—Jane the Virgin but not with Rihanna vibes
—hero who's frankly adorable with his baby
—celebrity romance is complicated
Heat Index: 6/10
The Basics:
Whitney, AKA Sahara, is a singer/actress/mogul at the top of her game. The issue? The eggs she froze five years ago were used... by accident. And now she has a baby with high-powered attorney Myles. Initially, Whitney doesn't intend to be involved in baby Haylee's life, which is exactly how Myles wants it... but then she finds out his wife left him over the incident. Now, she's not so sure she can leave her daughter—or the man who's worming his way into her heart against both their wills—behind.
The Review:
I mean, I couldn't resist a sorta Jane the Virgin but a pop star, riiiight?
Off the bat, I want to make one thing very clear: Holly, Myles's estranged wife, did not carry Haylee. That's something I think those promoting the book might want to make super clear, though of course it makes sense. Myles and Holly intended to conceive a baby carried by a surrogate. Whitney's egg was used instead of Holly's by mistake. So Haylee is biologically Myles's, but not Holly's, and Holly figures this out pretty quickly... because Holly and Myles are both white.
Haylee being a Black child without a present Black parent is a huge part of what figures into Whitney's desire to be in her life, which makes total sense. So there's our initial conflict: with Holly out of the picture, Myles wants sole custody. Whitney initially intends to agree, but can't bear to once she knows the whole story... and meets Haylee. It's kind of juicy in that you get where each parent is coming from. Myles never intended to have a baby with a stranger, and he loves his daughter intensely; Whitney didn't intend to have a baby (anytime soon), but the maternal instinct kicks in once she sees her daughter.
... And it kicked in a little hard for me. I'll admit, I'm not a mom and I don't want to be. But I did find it a bit jarring when Whitney went from very ambivalent over Haylee to immediately attaching to her. While this is her biological child, it is a pretty insane way to become a mother; and she didn't carry Haylee or know of her existence until right before meeting her. I don't want to dismiss her ability to feel that attachment. I'm sure some people would feel the same. But from a "this is a book" perspective, I kind of wish we'd had more time in which Whitney was uncertain about becoming Haylee's mom. The practical considerations pulling her in totally made sense to me—Haylee does need to be in touch with her heritage, and Holly just up and abandoning her does put things in a totally different light. The truly intense maternal instinct she felt was just a lot.
I did really enjoy the tension between Myles and Whitney. Both, again, have very valid concerns and the stakes are so high. Plus, you have this great clash of him being a stern, somewhat frosty lawyer (while, again, being such a sweet dad) and Whitney as this huge celebrity. They couldn't come from more contrasting worlds. I did wish we had that tension for a bit longer!
A lot of the tension instead ends up coming from the insanity of Whitney's world, factors like Myles's ex (who is kind of cartoonish at points—I didn't mind too terribly much, but it must be said), and Myles's resistance to truly committing to a new serious relationship following prior failures. It's not bad, but I do feel like we could've had more snap, which could've been resolved through tighter editing. As it is, we kind of hear a lot about all of these issues, versus really feeling them.
I'll also say... While I liked Whitney overall, I did bristle a bit at her arguing that Haylee needed a mother. Don't get me wrong—two parents obviously offer more. It's just math. But two parents don't necessarily need to involve a mother, first off. And second, one dad can be a perfectly great parent to a child, including a little girl. Nothing's perfect, but this perspective just made me go off her a little for a bit. Not permanently! But I felt the need to note it
The Sex:
While this book does have several sex scenes, they're not super explicit. Open door, definitely there, just could've used a bit more passion and intensity for me. But perhaps some of this lay in the fact that I kind of wanted them to start banging a little more impetuously, while they still disliked each other. Yeah, there's a baby involved, you need to be practical, yada yada yada. However.... boning the biological father of the kid you never intended to have isn't super responsible parenting in the first place, right? Why not make it a little messier? As a treat?
Generally, I'd call this a cute romcom. I just feel that such a wacky premise could've been backed by a bit more of a punch.
Thanks to Graydon House and NetGalley for providing me with a copy of this book. All thoughts and opinions are my own.