In this instalment of the continuing misadventures of John Constantine the now married magus finds himself having to track down his missing trench coat stolen by Gemma Masters, Constantine's niece in retaliation for the transgressions of Constantine's demonic twin who was masquerading as her uncle on his wedding day. Now Constantine's life is falling apart as he realises his trench coat does more than keep the cold out and hide the blood stains and his wife Epiphany is being dragged along in the wake of the chaos. Constantine is determined to make his doppelganger pay and is prepared to do anything to get it done.
Current Hellblazer scribe Peter Milligan who took over the reigns with issue #251 has definitely ruffled a few feathers amongst the fans of the one time Liverpudlian punk, with Constantine getting married after a string of broken relationships to a girl half his age with shady connections to London's criminal underworld. Constantine's wedding was as memorable as you would expect and the fall out of that gathering is what fuels this latest story.
The Constantine love nest is under siege from various awry manifestations and when Pif and Constantine wake up to find themselves sailing down the Thames on their bed Constantine has to wrack his brain to figure out what's going on things are only exasperated when a simple case of putting the frighteners on some enemies of Terry Greaves Pif's connected father goes disastrously wrong.
After decades of being exposed to dark magicks, angels, demons, madness and even Hell itself Constantine's iconic trench coat has developed a consciousness of it's own. Which is an inspired move on Milligan's part and having the coat narrate it's all consuming desire for a worthy wearer to bond with is blackly comical as it gets passed from one wearer to another purely via the coats manipulation. The wearer can't smell the deathly stench of the coat and becomes intoxicated by it's mystical aura becoming just as confidently non-chalant as Constantine is with one wearer boldly going up to a girl clearly out of his league and even introducing himself as “John Constantine” before taking her back home.
The idea that the coat is impervious to flame as seen when one wearer tries to burn it after realising it's corrupting influence is a neat touch too.
Constantine is hot on the trail of his elusive coat though and a considerable trail it is too, one filled with broken bodies and blood.
The missing coat is the least of Constantine's problem's though as Gemma who is clearly falling apart following her traumatic ordeal at hands of Constantine's demonic twin blackmails Constantine,
Constantine: “You're a monster”
Gemma: “ No, I'm a Constantine.....just like you”
It's this exchange which shows how damaged both these characters are and is the first time Constantine has ever been on the receiving end of what he's been dishing out for years without a second thought.
Hell has featured before several times in Hellblazer but it's good to see that going to Hell is still a big deal for Constantine involving a dangerous ritual and bargaining with a demon. Once there Constantine comes face to face with an old adversary with a grudge against him who relishes in showing Constantine the tortured souls of friends he has condemned to the depths of Hell. It doesn't take long until Constantine's penchant for playing with fire literally is coming to the fore and as a result a massacre is happening in London on Greaves' patch with Pif meeting Constantine's past face to face and showing she shares her husbands talent for forging faustian pacts and there's a genuine sense of tension as Constantine's old adversary seems to have got the better of him after all this time.
Nowhere in all of Constantine's misadventures has the magus been as coldly menacing as when he's staring out of the ruins of a dilapidated church on a storm lashed night and says the words
“I can be pretty nasty myself when I want to be”
The static nature of Constantine's recent misadventures hasn't gone down well with some readers with the now married Constantine locked down into one location and events revolving around his wife Pif and her father Terry with old mainstay Chas rendered into a reserve background character. This has it's pros and cons, it lets Constantine's relationship with Pif evolve and feature more prominently than any previously and because of this the stakes are raised even more but it also takes away the more random elements which were a main feature of the previous story arcs.
The covers from Simon Bisley are as a great as ever while the interior art from Guiseppe Camuncoli, Stefano Landini with colours from Trish Mulvihill and Lee Loughridge is suitably dark and expressive. Hellblazer is a hard title to nail with the artist having to deal with human characters, demons. black magic, varied locations and more besides on a regular basis.
Hellblazer isn't kind to new readers it has to be said with it's myriad of characters and interconnected long running plots but the same could be said for all Vertigo titles and it makes things all the better for longtime readers.