4.65! Omg, I’m so glad I waited months for the audiobook to be available. It was worth every second to hear the narration in the Trini creole of the time! Glad I unintentionally time to listen to this in one day - what a masterpiece! This is what sublime brilliance looks like! I’m just going to rant below about how great this is and in the future, I can may be come back and edit lol
First, the narrators gave so much meaning to the characters and added a dose of historical authenticity that enhanced my reading experience. Off course, I had to find the ebook in the beginning to look up what they were saying lol but after about an hour or so of listening, my brain had adjusted and it was smooth sailing from then on with a few references to the ebook every now and then. I liked that she kept the vocabulary as is - you can infer meanings in general from the context even if you don’t exactly understand it.
Now, although Boysie has no narrative voice in the book, he really looms large and you are able to construct his entire life from the narrative. One thing about retellings of great historical badjohns, if you like, is that there’s often a tendency to “make them cool” while describing their immensity. This didn’t do that! I like that from the very beginning, we saw how horrible Boysie was and how much he wielded his power over these women and others in his life. Other than being a good dad - which is such a specific humanizing trait that’s so apt - no one at any point can fall in love with him. There’s a certain narrative brilliance that Persaud has managed that allows you to always see Boysie clearly Alden when our narrators are “in love” with him. It’s such a beautiful peculiar feature to be able to stay true to our narrators’ feelings and see how they feel without being influenced by them completely. I’ll stop ranting and just note that I love the way this is written - the palpable fear of violence against these women could be felt on page even when they themselves sometimes didn’t see it. Like we are not told some things but Boysie’s violence, depravity, and small mindedness were palpable in every second of this book without the author explicitly telling us so. Okay, actual end of rant. Conclusion: love love Persaud’s writing
The use of the four women as the main carriers of the story may be part of the reason for this tangibility but overall, I loved that the story gave memorialising power to the women and the agency remained with them through the novel, even when Boysie’s larger than life character threatened to spill over. I loved that we were able to see the women and see them truly for all their wants, needs, and desires in a time that limited their freedoms both socially, economically and psychologically.
Let’s be real, Popo was my absolute favourite and I felt that the book’s quality deteriorated slightly without her. She just brought gravitas to everything - Boysie included. Boysie’s beginning of the end can really be traced to Popo. It was absolutely heart wrenching to see how society limited her kind brilliance and closed off all opportunities just because she was born a woman and poor.
Now, Mana Lala vexed me so much. While I can see how she was also a victim of circumstance trying best to navigate her situation in the best way that she knew, I just disliked her way of thinking and living life. Even though she got some growth and I should be kind to her, part of me lowkey thinks that she didn’t get enough karma for her innocent wickedness. Even so, it was so sad to see how much agency and hope she had to claw for herself even when it seemed she was destined to be defeated by the vicissitudes of life. Glad that Chunksee survived because that crying wolf saga was stressing me!
I took a while to warm up to Doris but I think that if she lived in a better time with better freedoms, she would be absolutely brilliant and wouldn’t be reduced to “gold-digging” as a means of prospering. She wanted more for herself in the world and used the means that she was familiar with in the domestic spaces she encountered. It is interesting to compare her thoughts to Popo, who through prostitution, had existed in the “public” arena that was available to men and this got to develop dreams and use methods akin to those of men. Doris, on the other hand, was only exposed to the “private” sphere and was protected within those confines of domesticity that shaped her character, dreams and methods
Rosie, another woman shaped by exposure to the “public”arena, did not grow on me and remained aloof to me through out. I fully understand her inclusion for historicity and plot progression but she just felt a step removed compared to the others. Despite having one of the most interesting lives, it felt that we weren’t able to really become one with her as with the other three and her emotional forays felt a little narrow and repetitive. Liked that she was proud of her bisexuality and didn’t hesitate to use her snakeness, power and atypicality. She was cool and I see how we needed her public space to get to know Boysie’s shenanigans as the plot progressed but I wish she was more developed as the others. She had so much potential to be my new fave but alas.
One person whom I wished we could hear more from was Chunksee, especially after he grew up but I totally understand that he’s just incidental to the story of these women on whom all the power in this novel lies. Well well, for Boysie - we really learned about him and I’m impressed by how Persaud managed to stand on business and give a full account of Boysie’s life within this structure. I could see how she reeled herself in to stay on Boysie even when our narrators lives sometimes deviated away from him. It is no mean feat to give an account of his life and stay true to the women’s narrative power.
Glad to bask in her brilliance and excited for her next book!