This book is Ronstadt’s love letter and homage to the Sonoran Borderlands --- southern Arizona, northern Mexico --- which is where her ancestors settled, lived, and where she grew up. I’ve been a fan of hers since the 1960s and thus knew she was from Tucson, which I visited. She nostalgically looks back at early childhood days there, revering the land and its people. Ronstadt is truly deeply grounded to and deeply loves this land. She writes lovingly of its beauty, yet doesn’t hide its harsh and dangerous landscape and climate. She also laments that most of what she experienced in her youth there is gone. I so relate to that of my own birth city.
An avid reader, Linda writes well and intelligently. The history, native peoples, biology geology, food, and music are well researched. I particularly enjoyed the family letters she shared, which give insight to her family history. All the photographs of the landscape, food, locals and family portraits are lovely.
Food plays a very important in that land. Reading about the picnics her family and friends had and continue to have made me envious. Local and family recipes are included. Although I have no desire to make any of them myself, I sure would love to taste them.
Music also plays a big part of her early life there. It was interesting reading about her family’s connection to and participation in music and to see how she was so involved in and drawn to music from a young age. Included in the book are a list of songs they she grew up hearing and singing, some of which she recorded as an adult. This book doesn’t go into deep detail about her interest in music, so fans may be disappointed. I would recommend fans read her excellent biography “Simple Dreams” for more in-depth information about her musical odyssey.
Sometimes, however, the book goes off on tangents, and sometimes she repeats herself (a good editor should have caught this). The book is co-written by Lawrence Downes, so the lack of synchronicity could be traced to having two authors. The book is clearly Ronstadt’s voice though.
In the “Frontera” chapter, Ronstadt’s communicates her anger regarding the treatment of immigrants crossing the border. Surprisingly, she drops 2 “f” bombs in those angry passages. She holds no bars expressing her political opinions, which I appreciate. The “f” bombs, however, were a bit disturbing and rattling.
Her bio at the end of the book states she is “a descendant of Spanish settlers”. I find it strange that her German ancestry is not mentioned there at all. She does, however write about her German immigrant great grandfather Friedrich Augustus Ronstadt earlier in the book. The book undoubtedly shows that she identifies more with and favors her Spanish and Mexican heritage more than her German. This made me very curious as to why she doesn't identify much with her German DNA. I have heard that the music German immigrants brought with them to Texas and the southwest influenced Mexican music.