The cast of characters in Guy’s parts of the book include out of touch billionaires, self-important data nerds whose analysis paralysis plays as a means to show off how smart they are, determinists, frauds, and the occasional optimist whose optimism only serves to feed the lies they tell themselves - a suitable playground for top shelf satire. He plays these sections well, occasionally threading the needle and revealing themes that ring true. Separately, mostly, is Victoria’s sections - blunt, stilted, singularly focused on something that seemed to me, unattainable. Brilliant, vacant, and distanced, her “levers of personhood” are set in a confusing configuration. I enjoyed my time with these characters, found some of the satire sufficiently biting, and also found the author’s style accessible even if he sent me to the dictionary on a couple of occasions. Recommended reading for those who like heady stuff and don’t mind low key unlikable leads.