in Afghanistan survive the scouring forces that turn their lives into wind-blown dust. And yet, here, despite the odds, is a life painstakingly held to the light.
The author was a soldier in the Iowa National Guard and is a Facebook friend. The editor is Cheryl Klein, my editor for Operation Yes. The book is graced with the poetry of Afghanistan-born poet, Jami; peopled with characters as fully realized as your own family, and infused with a quiet, watchful intensity. I don't know how to stop wanting to be more than I am; perhaps that's why I ached so much for Zulaikha to have more than she does.
When I first started this book I was skeptical because it was the first-person narration of a thirteen year old Afghan girl, written by a member of the US military. I got it in the mail last night and figured I would read a little bit before bed. Well, I ended up reading the whole thing in one sitting. I was enchanted by the young girl and everything that she and her older sister, Zeynab had to go through.
I felt like I was really inside of her home and watching her interact with her family. I also felt the pain when she told of the hurtful things that people said to her because of her cleft lip. This book had some dark moments, but also some hopeful ones. It was a great read and I look forward to more from Mr. Reedy.
The author is a National Guardsman who served in Afghanistan in 2004, not killing bad guys, but working to improve life for the good Afghans. He tells a story about a girl that moves my heart. She was born with a cleft palate, and the US soldiers wanted to help her, and they did. Lots to learn about their culture, and he does it in a beautiful way. There are some very tough parts in that, of course. I would love to convince my SYC Book Club to select it for next season. Be SURE to read the author's notes at the back of the book--you could even read them first.
Words In The Dust brings to life two young girl's plights in Afganistan after the U.S. invasion. One crippled by a birth defect, the other crippled by the culture. It gives a realistic look at what the Americans do well including medicine and jobs. But it also shows the ways in which their understanding of the culture is lacking and disrespective to the Afghani people. I really enjoyed this book and plan to share it with friends.
A poignant and relevant read for both children and adults in today's political climate. As an American, I hear the word "Taliban" and get angry. Before reading this book, I had no idea what the Taliban had done to ravage Afghanistan's people and culture.
Trent Reedy is a quiet force and tells a beautiful story. Please read it.
Wonderful book, It's a great addition to my classroom library. My students enjoy reading books about other cultures and try to understand lives lived by others especially in situations such as Zulaikha's. She is a strong and brave girl, and is a great example to all the teenager girls who are going through tough times on a larger or smaller scales.
overall a really good book, but i was kinda annoyed at how the women were treated, especially by the men, likkkkkeeee........caaaalllllmmm doooowwwwnnnnn......
I won this ARC copy of Words in the Dust from the Goodreads Firstreads giveaway program.
Zulaikha lives in modern Afghanistan, when the Taliban have been brought down and the Americans are still making progress in her country. She lives with her Baba (father), her Madar (mother…but not her birth mother), brothers and sister. Her father and older brother are welders and work hard to provide for the family. Zulaikha would live a very normal life…except for one thing. Her mouth. Her ugly, cleft lip, her twisted teeth, and her disfigured nose. But then the Americans show up, offering a free surgery to fix Zulaikha’s mouth. And her sister, Zeynab, might be married to a man of wealth and prestige. Could Zulaikha get the happy ending she and Zeynab had always dreamed about since their Madar-jan died?
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I fell in love with this book from the opening words. Literally. ”I traced the letters in the dust with my finger, spelling out my name: Zulaikha“
But after that, the story blossoms into a whole world, the world of life in Afghanistan in the aftermath of a war, the world of an every-day-life Afghanistan family. The culture in this is so rich, the characters so well-developed, that you cannot help but believe that it is real.
This is Trent Reedy’s first novel, and he did a most excellent job. Telling from Zulaikha’s perspective could have been hard, but Reedy was talented enough to pull it off with incredibly smooth writing, characters that grow, a setting that is so different, and hardships that almost everyone can relate to.
Favorite character: It’s a tie between the sisters, Zulaikha and Zeynab. I loved Meena for her part in Zulaikha’s life; and even though I hated her guts, I thought the girls step-mother had a very important role.
Favorite aspects: The way Zulaikha interacts with her family…she is truly an amazing girl. And the way the reader watches Zulaikha grow is just beautiful… I honestly felt like I was growing with her, every step of the way. The poems were so beautiful and so was the way Zulaikha related to the characters in the poems.
One word to sum this book up: I would have to say a few words: sweet, heartbreaking, and lovely. Trent Reedy really has pulled off something amazing here and I can’t wait to see whose story he tells next! (This story was based off a girl named Zulaikha who the writer met while serving in Afghanistan who had a cleft lip. The Americans fixed it and he swore to her that he would tell her story… If that isn’t a touching story, I don’t know what is.)
Words in the Dust is the story of Zulaikha, a 13-year-old Afghan girl born with a severly cleft palate. Like many Afghan girls, Zulaikah does not attend school, is unable to read or write, and spends her days tending house with her stepmother and pretty, older sister, Zeynab. Zulaikha regularly faces torment from cruel neighborhood children about her disfigured face and abuse from her stepmother, but is able to keep her dreams for a normal life someday alive.
When American soldiers roll into town and offer high-paying jobs to local Afghani citizens, including Zulaikha's Baba (father), he declares that things are turning around for their family. And it's true. Money is pouring in, Zulaikha meets a teacher woman who knew her mother and is willing to teach her to read and write, Zeynab is getting married soon and the soldiers have taken a special interest in fixing Zulaikha's face, allowing her a spark of hope that her dreams could come true.
But not everything turns out as expected and Zulaikha must draw on her strength and courage to face the difficult circumstances ahead.
Words in the Dust is an interesting and unique slice-of-life look at Afghan culture, in which Reedy makes sure to differentiate the difference between the Taliban and the regular citizens, explores the impact of American soldiers in Afghanistan and the differences between the two cultures, while also pulling back the curtain on those whose lives largely remain a mystery. It's a little slow in the beginning, but readers will be rewarded for sticking with it, for the second half of the book picks up the pace and packs a great emotional punch. In his author's note, Reedy explains that he is neither a girl, nor an Afghan and struggled with whether this was his story to tell. He shares some statistics about illiteracy rates among Afghan women, rendering them unable to tell their own stories. It was because of that fact that Reedy ultimately decided that he had to try.
I've read several adult memoirs about life in Middle Eastern countries and have always found them fascinating. Reedy's novel is an excellent introduction to an intriguing, yet often misunderstood, culture.
What to say about this fabulous book? Hmmm. It was a surprisingling good story. I was a bit hesitant when I set out to read it because I knew it could get political and wasn't sure how the author was going to portray the Americans and the Afghan people. He was fair and compassionate about both. I took a while letting myself get into the book and like it because I was wary. I initially read it because I'm going to be leading a book club at my daughters' middle school and wondered if this book might be a good choice. Give the book 75 pages if you aren't sure right off the bat. I don't think I'll have the middle school book club read it, just because I don't know what parents will be okay with and I don't want to run into problems with prayers being in the book and some cultural traditions that they might not want to have their kids read about. I'm playing it super safe. There isn't anything objectionable in the book, but it require some parent/child conversations afterward, as there are things in there that would be new news to a child.
I came to love Zulaikha, the main character, and her sister Zeynab, and wanted them to have the best life. This book is a wonderful culture study and it deals with many current issues that everyone faces - wanting to fit in, bullying, love for family, living up to parents' expectations, fulfillment and loss. There were some turns the story took that I was not expecting, so it added that element of suspense and surprise that I like in a book. It also didn't end the way I thought it would. It's nice to have an ending I didn't predict.
At the end of the book is a short essay by the author about how he came to write this book and it turns some of the character and situations are based on real life experiences. I teared up when I read it - really inspiring.
There is also a pronunciation guide and glossary in the back for some of the Afghan words and items.
This book was pretty racist. I couldn't read more than a few chapters of it at a time before throwing it across the room. First, It was inappropriate of a member of the US Military to write a book about an Afghan girl's life. The perspective is obviously distorted. (I shouldn't have to tell anyone this, but you're reading military propaganda) The message is pro-US intervention.... and I honestly feel crazy. The book is saying we were there to "keep the peace", yet I know we were out there killing and bombing people left and right. Second, the way Trent Reedy depicts Zulaikha, her family, and everyone around her is devoid of love or humanity. Zulaikha is traumatized. Her stepmother makes her do all the work like she's a pack animal. Her stepmother favors Zaynab just because of her looks. Zulaikha is oppressed under the Taliban's rules that police women and girls. Yet she never questions the abuse. She is passive and apathetic. As Frederick Douglass said, "There is not a man beneath the canopy of heaven, that does not know that slavery is wrong for him". So why is she different? Are girls who live in different countries, that wear hijab, that are brown and celebrate different holidays fundamentally different from your average American kid? Is her trauma not as devastating? Really, I think this is a result of the author's POV as a pawn of the United States. He simply can't fathom Muslim pain.
I can think of several better multicultural books off the top of my head. The Breadwinner, The Red Pencil, and Roots. The Breadwinner humanizes the people of Afghanistan who were oppressed by both the Taliban and the United States. The Red Pencil humanizes people who are fleeing violence in their home countries. Roots humanizes the rural, uneducated African, and later, the American slave. Words in the Dust, I'm afraid, is a reflection of American xenophobia.
I started this book on Saturday morning and really couldn't stop until I finished it on Sunday night. It is a well told story of a young girl's struggle overcoming adversity. I knew with the book set in Afghanistan, that Zuluaikha was going to have a hard time of it...not only because she is a girl in a man's world or because her mother is dead and she must please the next wife or because she is poor....but because the Afghani people have been through so much.
This book shows how the beautiful nature of this people is still alive although the country may be torn to shreds and many have never known anything but war, conflict, fear and oppression. It makes me, as the reader, yearn to see the Afghanistan that must have been before all this and to know more about them.
You'll fall in love with Zuluaika's sister and teacher...hate the nasty boys who tease and taunt her...and pray that she'll have the opportunity to do the things her heart longs to do...and eventually grieve with her. I can see Katherine Patterson's influence in this book...and the author tells us that he was inspired by the Bridge to Terabithia...and it is a good influence.
If you loved Kite Runner and the Girl of a Thousand Splendid Suns...you'll love this book too. Same spirit, equally well told and authentic in bringing us a little bit of Afghanistan to the reader and keeps you turning the pages until the book is over. I hope that Trent Reedy will write more about this part of the world and the people he got to know while he was stationed there.
I won a free copy of this book from Goodreads first reads.
This Young Adult novel provides a captivating look into the life of a fictional girl with a cleft palate living in Afghanistan. The main character, Zulaikha, was very believable and easy to love and cheer for. In fact, most of the characters in the novel felt very fleshed out and real. The author introduced many aspects of life in Afghanistan in a natural way. I feel like I learned much about the culture there, with many cultural traditions and daily rituals woven in seamlessly with the storyline. This book has made me interested in reading and learning more about the people of Afghanistan. In the Author's Note at the conclusion of the novel, the author mentions that he wanted to help his readers to learn to see the people of Afhhanistan in a new light and to develop an interest in learning more about their culture. I would say that with this novel the author succeeded with that desire (at least in my case). I was also interested to learn from the Author's Note that the story of Zulaikha was based on a real Afghani girl that the author met while stationed in Afghanistan with the National Guard. He had made a silent promise to the girl that he would tell her story. I am glad that he fulfilled that promise and would look forward to reading additional books by this author. I am happy to add this realistic yet hopeful novel to my bookshelf for my children to read when they get a bit older.
I received this book for free through Goodreads First Reads. I enjoy reading books of the YA genre, and this was no exception. The book is recommended for children ages 9 - 13.
This is the story of a thirteen year-old Afghan girl. Zulaikha was born with a cleft lip, and this book chronicles the challenges of living with her impairment, her surgery performed by the Americans, and some of her experiences that follow.
I found the relationships in the book particularly interesting. In her daily prayers, Zulaikha says "please grant me peace with Malehkah", her stepmother. Throughout the book, we are led to believe that her stepmother favors Zulaikha's sister. In spite of this, Zulaikha loves her sister very much, and they have a wonderful friendship. The relationships of Afghan men and women are also explored, though this may be lost on a younger reader. It's clear that Zulaikha's destiny is to serve her family and later, a husband of her father's choosing.
Zulaikha's mother, a lover of literature and poetry, taught Zulaikha rudimentary reading skills. The Taliban outlawed owning books, and her mother was killed by the Taliban for breaking this law. With the help of her mother's friend, who she meets in the marketplace, Zulaikha dares to secretly continue her education.
I received this book as part of a Goodreads' First Reads giveaway and I am so glad I was chosen to get one because this book is fantastic!
The copy I received was an uncorrected proof but it had no effect on the readability or beauty of this story. Although I am from the US, the characters were familiar and relatable. It is simultaneously a coming of age story and a story of what it is like to grow up in today's Afghanistan. I thought it was fascinating to learn about their culture. While some people might be concerned about the fact that Reedy was an American soldier who wrote this book, I can assure you that the story is very genuine and unbiased. I thought that the portrayal of the differences in culture between the soldiers and the other characters was done surprisingly well.
It is an uplifting story that is heartbreaking at times but is written with grace and skill. I highly recommend this book, especially to middle-grade readers, as it is a great resource for starting discussions about different cultures and the events that are taking place in the Middle East at the moment. I hope to see more of Reedy in the future.
Words in the Dust is the story of a young girl in Afghanistan who was born with a disfiguring cleft palate. Zulaikha's life is not easy. She is teased by the local village boys due to her appearance and dreams of looking normal like her pretty, older sister. She struggles to come to terms with her path in life. One day she meets an older woman, who begins to teach her to read and write and dream about a brighter future. When some American soldiers spot Zalaikha in the bazaar and say they can fix her lip for her, she really begins to believe in hope. The author, Trent Reedy was inspired by a girl he met during his tour of duty in Afghanistan, and Zulaikha's character is based loosely on her experiences. This is a wonderful YA novel that is appropriate for grades 5 and up. I thought the writing was beautiful, the story was full of hope and possibilities. I found the story realistic and was also pleased that the ending was not a fairy tale one. It made it that much more believable. I found myself really liking the character of Zulaikha and wondering how the "real" Zulaikha is faring. Thank you so much goodreads giveaway for this win!
I enjoyed every minute of this book. Though Reedy is a white male portraying a young girl from Afghanistan, his portrayal is sensitive and believable.
Zulaikha tries to keep her mouth covered at all times to avoid the ridicule of people who cruelly call her "donkey-face" because of her cleft lip. Surgery has not been an option in the rural area where she lives. But when American soldiers on a peace keeping mission discover her problem, she may finally be able to get her mouth fixed.
Reedy, a soldier in Afghanistan in 2004-5 uses flashbacks to show the effects of Taliban rule on Zulaikha and her family and to show both the opportunity and confusion of Afghanistan in recent times. Though Zulaikha's mother suffers under the severe Taliban rule, and Zulaikha's sister suffers in a marriage determined by old Afghani customs, Zulaikha benefits from a relaxation of custom and rule.
This is a book that offers the reader a rare glimpse into a culture many of us have not even imagined, and leaves us with greater appreciation, understanding and compassion for its people.