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汉族民间音乐“一曲多变”的观念及其实践研究/卓越学术文库
李小兵
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《汉族民间音乐“一曲多变”的观念及其实践研究》从汉族民间音乐中筛选“同宗民歌”、“板腔变化体”和“八板”三个显性现象,结合文献和田野考察对当下活生生的“一曲多变”个案从即兴、传承和传播、移植和改编等角度进行了深入分析。“一曲多变”是民间艺人在即兴、传承和传播、移植和改编等音乐实践中通过对“一曲”(曲牌或成曲)之旋律、节奏、节拍、音色、力度、速度、调式和织体等结构力因素的无限把玩而引发“多变”。在多变实践中体现的是民间艺人特有的技艺水平和审美习惯。实践证明对中国传统音乐中热门话题“一曲多变”现象的研究意义不可小觑。作还根据问题的本质针对性地提出了“一曲多变”现象的音乐分析方法。
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Published March 1, 2017
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李小兵
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