The story has a lot to convey through brilliant image and concisely crafted text. It deserves a slowed-down reading to completely absorb and understand. I hesitate to label this as literary fiction as that might put off some readers who could consider it pretentious and not bother to check it out. This deserves a wide audience.
The story has much to say about oppression, power struggles, grudges, and independence. The exquisite hand-painted, watercolor art is a perfect compliment to a simple yet profound story.
If you’ve read as many comics as I have, it’s often hard to find something that seems fresh and different. I knew nothing about this title, but pre-ordered this prior to the release dates based on the art alone. It deserved a second reading, and I just finished.
A wonder to behold. There are traces of Bill Sienkiewicz, Ben Templesmith, Andrea Mutti and Jon J. Muth (all artists that I admire) in the style of Barravecchia. Check out the highly detailed penciling without dark ink lines, and watercolor washes on other scenes. The only flaw is the faint, tiny lettering (also by Barravecchia) which can be challenging to read clearly in several panels.
But what about the story, and what’s different about it? Pirates! You just don’t find many pirate comics. The addition of supernatural and fantasy elements makes this is a winner for me.
A seafaring British captain protecting the Queen’s treasures has his ship boarded by pirates and is thrown overboard for the sharks to enjoy. Instead, he lives thanks to the unusual presence of a huge bear in the water, who befriends, rescues him, and even communicates. The captain transforms into a pirate and preys on other British ships utilizing clever boarding tactics. When his crew encounters a mysterious Viking vessel, things take another weird turn.
They find a madman proclaiming to be a wizard, his two exotic daughters, and a thing in the hold that presents an even bigger threat. Soon, the captain is dead in the water again.
From that point, an ancient viking takes command and returns to England to confront the Queen. They have a long-standing conflict that needs to be settled. How Sean Lewis transports the story from there needs to be discovered without foreknowledge.
You should check this out. There’s really nothing quite like it on current comic shop shelves.