Megan Van Dyke's Castamar Duology is a work of arts, truly. Yes, arts.
The Musician and the Monster, Book 1, is set in a gaslamp fantasy world with gothic vibes. We get a hint of the Phantom of the Opera, which I love. Music truly emerges as a universal cure—a universal truth. It soothes, heals, and offers comfort and support, and Megan did a beautiful job portraying all those sides.
Music was the cure in the first book. In the second book, the cure came in the form of another muse—the art of painting. Just as music, painting can heal and be therapeutic. But it can do so much more—bringing people together and evoking joy, laughter, love, and pain. And in Megan's vision, it can also accomplish some pretty extraordinary tasks.
The Artist and the Dragon is a story of love, loss, hurt, pain, and betrayal. It is a story of finally understanding and accepting yourself, accepting your self-worth, and acknowledging your traits, good and bad. It is a tale of second chances and love knowing no boundaries. A tale of mysteries and intrigue, secret societies and looming rebellions. It is all of that and more.
Above all, it is a feeling. A feeling you get when gazing into a masterpiece of art. A feeling you get from seeing and understanding the strokes of a paintbrush. The nuances of colours. The varieties of shadows. It is more than a play of light. It simply is.
Thank you, Megan and Haus of Fables, for gifting me the ARC; it was a pleasure.