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Everywhere We Look
Three friends travel to Marcoy, a regional town for a weekend away from family life. One year ago, a tragic incident splintered the group, and the women have seen little of each other since.
Melissa has slept much of the past twelve months away, and she hopes this weekend will help her re-emerge from the depression she’s been living with. Bridie worries that she is not a good enough mother. She worries about most things, really, but she’s dealing with things just fine. At least that’s what she tells herself. In fact, she only agreed to this weekend away out of a sense of duty.
What Cassandra really needs is a break, so she’s come away to forget it all, to enjoy a cab-sav and an open fire and the company of her long lost friends.
This weekend is about reconnecting, about enjoying their friendship the way they used to, while not—at any cost—having to address the reason for the distance between them. But when they witness a young girl being coerced into a car by a father she fears, they are forced to reckon with the chasm of grief and trauma that’s kept them apart.
Everywhere We Look explores domestic abuse, the dynamics of female friendship, and the danger that can hide in plain sight.
Melissa has slept much of the past twelve months away, and she hopes this weekend will help her re-emerge from the depression she’s been living with. Bridie worries that she is not a good enough mother. She worries about most things, really, but she’s dealing with things just fine. At least that’s what she tells herself. In fact, she only agreed to this weekend away out of a sense of duty.
What Cassandra really needs is a break, so she’s come away to forget it all, to enjoy a cab-sav and an open fire and the company of her long lost friends.
This weekend is about reconnecting, about enjoying their friendship the way they used to, while not—at any cost—having to address the reason for the distance between them. But when they witness a young girl being coerced into a car by a father she fears, they are forced to reckon with the chasm of grief and trauma that’s kept them apart.
Everywhere We Look explores domestic abuse, the dynamics of female friendship, and the danger that can hide in plain sight.
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Published October 1, 2024
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Displaying 1 - 30 of 71 reviews
October 6, 2024
This completely exceeded my expectations. I was hooked from the opening chapter and engulfed by the atmosphere and tension. I caught myself literally holding my breath more than once!
“She considers the rustling bush. The thing dashing between trees. The giggling.”
The book is split into parts, and told from alternating perspectives – Melissa, Bridie and Cassandra. These friends travel to the remote town of Marcoy for a much-needed weekend getaway. It’s a chance to reconnect after tragedy struck their friendship group one year earlier.
The reader is made to feel part of the trio and I found it hard to put down. Each character is well-developed and unique, dealing with problems in their own way. I later discovered each also represents the fear responses we have – fight, flight and freeze.
“Perhaps, she thinks, moving after great stillness is the bravest movement of all.”
Martine effortlessly weaves flashbacks with the ongoing narrative, drip-feeding information that helped me better understand the characters and reasons behind their actions. While small amounts of fun were had, there was often a menacing tension and dread around each corner. It delivers plenty of creepiness, and the characters’ inner thoughts and secrets provided another layer of intrigue.
I enjoyed the beautiful nature writing which helped me feel immersed in the landscape. Martine used the environment to full effect, painting a stunning picture, yet tinged with ominous vibes forever lurking at the edges.
It’s impossible not to spend time reflecting on these powerful themes. The devastating impact of trauma and grief are front and centre, portrayed with empathy and intelligence. It all built to one of the most satisfying (and emotional) conclusions I’ve read in a while.
Everywhere We Look is a phenomenal debut novel. It’s a timely book that explores many things - especially domestic and gendered violence, family, and the power of friendship and community. I look forward to reading more of Martine Kropkowski’s work in future.
“She watches her breath dissipate into the night and wonders if a similar thing can happen to a person’s sense of self.”
Many thanks to Ultimo Press for a copy of this book in exchange for an honest review.
“She considers the rustling bush. The thing dashing between trees. The giggling.”
The book is split into parts, and told from alternating perspectives – Melissa, Bridie and Cassandra. These friends travel to the remote town of Marcoy for a much-needed weekend getaway. It’s a chance to reconnect after tragedy struck their friendship group one year earlier.
The reader is made to feel part of the trio and I found it hard to put down. Each character is well-developed and unique, dealing with problems in their own way. I later discovered each also represents the fear responses we have – fight, flight and freeze.
“Perhaps, she thinks, moving after great stillness is the bravest movement of all.”
Martine effortlessly weaves flashbacks with the ongoing narrative, drip-feeding information that helped me better understand the characters and reasons behind their actions. While small amounts of fun were had, there was often a menacing tension and dread around each corner. It delivers plenty of creepiness, and the characters’ inner thoughts and secrets provided another layer of intrigue.
I enjoyed the beautiful nature writing which helped me feel immersed in the landscape. Martine used the environment to full effect, painting a stunning picture, yet tinged with ominous vibes forever lurking at the edges.
It’s impossible not to spend time reflecting on these powerful themes. The devastating impact of trauma and grief are front and centre, portrayed with empathy and intelligence. It all built to one of the most satisfying (and emotional) conclusions I’ve read in a while.
Everywhere We Look is a phenomenal debut novel. It’s a timely book that explores many things - especially domestic and gendered violence, family, and the power of friendship and community. I look forward to reading more of Martine Kropkowski’s work in future.
“She watches her breath dissipate into the night and wonders if a similar thing can happen to a person’s sense of self.”
Many thanks to Ultimo Press for a copy of this book in exchange for an honest review.
December 10, 2024
4.5 ⭐️
The author’s note that came with this clearly describes the intention in the writing of this book, to approach the issue of violence against women, the issues that surround women every day and the seriousness of this troubling scourge that has overtaken society.
This book has a building feel of dread, pervasive in the way it made me feel, questioning what was happening with a group of friends who are suffering the loss of one of their own. Amongst this grief is an ever-present feeling of avoidance, each woman suffering different feelings of loss, despair and the devastating grief on top of the need to keep their own families afloat. There is much self-blame, much niggling of annoyance toward each other’s way of coping and an awful lot of introspection from this group of women who should not have to be facing so much trauma and despair. The past terrors have been left unsaid as the narrative unfolds, which works perfectly amongst the now as current events crescendo.
The idea was to have a weekend away to reconnect, but this has been overridden by this town’s own secret, another place, another group of men who are yet again not doing the right thing.
One of the women encounters one such man en route to the destination. Is it an overreaction the way she dealt with this? Is it ok for him to make her feel this way? The vague nature of this works here. The back-and-forth way the narrative takes us on makes us question the overall way in which men treat women in the negative, and how much those surrounding us fail to act. Wittingly or otherwise. There is so much to unpack in this area.
This trio of women have their weekend shattered unexpectedly, a small country town with ghosts of their own. I’m not sure if all readers will be happy with the outcome of parts of the narrative, but this story packs one hell of a strong punch. The collective women have a strong moral compass.
An important and topical read, written with an alarming thread of importance and a seriousness that unfortunately cannot be avoided any longer. A contemplative read which I thoroughly recommend. I am very glad Martine has started writing fiction.
Thank you @betterreadingau and Ultimo Press for my physical copy to read and review.
The author’s note that came with this clearly describes the intention in the writing of this book, to approach the issue of violence against women, the issues that surround women every day and the seriousness of this troubling scourge that has overtaken society.
This book has a building feel of dread, pervasive in the way it made me feel, questioning what was happening with a group of friends who are suffering the loss of one of their own. Amongst this grief is an ever-present feeling of avoidance, each woman suffering different feelings of loss, despair and the devastating grief on top of the need to keep their own families afloat. There is much self-blame, much niggling of annoyance toward each other’s way of coping and an awful lot of introspection from this group of women who should not have to be facing so much trauma and despair. The past terrors have been left unsaid as the narrative unfolds, which works perfectly amongst the now as current events crescendo.
The idea was to have a weekend away to reconnect, but this has been overridden by this town’s own secret, another place, another group of men who are yet again not doing the right thing.
One of the women encounters one such man en route to the destination. Is it an overreaction the way she dealt with this? Is it ok for him to make her feel this way? The vague nature of this works here. The back-and-forth way the narrative takes us on makes us question the overall way in which men treat women in the negative, and how much those surrounding us fail to act. Wittingly or otherwise. There is so much to unpack in this area.
This trio of women have their weekend shattered unexpectedly, a small country town with ghosts of their own. I’m not sure if all readers will be happy with the outcome of parts of the narrative, but this story packs one hell of a strong punch. The collective women have a strong moral compass.
An important and topical read, written with an alarming thread of importance and a seriousness that unfortunately cannot be avoided any longer. A contemplative read which I thoroughly recommend. I am very glad Martine has started writing fiction.
Thank you @betterreadingau and Ultimo Press for my physical copy to read and review.
November 24, 2025
A beautifully atmospheric, nuanced, suspenseful read.
This is a mesmerising debut novel, skilfully written with underlying tension, pain and guilt throughout the entire narrative.
Various difficult topics are alluded to, although without any ‘on page’ violence.
This is a mesmerising debut novel, skilfully written with underlying tension, pain and guilt throughout the entire narrative.
Various difficult topics are alluded to, although without any ‘on page’ violence.
October 10, 2024
This was a fantastic debut from an author to watch. Everywhere We Look is a dark and chilling story of friendship, and what lies beneath the surface. I really found myself caught up in this story and unable to stop reading. There is a very uneasy feeling throughout the whole book, making it even more creepy.
These 3 women were all broken in one way or another, all with their own struggles. A year ago,the unimaginable happened and they are all still coming to terms with it and blaming themselves. The small town that they spend a few days away in to reconnect and take a break was full of interesting characters and situations…as well as a bakery that I would be a regular at with those delicious descriptions.
This is not an easy read, with some pretty intense scenes and themes throughout. Absolutely one to read if you can manage that.
Thanks so much to Ultimo Press for sending this one my way. Out. Ow.
These 3 women were all broken in one way or another, all with their own struggles. A year ago,the unimaginable happened and they are all still coming to terms with it and blaming themselves. The small town that they spend a few days away in to reconnect and take a break was full of interesting characters and situations…as well as a bakery that I would be a regular at with those delicious descriptions.
This is not an easy read, with some pretty intense scenes and themes throughout. Absolutely one to read if you can manage that.
Thanks so much to Ultimo Press for sending this one my way. Out. Ow.
January 29, 2025
I'm not quite sure what it was about this book, but it missed the mark for mine.
Three friends, Bridie, Melissa and Cassandra, are all struggling after a terrible incident twelve months earlier. They decide to go away for the weekend and reconnect. They don't want to talk about what happened, yet that is what they very clearly need to do.
Things that happen while they are away are just a little too weird and made this story an implausible one. The odd inhabitants of this town and the almost cultish atmosphere just didn't work.
I almost DNF'd a few times, but once I was more than fifty percent in I ploughed on.
Three friends, Bridie, Melissa and Cassandra, are all struggling after a terrible incident twelve months earlier. They decide to go away for the weekend and reconnect. They don't want to talk about what happened, yet that is what they very clearly need to do.
Things that happen while they are away are just a little too weird and made this story an implausible one. The odd inhabitants of this town and the almost cultish atmosphere just didn't work.
I almost DNF'd a few times, but once I was more than fifty percent in I ploughed on.
September 21, 2024
Can’t pick a book by its cover. True here. I expected really gripping crime stuff.
Struggled for a third of the book. Dragged on. I get setting the scene and all but it was too long in doing so. Finally something started to happen but it all felt “choppy”. Not a smooth read.
Domestic violence is an issue of course and it’s interesting to read how this community was dealing with it amongst them. That was an interesting idea.
Thank goodness it was only 300 pages.
Struggled for a third of the book. Dragged on. I get setting the scene and all but it was too long in doing so. Finally something started to happen but it all felt “choppy”. Not a smooth read.
Domestic violence is an issue of course and it’s interesting to read how this community was dealing with it amongst them. That was an interesting idea.
Thank goodness it was only 300 pages.
May 19, 2025
At the middle of this book I thought it was going nowhere, trying to build suspense where there wasn’t any. I was wrong! Powerful ending.
October 25, 2024
Big thanks to Ultimo Press for sending us a copy to read and review.
A tragedy a year ago splintered the close friendship group and left emotional wounds to fester.
A weekend away an opportunity to start the healing process and erode the guilt that lingers.
The three friends travel to a regional town for a getaway that will challenge, nurture and mirror inner demons in their lives.
A dangerous situation and a level of creepiness from townsfolk see a response that was lacking when their friend was in trouble a year earlier.
Told from all three points of view with flashbacks intertwined completed a story that touched on social issues that all too common.
Bravery, loyalty and true friendship alongside with help from friendly locals define the narrative.
An intense and atmospheric read that allows the reader to conjure up creepy imagery and feel the pain of broken characters.
Country towns are the perfect place for these stories to be set.
Lighter moments were interspersed especially in school mum gatherings to balance the darkness.
A tragedy a year ago splintered the close friendship group and left emotional wounds to fester.
A weekend away an opportunity to start the healing process and erode the guilt that lingers.
The three friends travel to a regional town for a getaway that will challenge, nurture and mirror inner demons in their lives.
A dangerous situation and a level of creepiness from townsfolk see a response that was lacking when their friend was in trouble a year earlier.
Told from all three points of view with flashbacks intertwined completed a story that touched on social issues that all too common.
Bravery, loyalty and true friendship alongside with help from friendly locals define the narrative.
An intense and atmospheric read that allows the reader to conjure up creepy imagery and feel the pain of broken characters.
Country towns are the perfect place for these stories to be set.
Lighter moments were interspersed especially in school mum gatherings to balance the darkness.
October 1, 2024
A year after tragedy changed their lives, Melissa, Cassandra and Bridie plan a weekend away from their family and travel to a sleep quiet town named Marcoy.
It’s meant to be a chance to reconnect but all three women are troubled by the past and haven’t discussed the trauma that had plagued their friendship this past year
And they are each struggling in their own family unit, which equally plays on their minds
Horribly they witness a young local girl being forced into a car by what appears to be her father.
When the young girl goes missing later that day, old memories are rehashed and the three women get caught up in the town trying to protect their own
A very interesting and character charged read.
It took me a while to get in the groove with the three main characters, as they are very different women. But I was still hooked from the get-go. The setting was dark, and provided a sense on unnerving throughout.
Thank you @ultimopress for my gifted copy in exchange for an honest review
Content warning : Touching on many topics as domestic abuse, miscarriage and death.
It’s meant to be a chance to reconnect but all three women are troubled by the past and haven’t discussed the trauma that had plagued their friendship this past year
And they are each struggling in their own family unit, which equally plays on their minds
Horribly they witness a young local girl being forced into a car by what appears to be her father.
When the young girl goes missing later that day, old memories are rehashed and the three women get caught up in the town trying to protect their own
A very interesting and character charged read.
It took me a while to get in the groove with the three main characters, as they are very different women. But I was still hooked from the get-go. The setting was dark, and provided a sense on unnerving throughout.
Thank you @ultimopress for my gifted copy in exchange for an honest review
Content warning : Touching on many topics as domestic abuse, miscarriage and death.
October 22, 2024
I know that I'll be thinking about this one for a long time. The story hooked me from the first chapter, and I appreciated the slow build. I liked that the reader didn't get all the answers -- we can only know as much as the three friends know and are told.
The eerie setting and cagey interactions with townsfolk added to the suspense. Everyone has secrets that they want to keep hidden.
Overall, I found this novel to be a powerful story about grief, change, and finding strength in community. Sometimes, we have to say the scary truths, and in naming the fear, hurt, and anguish, we find a way forward together.
TW: this book does contain some heavy themes around domestic/ intimate partner violence. For those in the US who need support, you can text BEGIN to 88788.
The eerie setting and cagey interactions with townsfolk added to the suspense. Everyone has secrets that they want to keep hidden.
Overall, I found this novel to be a powerful story about grief, change, and finding strength in community. Sometimes, we have to say the scary truths, and in naming the fear, hurt, and anguish, we find a way forward together.
TW: this book does contain some heavy themes around domestic/ intimate partner violence. For those in the US who need support, you can text BEGIN to 88788.
April 20, 2025
Absolutely fantastic depiction of DV and the spectrum of male behaviour. Really layered characters that are brilliantly flawed and redeemable. I'm proud to know that this is the talent coming out of Australia.
February 22, 2025
Loved this book. The relationships between the characters, the intrigue, the suspense, the ending. Wow! Hopefully there will be more from this author.
October 8, 2024
I found this story captivating from the first chapter. The tension mixed with anticipation had me turning the pages very quickly, my anxiety levels on edge.
Settling in, the pace slowed as the events, both past and present were revealed. The structure of the story was such that each character narrated the events progressively, alternating and telling the story from their own perspectives at the time.
We join three women on an activity packed weekend getaway to a remote county town during the solstice festival. They had bonded as ‘school mums’ and are still struggling to come to terms with a traumatic event a year on. They are hoping this weekend will help them heal and reconnect.
Melissa, Bridie and Cassandra also have their own personal issues to deal with which influences their actions.
With help from the town, its residents and the events of the weekend, the women learn to embrace their demons and come to understand their grief and feelings of guilt.
My takeaway quote from this story was: “You think you can change things for other people but you can’t, you can only change things for yourself.”
Issues arising in this story are; grief, guilt, domestic violence, family and friendship.
Thank you to Better Reading and Ultimo Press for this review copy.
Settling in, the pace slowed as the events, both past and present were revealed. The structure of the story was such that each character narrated the events progressively, alternating and telling the story from their own perspectives at the time.
We join three women on an activity packed weekend getaway to a remote county town during the solstice festival. They had bonded as ‘school mums’ and are still struggling to come to terms with a traumatic event a year on. They are hoping this weekend will help them heal and reconnect.
Melissa, Bridie and Cassandra also have their own personal issues to deal with which influences their actions.
With help from the town, its residents and the events of the weekend, the women learn to embrace their demons and come to understand their grief and feelings of guilt.
My takeaway quote from this story was: “You think you can change things for other people but you can’t, you can only change things for yourself.”
Issues arising in this story are; grief, guilt, domestic violence, family and friendship.
Thank you to Better Reading and Ultimo Press for this review copy.
May 17, 2025
Three friends, Bridie, Melissa and Cassandra go away for a weekend to reconnect. Clearly something happened about a year ago, but we are not privy to what that was. This gets revealed bit by bit. I must admit I found the book odd and slow, and it really wasn’t till almost the end that you get to understand what happened to their friendship. It is the last 40 pages or so that redeem the book for me. “She’d never considered the question from the other perspective “, very poignant.
September 13, 2024
Everywhere We Look by Martine Kropkowski offers a poignant exploration of the ripple effects of domestic violence and abuse, examining the experiences of three relatable women. Kropkowski effectively captures the feelings of vulnerability that many women face, leaving readers questioning whether danger is real or perceived. While the novel's premise is compelling, the writing style can sometimes be difficult to follow. Overly detailed descriptions, such as on page 62, where the character’s actions are chronicled in unnecessary depth, detract from the story’s emotional impact. However, the book gains momentum about halfway through, with a shift in focus that challenges readers to stop questioning victims and instead ask why abusers act as they do. The novel’s powerful message—emphasizing the need for collective community responsibility in standing against abuse—resonates strongly. While not without its flaws, Everywhere We Look ultimately delivers an important conversation about domestic violence that readers won’t soon forget.
September 23, 2024
**2.5 stars
Thank you to Better Reading for an advanced copy of this book in exchange for a review.
Unfortunately, I didn't enjoy this book. In my view, it seemed to be trying to tackle too many themes at once, without fully succeeding in any of them.
The first half was quite slow, and I found it unclear where this story was heading. It then shifted into a thriller, with the main characters getting involved in a situation they knew very little about. One character was even ready to commit murder without knowing much of the supposed crime.
This all unfolded against the backdrop of a close friend who had been a victim of domestic violence and had tragically died.
I believe there was a missed opportunity to create a compelling narrative about the impact of domestic violence on those who think they know the victim. Despite appearances, you never truly know what is happening in someone’s private life. The storyline about Sarah, in particular, could have been more developed. I felt I only got to know her through a few scattered snippets.
Thank you to Better Reading for an advanced copy of this book in exchange for a review.
Unfortunately, I didn't enjoy this book. In my view, it seemed to be trying to tackle too many themes at once, without fully succeeding in any of them.
The first half was quite slow, and I found it unclear where this story was heading. It then shifted into a thriller, with the main characters getting involved in a situation they knew very little about. One character was even ready to commit murder without knowing much of the supposed crime.
This all unfolded against the backdrop of a close friend who had been a victim of domestic violence and had tragically died.
I believe there was a missed opportunity to create a compelling narrative about the impact of domestic violence on those who think they know the victim. Despite appearances, you never truly know what is happening in someone’s private life. The storyline about Sarah, in particular, could have been more developed. I felt I only got to know her through a few scattered snippets.
September 24, 2024
I found ‘Everywhere We Look’ a rather slow start with three women going away for a weekend break but all seem very distracted with their own worries and concerns. However, they do share one thing in common which is their missing friend and the thoughts that they could have done more to help her and therefore saved her life, but no one seems able to discuss this openly.
The weekend is being spent in a small country town where there appears to be some strange characters and happenings. It is only when they witness a young girl in danger that the true strengths of the personalities of the women is seen. However, the town folk have their own way of dealing with situations.
There are several situations throughout the book where the suspense is very well written and very descriptive.
Thank you to Better Reading for an advanced copy
The weekend is being spent in a small country town where there appears to be some strange characters and happenings. It is only when they witness a young girl in danger that the true strengths of the personalities of the women is seen. However, the town folk have their own way of dealing with situations.
There are several situations throughout the book where the suspense is very well written and very descriptive.
Thank you to Better Reading for an advanced copy
December 21, 2024
Too much backstories, I really don’t care about all the husbands and children…
March 16, 2025
Might have been the fact I have been very busy and essentially this took me “weeks” to finish, but I couldn’t get into this novel. It was ok. I finished it, but didn’t really want to.
November 4, 2024
Martine Kropkowski’s debut psychological thriller Everywhere We Look (Ultimo 2024) is a triumph of canvassing female relationships, domestic violence and coercive control almost without a single violent act on the page – the entire story is hint and subjective; sinister and menacing while just out of reach; anticipatory fear all the more traumatic because we are always guessing at what has happened in the past or what might occur in the future. Kropkowski has written a skilful and clever narrative that never states the obvious and yet fills us with terror.
Three women sit at the centre of the story, previously very close friends but whose friendship has fractured over the last year due to an incident or events that are in the beginning unclear. They come together in the regional town of Marcoy to spend time with each other and hopefully reset the dynamics of their relationships. Cassandra has no wish to go over or remember the past, and simply wants a weekend of wine and relaxation. Melissa has lived in a deep depression for the past year and wonders whether this weekend might help or only make things worse. And Bridie is leaving behind her toddler, fearing she is not a good mother or even a good person, but trying to pretend that she is coping fine.
While the weekend is meant to recement their bonds, none of the women want to revisit the reasons their friendship has fallen apart. That is all too painful.
But almost as soon as they arrive, they witness a young girl being coerced into a car seemingly against her will, an incident which brings up painful memories for each of them. This girl becomes a talisman who focuses their grief and their trauma, as they struggle with what they did or did not do a year earlier, and whether they can make amends by taking action this time.
The wonderful aspect of this novel is the restraint and reserve with which the author has written about difficult subjects. The pain, rage, anger, distress and frustration of #metoo is suffused through every page, but it is rarely voiced or explained or enacted. The author trusts the reader to instinctively read between the lines and piece together what has happened, and what is happening. Yes, this is a novel about the safety (or otherwise) of women but it approaches this from a number of different angles, and explores the power of an individual – or a community – to respond.
Great description scaffolds the story, especially the nuances of a small town, and the characters are uniquely depicted, their thoughts and interiority generously open for the reader to interpret. Kropkowski has included a slight magical realism element … witchcraft? Or instead the workings of minds that are guilty or resentful or depressed or damaged? Again, it is up to the reader to judge.
A haunting, atmospheric, tense story full of secrets, Everywhere We Look also examines themes of grief, loss, friendship, violence, vengeance and redemption, with a shocking but deliciously satisfying conclusion. This is a book for mothers and friends, partners and allies, male mates and husbands. It will mean something different for everyone but will always be thought-provoking, with the questions: What would I have done? and What would I do now, knowing what happened then?
Three women sit at the centre of the story, previously very close friends but whose friendship has fractured over the last year due to an incident or events that are in the beginning unclear. They come together in the regional town of Marcoy to spend time with each other and hopefully reset the dynamics of their relationships. Cassandra has no wish to go over or remember the past, and simply wants a weekend of wine and relaxation. Melissa has lived in a deep depression for the past year and wonders whether this weekend might help or only make things worse. And Bridie is leaving behind her toddler, fearing she is not a good mother or even a good person, but trying to pretend that she is coping fine.
While the weekend is meant to recement their bonds, none of the women want to revisit the reasons their friendship has fallen apart. That is all too painful.
But almost as soon as they arrive, they witness a young girl being coerced into a car seemingly against her will, an incident which brings up painful memories for each of them. This girl becomes a talisman who focuses their grief and their trauma, as they struggle with what they did or did not do a year earlier, and whether they can make amends by taking action this time.
The wonderful aspect of this novel is the restraint and reserve with which the author has written about difficult subjects. The pain, rage, anger, distress and frustration of #metoo is suffused through every page, but it is rarely voiced or explained or enacted. The author trusts the reader to instinctively read between the lines and piece together what has happened, and what is happening. Yes, this is a novel about the safety (or otherwise) of women but it approaches this from a number of different angles, and explores the power of an individual – or a community – to respond.
Great description scaffolds the story, especially the nuances of a small town, and the characters are uniquely depicted, their thoughts and interiority generously open for the reader to interpret. Kropkowski has included a slight magical realism element … witchcraft? Or instead the workings of minds that are guilty or resentful or depressed or damaged? Again, it is up to the reader to judge.
A haunting, atmospheric, tense story full of secrets, Everywhere We Look also examines themes of grief, loss, friendship, violence, vengeance and redemption, with a shocking but deliciously satisfying conclusion. This is a book for mothers and friends, partners and allies, male mates and husbands. It will mean something different for everyone but will always be thought-provoking, with the questions: What would I have done? and What would I do now, knowing what happened then?
October 13, 2024
Another book read in one sitting – Everywhere We Look is a debut novel with a punch, and is mesmerising. It's a book where you might feel lost within the descriptions of the Bush and the Old Town and the environment and its colours and sounds. It is also a book that invokes so much emotion that grips your heart and your soul as you read it. The book has various perspectives from Melissa Cassandra and Bridie. They are three friends we have just started to go away for the weekend to an idyllic country town called Marcoy, with the memory open event that occurred within their circle of friendship still fresh after a year.
There is something that sits in this story that seems unsettling almost unnerving, and it's just at your shoulder almost peering over as you read. There is a darkness to this town and to some other characters that the three women get to know and running to during this day. There is also an incident that happens on this day in the town that these three women are drawn into. The flashback scenes into the history between these friends are amplified through the current day events and slowly the pieces come together about what happened on that fateful day a year ago. There is a lot of understanding and compassion in the way this book has been written and it really starts to examine and ask questions about the safety of women and families. Why is it that we can't walk home in the dark? Why is it we don't even feel even feel safe in our own homes? Why is it that coercive control is still perceived to be a level of paranoia rather than an abusive action?
The other element that was quite strong in this book was the notion of guilt among friends. It's very hard to know when to step in and how to step in and whether the senses and that gut instinct that you have Ariel and whether you should act on them when you feel them. As the story progresses it is very clear to see how Melissa Cassandra and variety have made peace with their past and also still carry a lot of guilt and remorse and continue to as “what of” questions.
Compelling, and highly recommended.
There is something that sits in this story that seems unsettling almost unnerving, and it's just at your shoulder almost peering over as you read. There is a darkness to this town and to some other characters that the three women get to know and running to during this day. There is also an incident that happens on this day in the town that these three women are drawn into. The flashback scenes into the history between these friends are amplified through the current day events and slowly the pieces come together about what happened on that fateful day a year ago. There is a lot of understanding and compassion in the way this book has been written and it really starts to examine and ask questions about the safety of women and families. Why is it that we can't walk home in the dark? Why is it we don't even feel even feel safe in our own homes? Why is it that coercive control is still perceived to be a level of paranoia rather than an abusive action?
The other element that was quite strong in this book was the notion of guilt among friends. It's very hard to know when to step in and how to step in and whether the senses and that gut instinct that you have Ariel and whether you should act on them when you feel them. As the story progresses it is very clear to see how Melissa Cassandra and variety have made peace with their past and also still carry a lot of guilt and remorse and continue to as “what of” questions.
Compelling, and highly recommended.
October 27, 2024
‘Each year, a new cohort of parents agonises over incidentals—the brand of coloured pencils, for instance—for the first and final time (after this year and forever more, they will select whichever option is on sale).’
For some parents, friendships are formed when children enter school. Dropping children off at school on the first day is a shared experience and for those who have time, meeting up over coffee (or tea) can be a great way to find common interests. In this story, four mothers came together in this way. Sadly, a tragedy splintered the group a year ago, and now three of the mothers have agreed to a weekend away to try to reconnect.
Melissa, Bridie and Cassandra travel to the regional Australian town of Marcoy. Each of the women has her own concerns, each is hoping for something different. And each of them hopes to avoid any discussion of the reason why their group has splintered. But an incident they witness causes each of them to react and all of them to remember.
The story unfolds through the alternating viewpoints of each woman. And in this way, while their fears are shared with the reader, we also have the perspectives of friends. Is Bridie dealing with things as well as she thinks she is? Are Melissa’s fears realistic? Is Cassandra really as laid back as she tries to present?
Personal concerns and circumstances are overshadowed by the disappearance of a teenage girl. The townspeople draw together to look for the missing girl. And, while Melissa, Cassandra and Bridie have had varying experiences of some of the townspeople, they appreciate the way the community draws together.
I don’t want to spoil this story by providing more detail, but I will add that Ms Kropkowski really ratchets up the tension. The story shifts between past and present, slowly providing information about the event that splintered the group. There is a contrast, as well, between the response of the townspeople when faced with a missing teenager and the anonymity of the city.
An impressive debut novel.
‘All the perpetrator asks is that we do nothing.’
Jennifer Cameron-Smith
For some parents, friendships are formed when children enter school. Dropping children off at school on the first day is a shared experience and for those who have time, meeting up over coffee (or tea) can be a great way to find common interests. In this story, four mothers came together in this way. Sadly, a tragedy splintered the group a year ago, and now three of the mothers have agreed to a weekend away to try to reconnect.
Melissa, Bridie and Cassandra travel to the regional Australian town of Marcoy. Each of the women has her own concerns, each is hoping for something different. And each of them hopes to avoid any discussion of the reason why their group has splintered. But an incident they witness causes each of them to react and all of them to remember.
The story unfolds through the alternating viewpoints of each woman. And in this way, while their fears are shared with the reader, we also have the perspectives of friends. Is Bridie dealing with things as well as she thinks she is? Are Melissa’s fears realistic? Is Cassandra really as laid back as she tries to present?
Personal concerns and circumstances are overshadowed by the disappearance of a teenage girl. The townspeople draw together to look for the missing girl. And, while Melissa, Cassandra and Bridie have had varying experiences of some of the townspeople, they appreciate the way the community draws together.
I don’t want to spoil this story by providing more detail, but I will add that Ms Kropkowski really ratchets up the tension. The story shifts between past and present, slowly providing information about the event that splintered the group. There is a contrast, as well, between the response of the townspeople when faced with a missing teenager and the anonymity of the city.
An impressive debut novel.
‘All the perpetrator asks is that we do nothing.’
Jennifer Cameron-Smith
December 27, 2024
A great new voice in Australian crime literature
This was so spell-binding I read it straight through. Three friends are having a weekend away but early on we realise there was a fourth. There are hints of death by partner. The three each have problems, which to a large extent stem from the fact that they allowed their former friend to disappear from their lives without chasing her up. There are well placed flashbacks showing how they became friends, how their relationships panned out and the little signs that the husband of the fourth was exercising coercive control. Each of the women is well delineated with terrific insight. Their kids and partners too. The writing style is great: economical without trying to be artsy. It has great ease and flow. The author really knows how to bring people, landscapes and the town’s culture to life. The characters’ situation is triggered by meeting two girls in town, one of whom is a would be runaway from a violent father. There is an interesting - rather pagan - full moon festival for the winter solstice after which there’s a showdown which thankfully removes one of the women friends from the danger of ruining her life. The big lesson for the three friends is that not talking about something big doesn’t make it go away. Particularly likeable are the gritty no-bullsh*t women who take matters into their own hands. A superb look at a really important issue. An author to watch out for.
This was so spell-binding I read it straight through. Three friends are having a weekend away but early on we realise there was a fourth. There are hints of death by partner. The three each have problems, which to a large extent stem from the fact that they allowed their former friend to disappear from their lives without chasing her up. There are well placed flashbacks showing how they became friends, how their relationships panned out and the little signs that the husband of the fourth was exercising coercive control. Each of the women is well delineated with terrific insight. Their kids and partners too. The writing style is great: economical without trying to be artsy. It has great ease and flow. The author really knows how to bring people, landscapes and the town’s culture to life. The characters’ situation is triggered by meeting two girls in town, one of whom is a would be runaway from a violent father. There is an interesting - rather pagan - full moon festival for the winter solstice after which there’s a showdown which thankfully removes one of the women friends from the danger of ruining her life. The big lesson for the three friends is that not talking about something big doesn’t make it go away. Particularly likeable are the gritty no-bullsh*t women who take matters into their own hands. A superb look at a really important issue. An author to watch out for.
October 9, 2024
This is the story of three women who set off on a weekend away to an outback town in an effort to reconnect and heal their friendship; a friendship that has been irrevocably changed by a terrible event. I don't think it's a spoiler alert to share that the terrible event involved a fourth woman and that this book holds up a mirror to the epidemic of domestic violence and coercive control Australia is facing.
We get to know the three women and their circumstances before the author pieces together the details of the terrible event, with an incident that they witness on their getaway used to amplify the unresolved tension between them. By weaving in a light supernatural theme, the author adds a powerful layer to an already haunting and tragic story, with almost every page bearing the weight of pain and grief.
If it sounds heavy, it is, but don't let that deter you. This is a suspenseful read that every woman will connect with on some level and an exploration of the emotions, such as guilt and remorse, that come with not having done more to change an outcome. If you like your crime fiction to be emotive, burn a little slower and set scenery that you can easily picture, you'll gobble this up.
It is atmospheric, beautiful, devastating, and an impressive debut novel from Martine Kropkowski.
We get to know the three women and their circumstances before the author pieces together the details of the terrible event, with an incident that they witness on their getaway used to amplify the unresolved tension between them. By weaving in a light supernatural theme, the author adds a powerful layer to an already haunting and tragic story, with almost every page bearing the weight of pain and grief.
If it sounds heavy, it is, but don't let that deter you. This is a suspenseful read that every woman will connect with on some level and an exploration of the emotions, such as guilt and remorse, that come with not having done more to change an outcome. If you like your crime fiction to be emotive, burn a little slower and set scenery that you can easily picture, you'll gobble this up.
It is atmospheric, beautiful, devastating, and an impressive debut novel from Martine Kropkowski.
December 6, 2024
I love a wolf-in-sheep's-clothing literary mystery, and this thoughtful, probing debut novel had me gripped. Three women on a weekend away witness a troubling incident, prompting them to evaluate a catastrophic event in their own lives. Quiet country roads, men climbing out of utes, a rustling pine forest, a gothic house on a hill and the blurry line between female fear and madness makes for an intelligent and delicious slow burn read. Evocative and atmospheric, I kept thinking about this story long after I'd finished reading.
The different women characters are strong yet flawed, and relatable. When you find yourself questioning their version of events, you are also compelled to reflect on your own assumptions, and how society gaslights women, making us doubt the menace that is constantly creeping around the corners of our lives.
“All the perpetrator asks is that we do nothing.” This is the question at the heart of this book. Why do we as a society let perpetrators get away with their crimes, why do we pretend we don't know, why do we forgive or protect them?
I especially enjoyed the nuances of motherhood, these are very well written and often funny. As well as exploring anxieties about female safety, it's a beautiful story about the complexities and importance of friendship. I liked the structure, how the simmering tension weaves and builds, with well placed flashbacks, lots of surprises, and a satisfying and plausible twist.
A very accomplished debut novel.
The different women characters are strong yet flawed, and relatable. When you find yourself questioning their version of events, you are also compelled to reflect on your own assumptions, and how society gaslights women, making us doubt the menace that is constantly creeping around the corners of our lives.
“All the perpetrator asks is that we do nothing.” This is the question at the heart of this book. Why do we as a society let perpetrators get away with their crimes, why do we pretend we don't know, why do we forgive or protect them?
I especially enjoyed the nuances of motherhood, these are very well written and often funny. As well as exploring anxieties about female safety, it's a beautiful story about the complexities and importance of friendship. I liked the structure, how the simmering tension weaves and builds, with well placed flashbacks, lots of surprises, and a satisfying and plausible twist.
A very accomplished debut novel.
October 13, 2024
Three friends away from the city for a weekend away. Taking with them their grief, trauma, guilt, and bottled-up emotional baggage from the tragedy that rocked their worlds almost a year ago.
This is written as a thriller, a compelling book with drops of the story in the past, woven into the alternating chapters from each of the three friends. The full horror of the past, and the terror in their present, is flashed through, like strobe lighting. Glimpses, wafts, pieces, fragments, possibilities, illusions.
The real threat of violence against women by men, known and unknown to us, is the simmering edge here. The reason our hairs raise, why we hold our keys in our hands. Why exchanges with strange men make us second guess, wonder, imagine and fear the worst.
The unravelling of the story, and the characters, is both cleverly done and fleeting as it builds. The truth is something pulling, and yet you know it's going to be too awful to bare. We all deal with shock and pain in very different ways, as fleshed out here.
An interesting mirror into the experience of the bystanders in domestic violence, the people left thinking how did they not know, could they have done something, and if so, what? What would that look like, as an individual, as a community?
This is written as a thriller, a compelling book with drops of the story in the past, woven into the alternating chapters from each of the three friends. The full horror of the past, and the terror in their present, is flashed through, like strobe lighting. Glimpses, wafts, pieces, fragments, possibilities, illusions.
The real threat of violence against women by men, known and unknown to us, is the simmering edge here. The reason our hairs raise, why we hold our keys in our hands. Why exchanges with strange men make us second guess, wonder, imagine and fear the worst.
The unravelling of the story, and the characters, is both cleverly done and fleeting as it builds. The truth is something pulling, and yet you know it's going to be too awful to bare. We all deal with shock and pain in very different ways, as fleshed out here.
An interesting mirror into the experience of the bystanders in domestic violence, the people left thinking how did they not know, could they have done something, and if so, what? What would that look like, as an individual, as a community?
September 20, 2024
3 1/2 stars
“…moving on is not moving past; moving on is simply making the choice to continue to move.”
Fete intervened when Sarah, Melissa, Bridie and Cassandra meet and became friends. They regularly caught up, offering support to one other, sharing the highs and lows of life. At least, that’s what Melissa, Bridie and Cassandra thought, but when tragedy struck at the hands of Sarah’s husband, the three women wonder if they ever really knew Sarah at all.
The women decide to get away for a girl’s weekend, but the elephant in the room, Sarah’s absence, is constantly creating a shadow over everything they do. Events over the weekend force the three friends to confront their unspoken fears and the impact of Sarah’s absence on their lives in the 12 months since they’ve last seen her.
I loved the idea of exploring the impact of domestic violence on the friends of the victim. So many people are affected by violence, yet so often their voices aren’t heard.
Thanks to Better Reading for providing me with an advanced copy of this book.
“…moving on is not moving past; moving on is simply making the choice to continue to move.”
Fete intervened when Sarah, Melissa, Bridie and Cassandra meet and became friends. They regularly caught up, offering support to one other, sharing the highs and lows of life. At least, that’s what Melissa, Bridie and Cassandra thought, but when tragedy struck at the hands of Sarah’s husband, the three women wonder if they ever really knew Sarah at all.
The women decide to get away for a girl’s weekend, but the elephant in the room, Sarah’s absence, is constantly creating a shadow over everything they do. Events over the weekend force the three friends to confront their unspoken fears and the impact of Sarah’s absence on their lives in the 12 months since they’ve last seen her.
I loved the idea of exploring the impact of domestic violence on the friends of the victim. So many people are affected by violence, yet so often their voices aren’t heard.
Thanks to Better Reading for providing me with an advanced copy of this book.
May 7, 2025
Everywhere We Look by Martine Kropkowski is a psychological thriller that centres around three women who first met at school drop off. A year after a tragic event fractured their friendship, they plan a weekend away in hopes of reconnecting. But when they witness a young girl being coerced into a car and later learn she’s been reported missing, things quickly unravel.
The premise had me hooked each woman representing fight, flight or freeze was an intriguing concept. Unfortunately, this debut fell flat for me. The writing felt clunky and underdeveloped and while I love a good thriller (even though I’m a total scaredy cat), I just couldn’t connect with this one. The town and its residents felt implausible and the big tragic event from a year ago was teased repeatedly but never properly revealed. There were gaps in the narrative that left me flipping back pages thinking I’d missed something, but I hadn’t that just seemed to be the author’s style. Instead of building suspense, it felt confusing and disjointed. ⭐️⭐️
See more of reviews here - Instagram.com/lucindaskeatsmiller
The premise had me hooked each woman representing fight, flight or freeze was an intriguing concept. Unfortunately, this debut fell flat for me. The writing felt clunky and underdeveloped and while I love a good thriller (even though I’m a total scaredy cat), I just couldn’t connect with this one. The town and its residents felt implausible and the big tragic event from a year ago was teased repeatedly but never properly revealed. There were gaps in the narrative that left me flipping back pages thinking I’d missed something, but I hadn’t that just seemed to be the author’s style. Instead of building suspense, it felt confusing and disjointed. ⭐️⭐️
See more of reviews here - Instagram.com/lucindaskeatsmiller
July 23, 2025
This book is not worth wasting time reading.
One character is called Charlie. This person is referred to as "they, their, etc".
I almost tossed the book due to how much it annoyed me, but I skimmed over Charlie. I thought about crossing out the stupid verbs and writing the correct one above them, but there were too many. At first I thought it was a mistake, but when I saw how often this person was referred to in this ridiculous manner, I realised what the author was doing.
I never did find out whether it was a he or a she. I call them "it" and "it" was a search and rescue person, so I'm guessing Charlie has moved on out of the story now the search is over.
I'm struggling to finish the book. Boring beyond words and I will NEVER read this author again!!
I really resent authors using their books to present their own belief system and platform.
I read for entertainment and escapism. This book doesn't do it for me and as it's an introduction to her books, it's the last for me.
One character is called Charlie. This person is referred to as "they, their, etc".
I almost tossed the book due to how much it annoyed me, but I skimmed over Charlie. I thought about crossing out the stupid verbs and writing the correct one above them, but there were too many. At first I thought it was a mistake, but when I saw how often this person was referred to in this ridiculous manner, I realised what the author was doing.
I never did find out whether it was a he or a she. I call them "it" and "it" was a search and rescue person, so I'm guessing Charlie has moved on out of the story now the search is over.
I'm struggling to finish the book. Boring beyond words and I will NEVER read this author again!!
I really resent authors using their books to present their own belief system and platform.
I read for entertainment and escapism. This book doesn't do it for me and as it's an introduction to her books, it's the last for me.
September 22, 2024
Twelve months has passed since a tragic accident has happened which caused a drift in the friendship between three women, to try and reconnect they travel to a regional town in Queensland for a weekend get away.
From the start I was instantly intrigued on where this was heading, we dive into a topic we mainly don't talk about but it happens alot in our everyday life to women and men.
We go through the grief of three friends who have their own regrets of not helping her friend when she needed it but they don't want what happened then to happen now in a similar scenario when they are away on the weekend getaway.
I felt the emotions of what the women were feeling and would definitely jump in to help them as well if I was in the book.
Thank you ultimopress and betterreadingau for letting me read martine kropkowski book 🫶
From the start I was instantly intrigued on where this was heading, we dive into a topic we mainly don't talk about but it happens alot in our everyday life to women and men.
We go through the grief of three friends who have their own regrets of not helping her friend when she needed it but they don't want what happened then to happen now in a similar scenario when they are away on the weekend getaway.
I felt the emotions of what the women were feeling and would definitely jump in to help them as well if I was in the book.
Thank you ultimopress and betterreadingau for letting me read martine kropkowski book 🫶
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