Karl Kane is a private investigator with a dark past. As a child, he witnessed the brutal rape and murder of his mother. The same man sexually molested and stabbed Karl, leaving him for dead. Years later, Karl has a chance to avenge his mother's murder by killing the man responsible. For reasons he later regards as cowardice, Karl allows the opportunity to slip through his hands, only to be shattered when, days later, two young girls are sexually molested and then brutally murdered by the killer on Easter morning. Karl now holds himself responsible for their deaths. ""A dark violent noir odyssey of injustice, mercy and nerve. Be prepared...""-The Thrilling Detective Magazine ""Bloodstorm is a real find for aficionados of the classic hard-boiled novel who would like to see the form updated without it smelling like an anachronism.""-Booklist ""Powerful first of a new crime series.... The consistently tough prose should help gain Millar fans in the U.S. with a taste for the hard-boiled.""-Publisher Weekly
An award-winning crime writer of numerous true and fiction crime books. Dark Souls, On The Brinks, The Redemption Factory, The Darkness of Bones, Bloodstorm, and The Dark Place.
Der Privatdetektiv Karl Kane wird beauftragt, mehr über einen Toten herauszufinden, der vor kurzem brutal ermordet wurde. Da er seinen Auftrag zur Zufriedenheit seines Auftraggebers ausführt, wird er weiter engagiert. Er ahnt noch nicht, in was er da hineingeraten ist; es wird äußerst gefährlich für ihn. * Meine Meinung zum Buch: Um ganz ehrlich zu sein: Fast hätte ich das Buch gleich zu Beginn schon wieder abgebrochen. Warum? Weil ich arge Probleme mit der Brutalität in diesem Buch und der teilweise sehr vulgären Sprache hatte. Und dabei bin ich wirklich nicht zart besaitet, was das Lesen von Thrillern angeht. Ich habe dann auch weitergelesen, weil es wirklich sehr spannend war, und ich habe es letztendlich auch nicht bereut. Einige Stellen im Buch gibt es, auf die ich hätte verzichten können, aber die Geschichte an sich ist wirklich sehr spannend und fesselnd. Das Ende des Buches hat mich überrascht, und das mag ich sehr, wenn Bücher mich überraschen können. Mit diesem Täter habe ich nicht gerechnet, und doch wurde alles sehr schlüssig aufgeklärt. Das Ende ist somit rund und durchdacht, wie es sich für einen guten Krimi gehört. Auch wenn ich mich an die Sprache und die Brutalität im Buch nicht wirklich gewöhnen kann, so bin ich nun doch gespannt auf den zweiten Fall für Karl Kane.
I wanted to like this. I didn't hate it; I just didn't love it. "Bloodstorm" is a Private Detective novel set in Belfast; I am from Northern Ireland and I love PI books. When we met it should have been murder....
The idea is a good one - take a traditional, hard-boiled, wise-cracking gumshoe and put him on the mean streets of post-troubles Belfast. Unfortunately, this could be set anywhere, Belfast never becomes a character, there is no sense of uniqueness of setting and, worst of all, people just don't speak like that, not least the people of Belfast. The dialogue is stilted and unnatural for the most part; there is no rhythm to it and in key scenes is reads like poor actors reading a laboured, expositional script.
As I said, I didn't hate it. There is a decent plot although it would benefit from a good editor; sections could have been streamlined or left out altogether, wild dogs become confused with wild pigs (both appear on Belfast's Cavehill at times in the novel), and, while I love Billie Holiday, her voice was anything but 'flawless'. I may pick up other work by Millar. His bio certainly suggests that he should have an authentic voice but it just doesn't come through in "Bloodstorm"...
Premier volet d'une trilogie policière pas comme les autres, avec pour figure centrale, le détective privé Karl Kane.
On a là un bouquin très noir, avec des descriptions répugnantes et vulgaires, un bouquin hyper violent, mais en parfaite cohérence avec l'intrigue, un bouquin sombre, poignant, immoral et à la lisière du désespoir. On ne s'y engage pas pour se changer les idées et voir du pays, mais on fait tout de même une sacrée découverte ! Karl Kane est du genre sympa malgré un portrait peu flatteur. C'est un mec bourru et meurtri, qui traîne des casseroles, flic refoulé, écrivain frustré, amateur de poker et aimant prendre des risques inconsidérés pour s'offrir la tête de ceux qui l'exaspèrent (et ils sont nombreux !). Reste - heureusement - un humour cynique et amer, dosé juste comme il faut pour nous extirper de cette marée noire. La lecture n'est pas exceptionnelle, mais pas désagréable non plus. Je tenterai les suivants.
I enjoyed this first Karl Kane book, but have to admit I only bought it after reading the excellent reviews for it. Two I have enclosed with this review. Bloodstorm is nothing I expected. Kark Kane is a terrific character with a very dark past and terrible secret. I know the book has been condemned for its violence, but I thought the violence played a need part of the story. terrific.
“At the start of this powerful first of a new crime series from Irish author Millar (The Redemption Factory), wild dogs finish off a battered gang-rape victim, left for dead in a unused quarry outside Belfast one summer day in 1978. Decades later, someone is picking off the men responsible for this outrage. At the behest of a shadowy employer, PI Karl Kane investigates the death of one of the rapists, whose body turns up in the city’s Botanic Gardens. Flashbacks to the 1960s, when a young boy witnessed his mother’s murder and narrowly escaped death at her killer’s hands, help build suspense as their relevance to the present-day murders slowly and chillingly comes into focus. Millar adds police corruption to the mix to make Kane’s search for the truth even more troublesome. Bloodstorm is the first in a powerful new crime series from Irish author Millar, and its consistently tough prose should help gain Millar fans in the U.S. with a taste for the hard-boiled. Extremely original, it is a chillingly gripping book.” Publisher Weekly, USA
“Irish crime writer, Sam Millar (The Redemption Factory) is back with a brand new anti-hero, Karl Kane… Thirty years ago Robert Mitchum and Michael Winner reprised The Big Sleep, setting their version of Raymond Chandler’s classic California crime novel in modern-day London. Surprisingly, the change of venue worked. In Bloodstorm, Millar’s wisecracking PI Karl Kane, though navigating the cockeyed lanes of twenty-first-century Belfast, could just as well be rambling the mean streets of prewar L.A. in tandem with Philip Marlowe. Private-eye-novel conventions that no longer are believable in the U.S.—the presence of an admiring (and foxy) Girl Friday, who draws a paycheck and does nothing, for example, or the hero’s habit of spouting off for the heck of it to the police (in the age of Homeland Security)—somehow seems right at home in the context of contemporary Belfast...Millar’s story line, too, will remind fans of the Marlowe stories; it’s as masterful as anything Chandler concocted by stitching together unrelated short stories. Crime noir doesn’t get much darker or grittier than this shocking tale of corruption and revenge... Altogether, Bloodstorm is a real find for aficionados of the classic hard-boiled novel who would like to see the form updated without it smelling like an anachronism.”
This book had nothing to do with the blurb on the back of the cover. I picked this up expecting to read about a man coming to terms with allowing a killer to go free and dealing with the aftermath when he kills again. Instead, it's a book about a person seeking revenge for an injustice done years ago. Still a pretty good read once I got over my disappoint. The ending could use a lot of work though. A lot of questions were left unanswered and there is no sequel.
Ich finde das Buch gut geschrieben und auch angenehm lesbar, jedoch kam ich nicht so mit den Charakteren zurecht und wusste am Schluss auch nicht wer jetzt was getan hat. Allenfalls lag das aber auch nur an mir, da ich vielleicht ein bisschen zu wenig konzentriert gelesen habe.
Aussi vite arrivé dans ma pile à lire, aussi vite terminé.
La reprise des activités me donne moins de temps pour lire mais, pendant les trajets, j’ai (deux fois) cinquante minutes pour prendre le temps de lire.
Du coup, je me suis lancée dans « Les Chiens de Belfast » de mon ami Sam Millar.
Sam, c’est l’écriture vraie, une écriture, brut, mais juste. Il n’enrobe pas des petits rubans inutiles, non. Il te plonge dans une histoire, mais laquelle ? Là est toute la question, parce que les détails s’enchaînent, s’emboîte comme dans un puzzle fraîchement sorti de sa boîte.
De ce volet des aventures de Karl « Kockoo » Kane, on ressent Belfast, ses habitants, leurs caractères parfois un peu rugueux, mais toujours authentiques même dans la fourberie.
Ne cherchez pas de grandes envolées et introspections, ce roman policier ou plutôt de détective privé est pour moi l’essence même de cette culture riche et bigarrée que possède le nord de l’Irlande. Les pages se tournent à toute vitesse, et le mélange de pensées, dialogue et narration donne un rythme particulier à la lecture.
Attentions aux chastes globes oculaires, Sam Millar n’y va pas avec le dos de la cuiller lorsqu’il décrit les corps et les blessures. Les images vous apparaissent aussi bien que si vous assistiez à la scène !
I did not like this book. I found the protagonist such a weak character and the story being so jumbled up and interrupted in the beginning that it took me over one hour of listening to the book before I figured out who is the protagonist. His piles make him increasingly unpopular with female readers, the description of him smearing cream on this hemorrhoids and then wiping his hands on this underpants without then washing means the character has already lost my respect. How am I to trust him to solve a crime, which he did more by stumbling upon the outcome and being given a leg up by all sorts rather than by him actually doing any work. And why is he doing all this research and investigating in the first place???? He rejected the money a paying client would have given him, but then although he has no money at all - is in fact broke - he continued to investigate without being paid for it. His secretary and lover is an equally unbelievable character. Why would a good looking young lady waste her time with such a loser guy? The book was boring to boot and I would be hard pressed reading any more by this author.
A pretty average read 2.5 stars. Also a completely different read and the blurb is not entirely representative of the plot. The title is probably a better indicator of the fact the book is not for the faint-hearted...it’s a bit of a blood fest. The colourful language will put some off, as will the strange chronology at times. Neither the protagonist nor the multiple antagonists are memorable but their crimes are the focal point of this read. Thankfully short, the majority of the issues are resolved to some extent. The biggest issue for me was the incongruence between the situations that were created and the resolutions provided.
Les critiques ont comparé ce roman aux oeuvres de Ellroy et je peux voir pourquoi. On a le côté noir de Belfast, les mauvais flics qui se font passés pour les gentils, l'anti-héros mal-dégrossi qui amènera un nouvel éclairage sur l'affaire et des meurtres et des jolies femmes. Sam Millar dit les choses telles qu'elles sont. On ne s'ennuit pas. Le roman est court, précis et efficace. Pas de grande révolution au niveau de l'intrigue, mais un bon moment aux côtés de personnages mal dans leur peau, mais qui essaient de faire de leur mieux. Même la fin tragique avec la révélation sur le père de Kane est bien placée. Un bon début de série noire.
Regardless of the sometimes confronting prose, I enjoyed the main character for his 'reality'. Sometimes tender (to his girl) but often angry, vengeful, he is a reluctant hero on a mission. However, as I listened to the audiobook, I'm afraid I must have missed something along the way, as I am completely bamboozled by the ending (epilogue). Need to find an explanation somewhere!
I listened to this as an audiobook. It was very good. There were a couple of times when I had to 're-read' the chapter introductions, but they were cool. The whole book was quite gruesome, but I don't usually read that sort of thing, so it was interesting.
The description given here relating to the main character's mother is merely background. Karl Kane is a stumbling private detective and the storyline stumbles through a series of murders eventually the finale is even more murders in this unsatisfactory novel.
I enjoyed the story, but I did not particularly like the style. I was also disappointed not to read more about Belfast. It certainly was a selling point for me and did not deliver.
'Sie öffnete die Augen. Was sie sah, erfüllte sie mit Entsetzen. Ein Stück Knochen ragte wie ein bleiches Teleskop aus ihrem linken Bein. Stimmen schossen ihr wie Querschläger durch den Kopf. Sieh nach, ob sie tot ist. Machst du Witze? Klar ist die tot. Manisches Gelächter. Bestien. Schneid ihr die Kehle durch. Sicher ist sicher. Sie begann zu beten: Macht schnell.' Zwanzig Jahre danach: Karl Kane ist Privatermittler in Belfast. Als eine männliche Leiche im Stadtpark gefunden wird, erhält er den Auftrag, herauszufinden, warum der Mann sterben musste. Die Motive seines Auftraggebers sind undurchsichtig. Doch Kane braucht das Geld. Als noch mehr Menschen auf verstörende Weise ermordet werden, merkt er, dass er niemandem mehr trauen kann. Dann holt ihn die eigene Vergangenheit ein, und es wird kalt in Belfast – sehr kalt.
Die Bestien von Belfast ist der erste Teil um den Privatdetective Karl Kane von Sam Millar.
Der Krimi beginnt mit einer gefolterten und vergewaltigten Frau, die man zum Sterben zurück gelassen hat, und als Leser erlebt man nun ihre letzten Stunden, Gedanken und Gefühle mit. Diese erste Szene hat es direkt in sich und kann schon ein wenig unter die Haut gehen, und auch die weiteren Morden in diesem Buch verlaufen häufig sehr brutal und blutig.
Durch den Sprach- und Schreibstil wirkte die Geschichte recht hart und schonungslos, was für mein Empfinden die Spannung noch unterstützte und ein ziemlich düsteres Bild des Milieu zeichnete in dem die Story spielt.
Karl Kane ist ein recht eigenwilliger Charakter, der mir aber gut gefallen hat und dem ich gerne durch die Geschichte folgte, nur seine Sprüche empfand ich nicht immer passend, sie wirkten manchmal einfach zu gewollt auf mich.
Nach dem doch recht brutalen Einstieg in die Geschichte, nahm für mich die Spannung erstmal wieder ein wenig ab, steigerte sich aber im Verlauf der Geschichte wieder um dann in einem spannenden Finale zu enden.
Mein Fazit:
Ein spannender Auftakt, der mich mit seiner harten und spannenden Geschichte für sich einnehmen konnte.
Une histoire intéressante, mais une plume un peu réductrice, avec des accents vulgaires un peu trop faciles à mon goût/. Karl Kane est détective privé, auteur non publié et âprement déçu de ne pas l'être, en conflit larvé avec de nombreux policiers de Belfast, lorsqu'un Mr Munday frappe à sa porte et lui demande d'enquêter sur le meurtre d'un ancien maton, violemment assassiné de trois balles dans l'arrière du crâne. Cette enquête mène Karl et sa secrétaire/petite amie Naomi dans de sombres recoins mêlant corruption, et exploitation sordide d'êtres humains. L'alternance entre flash backs et présent est je dois dire plutôt réussie, car elle ne noie pas le lecteur, et le dénouement est tout à à fait réussi. Mais je garde une certaine réserve sur la langue (peut-être est-ce seulement la traduction qui ne me satisfait pas?), que je trouve trop rugueuse. Et les personnages sont un peu caricaturaux à mon goût également. Mais cela mis à part, c'est un polar qui se lit très bien.
Although I’m a lover of crime & thriller this is a little different to my usual reads/listens. Not for the faint hearted when it comes to colourful language and descriptive passages of events. Might put some people off. I was expecting a lot more from this then what it gives. The description leads you to believe one thing but that’s not what you get and if anything the storyline jumps a lot. I found you didn’t really get to grips with the characters so it could get confusing at times trying to keep up with whose who. Some reviewers found it hard to connect with the main character Karl but I really liked his sense of humour. It did improve for the last 2hrs but disappointing overall as had potential.
I just finished this book and found it to be a very engaging read. This is hard-boiled noir! I would recommend this book for anyone who likes the same authors that I do. My favorites include Ken Bruen (This will remind you of the Taylor novels, not a copy of them, but influenced by them), Jason Starr, Victor Gischler, Sean Doolittle, Duane Swierczynski, Anthony Neil Smith, Pearce Hansen , Charlie Huston, Thuglit, and the old UglyTown publications. I don't want to recap the book, I just want to give the book its due. The book is dark, semi-violent, and hard core. If these are three words you look for when choosing a book, then grab this one and enjoy.
Excellent debut. I will read all Millar's books. The book does have its violent sections, but they serve a purpose and are no greater than what's being published already. The writing is top notch, that should be the focus.
Excellent crime noir, but only for those who like their crime gritty. This is the first in the Karl Kane series of books by Millar. Highly recommended.