Let me begin by noting I was provided an ARC .pdf of this book by Book Sirens in exchange for a candid review. Said candid review follows.
Evette Davis' The Others is the first in a trilogy titled, "The Council Trilogy." As such, Book 1 has the hard job of introducing the cast of characters, doing all the world-building, establishing relationships, tossing around the proper mix of foreshadowing and misdirection, and driving the plot. The book centers on a San Francisco based, thirty-something year old political consultant/strategist named Olivia Shepherd with former experience as press secretary to a Congressman on Capitol Hill, who comes from a line of female Seers and empaths and has denied her "gifts" her entire life and a global organization called the Council that is led by non-human supernatural beings (i.e., a mix of vampires, shifters, witches, fairies, etc.) whose goal is to maintain social, political, and economic stability in the world by tipping the balance toward election of reasonable, moderate candidates at all levels of elected office around the globe. Over the course of the book, Olivia is sent a spirit guide (the book's term, not mine) in the form of a shifter and 16th-century time-walker named Elsa, learns a bit more about her parentage (no spoilers here, but if you don't tip to it quite early in the book you are flat out Not Paying Attention), and comes to terms with moving beyond a quiet half-life (again, the book's term, employed by multiple characters) to one of fuller meaning in support of the greater good. The book explores themes of the importance of public service in all forms (everything from the public library to elected office), of knowledge as power and an uneducated electorate as susceptible to autocratic leadership, to the importance of a healthy body in service to a healthy mind, the meaning of loyalty and friendship (esp. female friendship and mutual support), and offers differing perspectives on whether humankind ever really learns from its past or is, instead, condemned to repeat its worst mistakes across time and space.
The Others has a lot here that is quite clever. The author really knows San Francisco, its neighborhoods, and landmarks. The notion of its legendary fog as a private screen employed by the Others to allow them to safely convene without undue attention from prying human eyes, is ingenious. The Others contains ruminations on the American political machine and how local elections work, generalities about California's state political party system, and shares the author's--and likely many readers'--concern voiced by Council Director Gabriel Laurent that, "The governments of the world . . . are no match for religious intolerance, xenophobia, and renegade dictators" (p. 54). Readers are provided an intelligent protagonist who is good at her job (minus a few absolute rookie flubs associated with journalist JP Ellington and campaign fundraiser Richard Lyon), has a tremendous work ethic, is a caring friend, and is curious about the world and the interrelationship of its parts. She is likeable in that despite working around politics, she does not take herself too seriously and is happy to take a folding chair and a thermos of rum and coke off to the local park to listen to some live music while ruminating on the sharing of "other goodies" (i.e., cannabis) at such events and the fact that a political strategist needs to keep her wits about her. She knows her priorities, has concluded she has no time in her life for a long-term relationship and, once hit with the intense feelings for an individual readily acknowledges she's infatuated enough to "sign over the deed to her house" in order to make it happen. In other words, she's human (or mostly so), she's decidedly fallible, and a sympathetic protagonist. The supporting characters are written with different levels of depth, and I'm sure I afforded some of them greater latitude based on similar characters I've encountered in other paranormal literature and urban fantasy reads. I also could not help but see parallels between what she learns, early on, about the Council and wonder if like the character Syndney Bristow in Alias she might possibly be signing on with a group that is not precisely as it presents itself. Readers are also treated to a quite different take on fairies than the one most frequently presented in fantasy literature. It's a nice break, since the court politics would be at odds with the human realm politics were that the case in The Others.
My two biggest quibbles, however, do land at the foot of the author. First, Will has unambiguously established that "Vampires don't share" (p. 127) and yet, somehow, totally out of the blue you drop in an invitation to a three-way between Olivia, Will, and Will's "brother" Josef on pp. 310-311. WTAF? Where in the world did that come from.?! She is fortunate I am not sending you a chiropractor bill for treating my whiplash. In my estimation, this didn't make the book sexier, didn't do anything to demonstrate the strength of either the Will-Josef or Will-Olivia relationships. In fact, it destabilized those things and the trust that undergirds them a bit. My second problem was with the abrupt, drop-the-transmission without down-shifting abrupt termination (vs. conclusion) of the book. Admittedly, it's hard to wrap a book that continues into the next smoothly. It wasn't accomplished here, and I do think readers are owed a stand-along book that successfully concludes on the off chance that either they--or the author--doesn't end up wrapping the successor book or series.
By my count, The Others contains seven major typographical errors, something that is a personal bugaboo for this reader. That said, anyone from Spark Press with authority to make these corrections should promptly refer to pp. 18, 120, 223, 226, 235, 255, and 266 toute de suite and take the appropriate actions to circumvent some readily avoidable gaffes. I also clocked a great many--13 by my count--inconsistencies or continuity errors that detract from authorial credibility. In fairness, it's hard to know over what period of time a book is written and quite possibly there were shifting plot points that led to some of these. As just one example, though, the editors have really let Davis down by not calling to her attention that when discredited campaign fundraiser Richard Lyon resigns following the internet distribution of video in which he maligns the American electorate to the candidate, who then holds a hastily-arranged press conference at which Lyon's resignation is announced noting, "He is now out of the country on business and I do not expect him to return until the New Year" (p. 232), yet Lyon is present at the candidate's victory celebration shortly after Election Day--a celebration at which the press are present. Hello?! Darwin calling. Select other examples involve paying close attention to moon phases when writing about shifters, noting that a cabinet maker might build a bed where a carpenter is less likely to do so, that misspelling French phrases in a book where select characters are French and others identify as Francophiles is problematic, and that a character who has sustained a near fatal injury to their leg is not likely to be taking a bath a day or two later. Again, these are the sorts of things editors are supposed to catch.
The Others is a light read and a fast read. I knocked it out in a day. One of my favorite quotes in the book comes from a 192-year-old vampire named William Ferrell who has a small property management company, works as a part-time musician, and has a few thoughts regarding bad luck. Will observes to Olivia, "In my experience, there's no such thing as bad luck. There is bad information, bad planning, or bad execution. If you have one of those three, then you usually have bad luck" (p. 97). Watching Olivia slowly come to take ownership of her choices, the consequences of her actions and, ultimately, of her fate, remains a work in progress and something that will likely be a continued as readers head into Book 2, titled The Gift. See you there!