This is a wierd story. On paper, it should be a lot more exciting than it is. But it fails. It's actually kind of dull and unexciting.
We have a:
1. A Space port chief on Triton who talks like a 1920's Chicago gangster.
2. A 100 piece, all-girl symphony orchestra. And gender roles and definitions straight out of 1920's American culture.
3. "The Widow Moriarty" who is a 40 year old Grand Dame, chubby, manly and overbearing. She is constantly, and insistently referred to as "The Widow Moriarty" so often it becomes irritating. She eventually gets punched in the face by the bad guy, and I think we are supposed to laugh at that part.
4. A bad guy, who is an escaped prisoner, musically called House Bartock for some reason. He kills some men, steals a ship, the "Mozart's Lady" with the girl orchestra on board, and escapes to Pluto.
5. Johnny Meyhem, a bodiless sentient whose elan can inhabit and use a body as his own for thirty days before one or the other dies. He is sent out to capture and/or kill House Bartock.
6. A chase through space to Pluto between the Mozart's Lady and Johnny Meyhem's "coffin" ship.
7. A crash landing and an emergency landing on Pluto.
8. An atmosphere on Pluto anyone can breathe, and a large sea-serpant type monster getting in Johnny Meyhem's way.
9. A strange time warp thing on Pluto where, at first everything and everyone moves in slow motion, only to start speeding up as the story needs "action" to happen. It's all just relative, btw.
10. A bloody, to the death battle between Johnny Meyhem and House Bartock, where one of them dies. The sea-serpant also dies, btw.
So sounds like we're in for a lot of excitement doesn't it. But it doesn't happen. The whole story just kind of falls flat. Something about the writing comes off as uninspired and perfunctory.
I was kind of bored while reading this. I only recommend it to someone who is a completist and interested in all pulp sci-fi. Even the stuff that isn't so good.
Also....ah, where in the story is "The World Beyond Pluto"? I found no sign of it.