The perfect dyebook for historical reenactors. Get authentic, bright colors on wool, cotton, linen, and silk. Contains Discussion of 48 historical dyestuffs Thirty-six natural dye recipes, tested by the author Results of the author’s lightfastness tests Recipes for scouring fibers Updated recipes for mordanting before or after dyeing Safety advice Discussion of 24 chemicals used in dyeing (What is the difference between “potash” and “pearl ash”?) Conversions between traditional “English” and metric units Index of dyestuffs by common names and by scientific names Annotated bibliography of over 50 sources for further study Fun facts (The Romans used walnut husks as a hair dye. “Alizarin”, a pigment found in madder root, is named after the Persian word for madder dye, “al lizari”.) 22 black and white illustrations, by the late C. Ellen Young 1 color photo
Only a few paragraphs in and I’m already enthralled by the historical details. It’s easy to tell that what I’m reading is actually the abstract of possibly years of deep study. At one point, a few simple bullet points encapsulate decades of history and reams of information. It is written on the scholastic level, but in simple English, including information and history on each plant and tests that the dyer ran on each. The author even ran lightfastness tests, which I have not seen in other books so far. This is a great reference work or study for the historically inclined, but the Dyer who wishes to learn by experience may wish to save this book for later reference. Latin names for plants and chemical compounds are referenced, and there is even a compendium of weight translations for all the dyer’s useful chemicals. There are pages and pages of references at the end of the book; you could probably spend quite a long time reading from those as well, and they attest to the hard work and deep research that went into this book.