Deux ans après l’accident nucléaire de Fukushima, les orphelins Akiko et Otani vivent avec leur grand-mère Obasan dans un camp de réfugiés. Lorsque cette dernière meurt et qu’un oncle éloigné surgit pour les ramener à Tokyo, Otani convainc sa sœur de fuguer pour déposer les cendres de leur grand-mère au pied de l’autel familial situé à Tomioka, en plein coeur de la zone interdite. Otani, enfant réservé qui ne communique qu’avec des Yokais – créatures surnaturelles et malicieuses – et Akiko, la petite blogueuse beauté, se lancent alors dans une quête initiatique et dangereuse.
Né le 16 mars 1970 à Issy-les-Moulineaux, Laurent Galandon grandit dans la banlieue parisienne. A l’adolescence, il s’enferme dans des greniers et joue des nuits entières de longues aventures où il combat Trolls et autres créatures Cthulhiennes. Ses premières histoires, il les écrit donc pour ses camarades de Jeux de Rôle. Adultes, il rejoint Paris pour se consacrer à son autre passion : la photographie. En 1996, il quitte la capitale et prend la direction d’un cinéma d’Art et Essai à Trappes (ville d'un célèbre comique !). Là, il rencontre des comédiens, des réalisateurs et des scénaristes qui raniment son goût pour raconter des histoires.
Il ne serait pas indu de dire de Laurent Galandon qu'il est le scénariste des opprimés. En quelques années, cet auteur a signé nombre d'albums dont le trait commun semble être une certaine volonté d'ouvrir les yeux du public sur le sort réservé à certaines populations ou individus. Des enfants déportés de L'Envolée sauvage, aux gitans de Quand souffle le vent, en passant par les gamins des colonies agricoles pénitentiaires des Innocents coupables ou les ouvriers en lutte de Lip, des héros ordinaires, Galandon aime dépeindre le sort des damnés de la terre. Exercice périlleux auquel il se livre toujours avec une grande sensibilité, multipliant les collaborations – autour de one-shots ou diptyques, la plupart du temps. Ses dialogues minimalistes et la grande part laissée aux silences et aux émotions ont conquis le cœur du public.
Laurent Galandon vit maintenant en Ardèche. Il continue à écrire des histoires empreintes d’humanité où ses personnages s’inscrivent dans des périodes sombres ou tourmentées de l’Histoire.
Wow, this was an incredible read following two young siblings, Akiko and Osamu, as they journey through the radiated Fukushima prefecture to return their grandmother’s ashes to their family farm in Tomioka. I loved the bond between the siblings, the incorporation of yokai, the stunning art, and the emotional depth of their journey. I’d highly recommend this to anyone who enjoys Hayao Miyazaki or Studio Ghibli, Japanese folklore, or moving tales of family bonds.
Thank you First Second Books for providing this book for review consideration via NetGalley. All opinions are my own.
A very poignant and emotional look into the aftermath of the Fukushima nuclear disaster.
Journey to Tomioka is beautifully illustrated, beautifully written, and beautiful in its humanity. It had me tearing up towards the end, and I can totally see where some people are coming from when they relate it to Ghibli films. Definitely worth giving a read.
Thank you to NetGalley and First Second Books for the review copy!
An absolutely beautiful story that will leave you feeling bittersweet and like you're drinking your favorite warm beverage on a cold winter's day. Gorgeous artwork and I can't wait to see what the physical book will look like!
This is a poignant, imaginative, beautiful book. Journey to Tomioka is a French graphic novel about the physical and emotional aftermath of a nuclear disaster in Japan in 2011 triggered by a tsunami. Akiko and Osamu are orphans and live in the city with their cousin and her paranoid fiancé who thinks they will be contaminated from the children's exposure to radiation. Osamu is an autistic withdrawn and imaginative child who misses his grandparents and living in the countryside. Ba-chan took care of them after the loss of their parents. Osamu gets the idea that he should return her ashes to the farm of her childhood. Akiko believes it is her duty to take care of him. Now the children are on a dangerous journey into a forbidden zone. Osamu thinks that the yokai, spiritual creatures from Japanese folklore that he can still see because he's young, will protect him along the way-- even from radiation, wolves, ostriches, and people tasked with keeping Fukushima, the contaminated zone, off limits.
The author writes in his author's note about how the nuclear disaster stayed in his mind even after disappearing from the news cycle. He intended to visit Japan in 2020 but was delayed till 2023 because of the Coronavirus pandemic. Natsuo in the book is based on a real person moved by the plight of farm animals left behind by people who fled Fukushima.
This would be a definite addition to my classroom library if I had one. As it is, I am still at home most of the time with my toddler, struggling with some phone addiction like Akiko does.
{Thank you to NetGalley for the ARC} This was a beautiful, thoughtful, and engaging read. I grew up extremely interested in nuclear disasters, but somehow Fukushima is talked about so little in comparison to other places. I loved the art, the addition of the yokai, and the historical and real world background provided at the end! The characters are instantly lovable, and suffer from none of the common issues that graphic novels face, like being too similar to each other or being flat. I’ll be buying a copy when this comes out, and I’ll be talking about it forever.
This was a very sweet story of two children’s desire to honor their grandmother and return her ashes to her farm. The issue is that the family farm is in the exclusion zone of Fukushima following the 2011 nuclear disaster. I enjoyed it but felt that some of the fantasy element was a little too forced. I feel the realistic part of the story was more impactful.
Gros coup de coeur pour cette bd émouvante, pleine de joie et de tendresse et qui parle pourtant de perte, de deuil, suite au tsunami de fukushima (la centrale). Une histoire qui parle de yokai et de se reconstruire.
Osamu and his sister, Akiko, are being raised in Japan in the aftermath of the Fukushima nuclear disaster by their grandmother, Bā-chan. It’s been difficult for Osamu, who is not dealing with the death of his parents well, and he befriends yōkai, spirits that no one else can see. When the grandmother passes away, a cousin from the city offers to take the children to live with her, even though her husband isn’t very keen on the idea. As they are preparing for the move, Osamu is adamant that Bā-chan’s ashes be taken to her family farm, but since that is in the restricted zone, it’s not an easy task. The area is still radioactive, and hard to get to. The children are taken into the area to take the ashes to the cemetery, but Osamu runs away deeper into the zone. Akiko goes after her brother, and the two make the perilous journey to the farm, having to evade law enforcement, and endangering themselves with the radiation. They are successful in their mission, but somewhat affected by the radiation. They move to the city with their cousin, and slowly start to make their new life in Tokyo, where Osamu’s spirit friends join him.
The Fukushima disaster in 2011 is something I vividly remember, and it’s a little surprising that there haven’t been middle grade books about the event other than I Survived the Japanese Tsunami, 2011 by Lauren Tarshis and the nonfiction books Meltdown by Deirdre Langeland and Meltdown: The Nuclear Disaster in Japan and Our Energy Future… by Alfred B. Bortz. Adding a fantasy element that is culturally connected to the book is interesting, and the yōkai help out Osamu as he works his way through his dangerous and upsetting journey to place his grandmother’s ashes in a location where she would be comfortable.
The illustrations have a manga-like feel to them that also connects to Japanese culture, and have a muted green and yellow color palette interspersed with some darker nighttime shades of mauve and plum. The translation is very smooth, and young readers probably won’t even realize this is a translation from the French. I liked the notes at the end detailing the author’s research and showing some photographs of Fukushima.
Readers who were interested in the recent graphic novel Chernobyl, Life, and Other Disasters: A Graphic Memoir by Yevgenia Nayberg or who have found other stories about disasters like Faris’s Finding Normal, Brown’s Drowned City: Hurricane Katrina and New Orleans, and Bard’s Wildfire interesting will want to pick this up.
Thanks to NetGalley and the publisher for the Advanced Reader Copy in exchange for my honest review.
Journey to Tomioka is a quiet, emotional story that blends grief, family, and folklore into a beautifully illustrated graphic novel. Inspired by the real-life Fukushima disaster, it follows siblings Osamu and Akiko as they embark on a dangerous journey to return their grandmother’s ashes to her home inside the exclusion zone.
The concept is powerful, and the emotional weight is immediate. Osamu’s grief and isolation after the loss of his parents and home are palpable, and the introduction of yōkai, the spirits only he can see, adds a touch of magical realism that softens the tragedy without erasing it. Akiko’s determination and protective love for her brother give the story a strong emotional center, and their sibling bond is easily the heart of the book.
The art is the strongest part of Journey to Tomioka. The illustrations are breathtaking. Soft lines, warm color palettes, and sweeping landscapes that capture both the quiet devastation and beauty of post-disaster Japan. The visual storytelling carries much of the emotion, sometimes more effectively than the dialogue itself.
That said, the pacing occasionally falters. The narrative moves between grounded realism and spiritual metaphor, and while that balance is ambitious, it sometimes leaves the emotional impact feeling muted. There are moments where the story wants to say something profound but doesn’t quite reach the depth it’s aiming for.
Still, there’s something moving about watching these two children risk everything for closure, for love, for home, for peace. It’s gentle, somber, and hopeful all at once. Fans of This Was Our Pact or Studio Ghibli’s quieter, melancholy moments will find a lot to admire here.
Vibe: Heartfelt, wistful, and hauntingly beautiful. A story of loss and healing told through the quiet power of art and memory.
Who I’d Recommend It To: Fans of introspective graphic novels, readers drawn to Japanese folklore, and anyone who loves Miyazaki-style storytelling that mixes the fantastical with the deeply human.
Osamu and Akiko live with their grandmother ever since the tsunami killed their parents. Their grandmother used to live on a farm, but because of the nuclear radiation that happened after the Tsunami in the Fukushima prefecture, they have had to live elsewhere.
Akiko and Osamu go to school, but while Akiko seems to be normal, and able to make friends, Osamu, her brother, sees yokai, supernatural beings, that he listens to and plays with, instead of children his own age. Every day he makes sure to leave apples for them.
And then their grandmother dies, and the children are to be move to Tokyo to live with a distant cousin. But Osamu will not leave his grandmother’s ashes in Tokyo. He wants to take them to the farm, which is in the radiation zone. His supernatural friends agree with him, and somehow he persuades his sister to come along. And thus begins the journey to Tomioka, where Akiko can't see what Osamu can see, which is that the radiation has also become supernatural, and warns him to not come closer.
What starts as a story about a lonely boy, becomes a story of a boy trying to do what is right for his grandmother, even if he dies, from radiation, while trying to do so.
Very sweet story, that of course tugs at your heart in all the right ways. Based on people that the author both dreamed up, as well as folklore, and a man who stayed in the danger zone to care for the animals, that the author met while researching for the story. Beautifully illustrated, with a great attention to detail..
Thanks to Netgalley and First Second, for making this book available for an honest review. This book is being published on the 9th of June 2026.
In 2011, a tsunami hit the Fukushima prefecture and caused one of the world’s worst nuclear disasters. Many were killed, lost their homes, and were never able to return. Osamu and Akiko’s parents were killed in this disaster, and they went to go live with their grandmother. Akiko was able to return a sort of “norm”, but Osamu changed after the event. He was no longer the outgoing, friendly child he was, but instead kept to himself or talked to the yokai around him. After their Bao-chan passes, they feel the need to return her to farm back home, despite all the odds and dangers involved. They want to give their grandmother the peace that they were unable to give their parents.
This one had me choked up. The author was able to take real events and relate Osamu and Akiko (fictional characters) on a real level to connect the reader to his characters. I will be looking out for his other works in the near future.
3,5/5 Bd émouvante où un frère et une sœur veulent ramener les cendres de leur grand-mère aux côtés de celles de leur grand-père dans leur ferme d’origine. Malheureusement cet endroit est au cœur de la zone interdite irradiée suite à l’accident nucléaire de Fukushima. Osamu, le jeune frère, décide de fuguer pour y aller tout de même, sûr que son amitié avec les yokai le protègera. Sa sœur Akiko le suit malgré le danger. J’ai beaucoup aimé que le statut de youtubeuse beauté de la grande sœur ne soit pas passé en dérision et que son amour du partage des vidéo soit même mis à l’honneur sur la fin de la bd. C’est une belle bd émouvante, je reste un peu sceptique d’une histoire où des enfants prennent tant de risque et qu’une explication fantastique/magique règle tout proprement mais malgré tout c’était très beau.
Wow, I absolutely loved this one! It was beautiful, moving, and so well done.
I always appreciate a story about death and grief and healing, and I love Miyazaki films and anime, so this was right up my alley. I teared up when Akiko was able to get a bunch of food delivered for the man’s animals thanks to her followers 🥹 It was just too much!! 🩵😭
The only thing that was a little questionable to me was when Akiko shares that her brother was diagnosed with autism after their parents’ deaths, but she “doesn’t think that’s right” because he used to have friends and stuff. It’s an odd throwaway line that almost makes it seem like autism isn’t real or autism is as simple as being socially awkward, when it’s far more complex than that.
All in all, a beautiful, heartfelt story that I would definitely recommend!
Thank you to NetGalley and the publisher for the ARC!
This entire review has been hidden because of spoilers.
This is a beautiful and moving graphic novel about the post 2011 Japan tsunami and Fukushima nuclear disaster. It follows Osamu and Akiko, two children who lost their parents in the tsunami, and have been living with their grandmother, “Ba-chan”. Osamu believes in and speaks to yokai, which are creatures from Japanese folklore. When their grandmother dies, Osamu is insistent on returning their grandmother’s ashes to the family farm in Tomioka.
When a cousin comes to take them to Tokyo, Osamu runs off with Ba-chan’s ashes in search of returning them to Tomioka. This is inside of the “forbidden zone” due to nuclear radiation. Akiko also goes with Osamu and they try to stay safe as they attempt to navigate their way back to Tomioka, and meet some amazing creatures and humans (and maybe some yokai) along the way.
This graphic novel is stunningly beautiful and the color palette has muted, somber tones that set the mood for this sad but redemptive story. The drawing style is evocative of a Studio Ghibli masterpiece, and is a book I’ll be looking at over the years to enjoy its panels as well as the story. It’s a perfect 4th to 6th grade level for young readers, but can be enjoyed and appreciated by adults as well.
Readers who like stories that show real world events and issues but with a dash of folklore and fantasy would find a lot of charm, heart and ultimately hope in this graphic novel about the tsunami and nuclear disaster in Fukushima prefecture, Japan. The artwork is natural and light, offset by the unearthly glow that populates the panels when the danger of radiation appears. Osamu's desire to return his grandma to their family home and farm is brave, and dangerous, and in that light we see the people around him give in to fear, but also to come together to honor the natural world, their ancestors, and their community. It would appeal to fans of Hayao Miyazaki in that it is a combination of environmental message, folklore and young people doing their best to be brave in a scary world.
I found this story to be really heart warming. It really captured how lonely and isolated Osamu was after the tsumani, but at the same time was hopeful/inspiring as he would not give up on reuniting his grandmother and grandfather in the afterlife. I liked the addition of the yokai in the story, especially how the helped Osamu on his journey and were still with him at the end of the story. The art for this book really complimented the story Galandon was telling. The Art and words worked blended well together to make the reader fell emotional. I really enjoyed getting the oppurtunity to read Journey to Tomioka and can't wait to recommend it to my friends!
This was a really moving and captivating graphic novel. I was sucked in from the beginning and found myself easily getting caught up in the story and Osamu's quest to take his grandmother's ashes back to her farm in the dangerous radiation zone of Fukushima. It was very emotional.
I thought the Yokai were going to play a bigger part in the story, but I can appreciate why the author wrote it like this. It gave the personification of the radiation more weight.
The illustrations were really well done and the character's facial expressions and body language conveyed their emotions well.
*Thanks to First Second Books for providing an early copy for review.
I had the pleasure of reading “Journey to Tomioka” prior to its release date on @netgalley and it did not disappoint! This graphic novel follows two young heroes as they navigate living in a city recovering from radioactive earthquakes. When their grandmother passes, they insist on laying her to rest at her farm. Only one problem. The farm is by far the most dangerous place to go due to abundant amount of radioactivity in the area. If you enjoy adventure, perseverance, and a few magical creatures this may be the perfect book for you. It is set to release in June and I hope you consider reading!
4⭐ (Thank you NetGalley for the ARC!) Two children brave the Exclusion Zone in Fukushima, Japan to return their beloved grandmother's ashes to her abandoned farm. With only about 100 pages of illustrations and storytelling, this story was packed full of information and emotion. I learned about the nuclear disaster of 2013 and reflected upon what the people living there had to leave behind, specifically the two children in the story who lost their parents to the tsunami. I also learned about yōkai and enjoyed the younger brother's relationship to them. Beautiful work and an important story to tell.
It's so important for older children and teenagers to understand experiences and people that are very different from people and experiences they encounter in their own lives. And as a vehicle, graphic fiction is perfect for this. The story is very readable and the emotions and actions are something anyone could identify with. Yet it is also an eye opener on the dangers of nuclear power and the effects that an accident can have on both the environment and the people who live there. I hope every school library will have a few copies of this book available to readers.
Thank you to NetGalley for an advance copy of this book. It's a story that everyone should read.
Such an inspiring and deeply heartwarming story. It follows two young children who, after their home is left uninhabitable by radiation from the tsunami, set out on a courageous journey to bring their grandmother home. Despite the devastation around them, their determination, love for family, and resilience shine through on every page. The story beautifully balances themes of loss and hope, showing how even in the face of tragedy, the bonds of family can guide and strengthen us. Emotional, tender, and moving, this is a tale that stays with you long after you finish reading.
Un piccolo capolavoro che ci catapulta in un episodio di storia moderna di tanti anni fa, fondendo realtà e folklore con estrema naturalezza. La storia, così come viene raccontata, suscita emozioni diverse, ma soprattutto lo stile utilizzato ricorda, e forse si ispira, allo Studio Ghibli.
A small masterpiece that catapults us into an episode of modern history from years ago, blending reality and folklore with extreme ease. The story, as it is told, evokes different emotions, but above all, the style used is reminiscent of, and perhaps inspired by, Studio Ghibli.
I received a digital ARC from First Second Books via NetGalley. This graphic novel was quite a surprise. Two siblings travel back into a restricted, contaminated zone in Fukushima following a tsunami and nuclear disaster. Their goal is returning their grandmothers ashes to her farm. The art and story were very emotional and the Japanese fantasy elements were nicely woven into the story. This has a lot of feels which were certainly well expressed in the main characters and secondary characters alike.
Bittersweet story about surviving loss: When Osamu and Akiko's grandmother dies, they want to return her ashes to the family farm. That's harder than it sounds because the farm is in the Fukushima exclusion zone. Osamu and Akiko dodge their guardians and the police to bring their grandmother back home, with the help, and warnings from, the yokai that only Osamu can see. I do wish there had been a bit more with the friendly yokai but overall I really enjoyed this book. It points out the devastation but also how life goes on after tragedy. recommended!
J'ai beaucoup aimé ce récit émouvant qui suit un frère et une soeur dans leur quotidien puis sur les terres contaminées de Fukushima. Les petits héros sont attachants et même si leur quête est folle, on comprend pourquoi ils la mènent dans un monde où ils ont tout perdu. Les yokai sont une touche sympathique qui fonctionne bien et j'ai bien aimé tous les personnages secondaires. Les dessins étaient réussis et portent bien l'histoire. Un petit coup de coeur sur un sujet difficile.