“The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.
Ashley-Elizabeth Best is a disabled poet and essayist from Kingston, Ontario. Her debut collection of poetry, Slow States of Collapse, was published with ECW Press, and her most recent chapbook, Alignment is available from Rahila's Ghost Press.
**Thank you to NetGalley and ECW Press of the eARC of this touching collection.**
While I have a hard time reviewing poetry, I can say that this was one of my favorite collections I have read in the past couple of years. I felt deeply for the narrator and our society as a whole, as they reflected on being disabled and the challenges that carries with it.
Some of the poems in this collection also felt like they were about womanhood and how sometimes things happen to us outside of our control. These poems perfectly capture the helplessness of just floating along when we aren't able to impact the external stressors that we face.
In lieu of a longer review, here are my favorite quotes from this collection:
"Fear was so real it held space."
"Those you love don't need you unless you're suffering."
"...where I can believe the mind is in the head and nobody is missing."
"Everyone wants to hear how your mind has betrayed you, but there was no disloyalty, just little stories you didn't know how to tell."
I love this cover. I struggled with this one and I'm not sure why. It wasn't the time for me. These poems are not the usual fluff, these hit hard and the forms (sometimes literally) are evocative and clever. Life, death, family, disabilities, and being a woman are some of the topics touched on by Best.
My favourite was Pathology.
I completely recommend this collection! I'll happily be displaying this at work. I will be rereading this slowly to fully embrace the power and depth of each poem.
Check your local library! Request they purchase it and place a hold on it!
A beautiful and intimate collection of poetry and prose. Using the formating of a government form in your poetry about ableism in the services meant to help you is so damn clever.
Bad Weather Mammals by Ashley-Elizabeth Best is an atmospheric exploration of disability, abuse and death. Best's poetry is steeped in imagery and metaphor, while her use of form ranges from utilising the traditional, to clever manipulation of government forms to demonstrate how disability and trauma permeate the everyday.
While these topics have certainly been written about before and will no doubt be written about for years to come - Best's injection of personal experience ensures this collection is fresh. From start to finish, her poetic style and voice are strongly established and maintained; a strength defying the people and systems bent on stifling the speaker's voice.
And thus, while Best's narrative is not linear and nor does this collection tout to be a way of healing, there is hope in the sheer defiance and ferocity felt in these poems. Bad Weather Mammals conveys an admirable desire to live.
A deeply impactful, brutally honest poetry collection about the joys and trauma of living with a disability.
I highlighted SO much of this book. The prose are stunning, the imagery is compelling, the way Elizabeth-Best plays with form elevates her words beyond the page.
For me, reading poetry is a deeply intimate act that connects the reader to the author in really vulnerable ways. In Ashley-Elizabeth's case, she takes her specific lived experiences and then cracks it open to create a connection to others in this really compelling way.
I love the strong imagery, 'A congregation of whispers An army of murmurations A flock of routes An unkindness of biochemicals'
I love how this collection plays with the freedom of form, in connection to applying for disability support from the government. She makes government forms into poetry that are even more impactful on this backdrop of clinical/unfeeling/faceless forms.
I highly recommend buying a physical copy of this book if you can, because the way the poems are structured make the physical reading of this book a poem in itself.
Thank you to ECW Press for a physical copy of this ARC.
This book is best read while trying to run up an ice-slicked hill, with bubble wrap around your heart.